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French Screen Studies最新文献

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Mise en scène and authorship in the Tradition of Quality (1945–1960) 质量传统中的场景设计与作者身份（1945-1960）
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2025-02-18 DOI: 10.1080/26438941.2025.2454180
Barry Nevin
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引用次数: 0
Nostalgia, authorship and sexualities in the new French cinema. Fassbinder’s legacy in François Ozon’s Gouttes d’eau sur pierres brûlantes 法国新电影中的怀旧、原创和性。法斯宾德在弗朗索瓦·奥宗的《巴黎风情》中留下的遗产
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2025-02-11 DOI: 10.1080/26438941.2025.2452111
Enrico Biasin
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引用次数: 0
Christian-Jaque’s cartographic chronicles of the Fourth Republic (1946–1958) Christian-Jaque的第四共和国地图编年史（1946-1958）
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2025-02-05 DOI: 10.1080/26438941.2024.2440278
Barry Nevin
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引用次数: 0
Bodies, care and power in La Permanence La Permanence》中的身体、关爱和权力
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-10-24 DOI: 10.1080/26438941.2024.2410622
Thomas Austin
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引用次数: 0
Jacqueline Audry’s Colette films: post-war quality style with a feminist edge 杰奎琳-奥德里的《科莱特》电影：带有女权主义色彩的战后优质风格
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-10-14 DOI: 10.1080/26438941.2024.2407238
Diana Holmes
{"title":"Jacqueline Audry’s Colette films: post-war quality style with a feminist edge","authors":"Diana Holmes","doi":"10.1080/26438941.2024.2407238","DOIUrl":"https://doi.org/10.1080/26438941.2024.2407238","url":null,"abstract":"Jacqueline Audry was that rare phenomenon, a woman film director in mid-twentieth century France. Drawn to Colette’s work by her appreciation of the latter’s style and close affinity with her value...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"6 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142536710","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Les filles de Méliès: l’exception culturelle, analogue aesthetics and women filmmakers of le cinéma-monde Les filles de Méliès：例外文化、模拟美学和电影世界的女性电影人
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-10-11 DOI: 10.1080/26438941.2024.2400832
Zeynep Aras, Colleen Kennedy-Karpat
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引用次数: 0
Monstres et monstruosités de Denis Lavant Monstres et monstruosités 作者：Denis Lavant
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-09-16 DOI: 10.1080/26438941.2024.2379184
Aurélien Gras
{"title":"Monstres et monstruosités de Denis Lavant","authors":"Aurélien Gras","doi":"10.1080/26438941.2024.2379184","DOIUrl":"https://doi.org/10.1080/26438941.2024.2379184","url":null,"abstract":"La persona d’acteur de Denis Lavant semble nouée autour de la figure du monstre. C’est d’abord au plan physique que s’exprime sa monstruosité. En effet, son visage contrevient aux canons de beauté ...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"12 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142245868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Enraged to live: reviving Liliane de Kermadec’s Aloïse 愤怒地活下去：重现莉莉安-德-凯尔马代克的《阿洛伊塞
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-09-11 DOI: 10.1080/26438941.2024.2389626
Tim Palmer
{"title":"Enraged to live: reviving Liliane de Kermadec’s Aloïse","authors":"Tim Palmer","doi":"10.1080/26438941.2024.2389626","DOIUrl":"https://doi.org/10.1080/26438941.2024.2389626","url":null,"abstract":"This article argues for the historiographic value of the long-neglected film Aloïse (1975). Directed by Liliane de Kermadec, Agnès Varda’s protégée, Aloïse is a biopic of Aloïse Corbaz, a Swiss gov...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"6 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142317569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Life lessons’: Gender, popular cinema and cinephilia 生命的教训性别、大众电影和电影嗜好
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-09-03 DOI: 10.1080/26438941.2024.2395686
Ginette Vincendeau
{"title":"‘Life lessons’: Gender, popular cinema and cinephilia","authors":"Ginette Vincendeau","doi":"10.1080/26438941.2024.2395686","DOIUrl":"https://doi.org/10.1080/26438941.2024.2395686","url":null,"abstract":"Published in French Screen Studies (Ahead of Print, 2024)","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"8 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142130582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Murder and motherhood: transgressing femininity in Regarde la mer 谋杀与母性：《Regarde la mer》中的越轨女性形象
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-09-03 DOI: 10.1080/26438941.2024.2389624
Peadar Kearney
{"title":"Murder and motherhood: transgressing femininity in Regarde la mer","authors":"Peadar Kearney","doi":"10.1080/26438941.2024.2389624","DOIUrl":"https://doi.org/10.1080/26438941.2024.2389624","url":null,"abstract":"François Ozon’s Regarde la mer/See the Sea uses the generic codes of a psychological thriller in order to portray femininity in a state of flux. Although Ozon is one of the most established contemp...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"9 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142231808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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