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French Screen Studies最新文献

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Allégret-Sigurd, une association artistique typique de l’immédiat après-guerre 阿勒格雷特-西古尔德，战后初期典型的艺术合作关系
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-07-12 DOI: 10.1080/26438941.2024.2360270
Geneviève Sellier
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引用次数: 0
The ageing, the immature and the ageless: Juliette Binoche’s midlife roles since 2010 衰老、不成熟和不老：2010 年以来朱丽叶-比诺什的中年角色
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-07-04 DOI: 10.1080/26438941.2024.2358611
Douglas Morrey
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引用次数: 0
The Tarot’s Tower in Agnès Varda’s Cléo de 5 à 7 阿涅斯-瓦尔达《克莱奥 5 至 7》中的塔罗之塔
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-06-11 DOI: 10.1080/26438941.2024.2347122
Michelle Scatton-Tessier
{"title":"The Tarot’s Tower in Agnès Varda’s Cléo de 5 à 7","authors":"Michelle Scatton-Tessier","doi":"10.1080/26438941.2024.2347122","DOIUrl":"https://doi.org/10.1080/26438941.2024.2347122","url":null,"abstract":"Agnès Varda’s Cléo de 5 à 7/Cléo from 5 to 7 begins with a divination session that launches a process by which the protagonist will shed her public persona in favour of an inner form of self-awaren...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"52 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141334404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A poetics of opacity: disability, race and gender in Khady Sylla’s Une fenêtre ouverte 不透明的诗学：Khady Sylla 的《Une fenêtre ouverte》中的残疾、种族和性别问题
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-05-31 DOI: 10.1080/26438941.2024.2348888
Laura McMahon
{"title":"A poetics of opacity: disability, race and gender in Khady Sylla’s Une fenêtre ouverte","authors":"Laura McMahon","doi":"10.1080/26438941.2024.2348888","DOIUrl":"https://doi.org/10.1080/26438941.2024.2348888","url":null,"abstract":"Une fenêtre ouverte/An Open Window (2005), a documentary by the Senegalese writer and filmmaker Khady Sylla, offers an intimate, unsettling portrait of the mental health difficulties suffered by bo...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"47 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141334259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Oceanic feeling in Mati Diop’s Atlantique 马蒂-迪奥普《大西洋》中的海洋情怀
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-05-10 DOI: 10.1080/26438941.2024.2343557
Elisabeth Hodges
{"title":"Oceanic feeling in Mati Diop’s Atlantique","authors":"Elisabeth Hodges","doi":"10.1080/26438941.2024.2343557","DOIUrl":"https://doi.org/10.1080/26438941.2024.2343557","url":null,"abstract":"The ocean is a constant presence in Mati Diop’s award-winning film Atlantique/Atlantics (2019), a ghostly love story about the ongoing migration crisis set in Dakar, Senegal. A critical issue Diop ...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"34 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140910622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Global Gallicisms: the postnational popular in francophone European film and television since 2010 全球高卢语：2010 年以来欧洲法语国家影视作品中的后国家流行语
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-04-30 DOI: 10.1080/26438941.2024.2344930
Mary Harrod, Raphaëlle Moine
{"title":"Global Gallicisms: the postnational popular in francophone European film and television since 2010","authors":"Mary Harrod, Raphaëlle Moine","doi":"10.1080/26438941.2024.2344930","DOIUrl":"https://doi.org/10.1080/26438941.2024.2344930","url":null,"abstract":"Published in French Screen Studies (Vol. 24, No. 2, 2024)","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"20 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140895853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The construction of ‘Jacques Becker’: realism, popular film and the auteur in 1950s film criticism 构建 "雅克-贝克尔"：20 世纪 50 年代影评中的现实主义、大众电影和电影大师
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-04-29 DOI: 10.1080/26438941.2024.2330808
Sarah Leahy
{"title":"The construction of ‘Jacques Becker’: realism, popular film and the auteur in 1950s film criticism","authors":"Sarah Leahy","doi":"10.1080/26438941.2024.2330808","DOIUrl":"https://doi.org/10.1080/26438941.2024.2330808","url":null,"abstract":"Jacques Becker is well known as an auteur, one of the few French directors working in the post-war period who has been hailed as an ‘uncle’ of the New Wave (alongside Robert Bresson, Max Ophuls, Je...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"29 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140808539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘To possible what ifs’: promises, reenactment and other horizons in francophone cinema 为了可能的如果"：法语电影中的承诺、重现和其他视野
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-04-19 DOI: 10.1080/26438941.2024.2325324
Jeremi Szaniawski
{"title":"‘To possible what ifs’: promises, reenactment and other horizons in francophone cinema","authors":"Jeremi Szaniawski","doi":"10.1080/26438941.2024.2325324","DOIUrl":"https://doi.org/10.1080/26438941.2024.2325324","url":null,"abstract":"Published in French Screen Studies (Ahead of Print, 2024)","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"111 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140622891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fashioning the intimate: a cartography of autobiographical French documentary film 塑造亲密关系：自传体法国纪录片图谱
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-04-17 DOI: 10.1080/26438941.2024.2330832
Rémi Fontanel
{"title":"Fashioning the intimate: a cartography of autobiographical French documentary film","authors":"Rémi Fontanel","doi":"10.1080/26438941.2024.2330832","DOIUrl":"https://doi.org/10.1080/26438941.2024.2330832","url":null,"abstract":"In the 1980s, the French documentary field opened up to a number of autobiographical practices which redrew the frontiers of the cinematic landscape. L’Heure exquise (‘The exquisite hour’) (René Al...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"84 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140604015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Anatole Litvak: a unique figure among émigré filmmakers in 1930s French cinema 阿纳托尔-利特瓦克：20 世纪 30 年代法国电影移民电影制作人中的独特人物
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-04-15 DOI: 10.1080/26438941.2024.2325861
Nedjma Moussaoui
{"title":"Anatole Litvak: a unique figure among émigré filmmakers in 1930s French cinema","authors":"Nedjma Moussaoui","doi":"10.1080/26438941.2024.2325861","DOIUrl":"https://doi.org/10.1080/26438941.2024.2325861","url":null,"abstract":"Anatole Litvak, a Russian Jew who began his career at Ufa in Berlin, was one of the German émigrés who settled in France after Hitler came to power. His case is little known, yet it is both singula...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"74 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140553264","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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