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French Screen Studies最新文献

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Complex TV and complex feminism: Laure Berthaud and co. in Engrenages/Spiral 复杂的电视和复杂的女权主义：Laure Berthaud 等人在 Engrenages/Spiral 中的表演
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-08-22 DOI: 10.1080/26438941.2024.2389623
Fiona Handyside
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引用次数: 0
‘Sandrine Bonnaire regained’: space and mobility in Sans toit ni loi and Prendre le large 重获桑德琳-邦奈尔"：《Sans toit ni loi》和《Prendre le large》中的空间和流动性
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-08-09 DOI: 10.1080/26438941.2024.2377456
Amy Wigelsworth
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引用次数: 0
Allégret-Sigurd, une association artistique typique de l’immédiat après-guerre 阿勒格雷特-西古尔德，战后初期典型的艺术合作关系
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-07-12 DOI: 10.1080/26438941.2024.2360270
Geneviève Sellier
{"title":"Allégret-Sigurd, une association artistique typique de l’immédiat après-guerre","authors":"Geneviève Sellier","doi":"10.1080/26438941.2024.2360270","DOIUrl":"https://doi.org/10.1080/26438941.2024.2360270","url":null,"abstract":"Cet article revient sur le « réalisme psychologique » d’après-guerre à travers la collaboration artistique du scénariste Jacques Sigurd et du réalisateur Yves Allégret entre 1948 et 1952, en se foc...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"6 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141597565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The ageing, the immature and the ageless: Juliette Binoche’s midlife roles since 2010 衰老、不成熟和不老：2010 年以来朱丽叶-比诺什的中年角色
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-07-04 DOI: 10.1080/26438941.2024.2358611
Douglas Morrey
{"title":"The ageing, the immature and the ageless: Juliette Binoche’s midlife roles since 2010","authors":"Douglas Morrey","doi":"10.1080/26438941.2024.2358611","DOIUrl":"https://doi.org/10.1080/26438941.2024.2358611","url":null,"abstract":"This article focuses on Juliette Binoche’s career during the past decade, a period running from her mid-forties to her mid-fifties, and suggests that her roles in this period can also be read as a ...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"61 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141597637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Tarot’s Tower in Agnès Varda’s Cléo de 5 à 7 阿涅斯-瓦尔达《克莱奥 5 至 7》中的塔罗之塔
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-06-11 DOI: 10.1080/26438941.2024.2347122
Michelle Scatton-Tessier
{"title":"The Tarot’s Tower in Agnès Varda’s Cléo de 5 à 7","authors":"Michelle Scatton-Tessier","doi":"10.1080/26438941.2024.2347122","DOIUrl":"https://doi.org/10.1080/26438941.2024.2347122","url":null,"abstract":"Agnès Varda’s Cléo de 5 à 7/Cléo from 5 to 7 begins with a divination session that launches a process by which the protagonist will shed her public persona in favour of an inner form of self-awaren...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"52 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141334404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A poetics of opacity: disability, race and gender in Khady Sylla’s Une fenêtre ouverte 不透明的诗学：Khady Sylla 的《Une fenêtre ouverte》中的残疾、种族和性别问题
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-05-31 DOI: 10.1080/26438941.2024.2348888
Laura McMahon
{"title":"A poetics of opacity: disability, race and gender in Khady Sylla’s Une fenêtre ouverte","authors":"Laura McMahon","doi":"10.1080/26438941.2024.2348888","DOIUrl":"https://doi.org/10.1080/26438941.2024.2348888","url":null,"abstract":"Une fenêtre ouverte/An Open Window (2005), a documentary by the Senegalese writer and filmmaker Khady Sylla, offers an intimate, unsettling portrait of the mental health difficulties suffered by bo...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"47 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141334259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Oceanic feeling in Mati Diop’s Atlantique 马蒂-迪奥普《大西洋》中的海洋情怀
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-05-10 DOI: 10.1080/26438941.2024.2343557
Elisabeth Hodges
{"title":"Oceanic feeling in Mati Diop’s Atlantique","authors":"Elisabeth Hodges","doi":"10.1080/26438941.2024.2343557","DOIUrl":"https://doi.org/10.1080/26438941.2024.2343557","url":null,"abstract":"The ocean is a constant presence in Mati Diop’s award-winning film Atlantique/Atlantics (2019), a ghostly love story about the ongoing migration crisis set in Dakar, Senegal. A critical issue Diop ...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"34 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140910622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Global Gallicisms: the postnational popular in francophone European film and television since 2010 全球高卢语：2010 年以来欧洲法语国家影视作品中的后国家流行语
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-04-30 DOI: 10.1080/26438941.2024.2344930
Mary Harrod, Raphaëlle Moine
{"title":"Global Gallicisms: the postnational popular in francophone European film and television since 2010","authors":"Mary Harrod, Raphaëlle Moine","doi":"10.1080/26438941.2024.2344930","DOIUrl":"https://doi.org/10.1080/26438941.2024.2344930","url":null,"abstract":"Published in French Screen Studies (Vol. 24, No. 2, 2024)","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"20 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140895853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The construction of ‘Jacques Becker’: realism, popular film and the auteur in 1950s film criticism 构建 "雅克-贝克尔"：20 世纪 50 年代影评中的现实主义、大众电影和电影大师
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-04-29 DOI: 10.1080/26438941.2024.2330808
Sarah Leahy
{"title":"The construction of ‘Jacques Becker’: realism, popular film and the auteur in 1950s film criticism","authors":"Sarah Leahy","doi":"10.1080/26438941.2024.2330808","DOIUrl":"https://doi.org/10.1080/26438941.2024.2330808","url":null,"abstract":"Jacques Becker is well known as an auteur, one of the few French directors working in the post-war period who has been hailed as an ‘uncle’ of the New Wave (alongside Robert Bresson, Max Ophuls, Je...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"29 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140808539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘To possible what ifs’: promises, reenactment and other horizons in francophone cinema 为了可能的如果"：法语电影中的承诺、重现和其他视野
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-04-19 DOI: 10.1080/26438941.2024.2325324
Jeremi Szaniawski
{"title":"‘To possible what ifs’: promises, reenactment and other horizons in francophone cinema","authors":"Jeremi Szaniawski","doi":"10.1080/26438941.2024.2325324","DOIUrl":"https://doi.org/10.1080/26438941.2024.2325324","url":null,"abstract":"Published in French Screen Studies (Ahead of Print, 2024)","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"111 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140622891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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