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French Screen Studies最新文献

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Jacqueline Audry’s Colette films: post-war quality style with a feminist edge 杰奎琳-奥德里的《科莱特》电影：带有女权主义色彩的战后优质风格
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-10-14 DOI: 10.1080/26438941.2024.2407238
Diana Holmes
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引用次数: 0
Les filles de Méliès: l’exception culturelle, analogue aesthetics and women filmmakers of le cinéma-monde Les filles de Méliès：例外文化、模拟美学和电影世界的女性电影人
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-10-11 DOI: 10.1080/26438941.2024.2400832
Zeynep Aras, Colleen Kennedy-Karpat
{"title":"Les filles de Méliès: l’exception culturelle, analogue aesthetics and women filmmakers of le cinéma-monde","authors":"Zeynep Aras, Colleen Kennedy-Karpat","doi":"10.1080/26438941.2024.2400832","DOIUrl":"https://doi.org/10.1080/26438941.2024.2400832","url":null,"abstract":"This article examines transnational francophone films from writer-directors Marjane Satrapi and Chloé Mazlo, filmmakers who show how the politics of l’exception culturelle [the cultural exception] ...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"28 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142566203","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Monstres et monstruosités de Denis Lavant Monstres et monstruosités 作者：Denis Lavant
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-09-16 DOI: 10.1080/26438941.2024.2379184
Aurélien Gras
{"title":"Monstres et monstruosités de Denis Lavant","authors":"Aurélien Gras","doi":"10.1080/26438941.2024.2379184","DOIUrl":"https://doi.org/10.1080/26438941.2024.2379184","url":null,"abstract":"La persona d’acteur de Denis Lavant semble nouée autour de la figure du monstre. C’est d’abord au plan physique que s’exprime sa monstruosité. En effet, son visage contrevient aux canons de beauté ...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"12 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142245868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Enraged to live: reviving Liliane de Kermadec’s Aloïse 愤怒地活下去：重现莉莉安-德-凯尔马代克的《阿洛伊塞
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-09-11 DOI: 10.1080/26438941.2024.2389626
Tim Palmer
{"title":"Enraged to live: reviving Liliane de Kermadec’s Aloïse","authors":"Tim Palmer","doi":"10.1080/26438941.2024.2389626","DOIUrl":"https://doi.org/10.1080/26438941.2024.2389626","url":null,"abstract":"This article argues for the historiographic value of the long-neglected film Aloïse (1975). Directed by Liliane de Kermadec, Agnès Varda’s protégée, Aloïse is a biopic of Aloïse Corbaz, a Swiss gov...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"6 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142317569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Life lessons’: Gender, popular cinema and cinephilia 生命的教训性别、大众电影和电影嗜好
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-09-03 DOI: 10.1080/26438941.2024.2395686
Ginette Vincendeau
{"title":"‘Life lessons’: Gender, popular cinema and cinephilia","authors":"Ginette Vincendeau","doi":"10.1080/26438941.2024.2395686","DOIUrl":"https://doi.org/10.1080/26438941.2024.2395686","url":null,"abstract":"Published in French Screen Studies (Ahead of Print, 2024)","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"8 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142130582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Murder and motherhood: transgressing femininity in Regarde la mer 谋杀与母性：《Regarde la mer》中的越轨女性形象
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-09-03 DOI: 10.1080/26438941.2024.2389624
Peadar Kearney
{"title":"Murder and motherhood: transgressing femininity in Regarde la mer","authors":"Peadar Kearney","doi":"10.1080/26438941.2024.2389624","DOIUrl":"https://doi.org/10.1080/26438941.2024.2389624","url":null,"abstract":"François Ozon’s Regarde la mer/See the Sea uses the generic codes of a psychological thriller in order to portray femininity in a state of flux. Although Ozon is one of the most established contemp...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"9 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142231808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Screening race, streaming Frenchness: Women of colour on French Netflix 筛选种族，流式播放法语：法国 Netflix 上的有色人种女性
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-09-03 DOI: 10.1080/26438941.2024.2389621
Loïc Bourdeau, Gemma King
{"title":"Screening race, streaming Frenchness: Women of colour on French Netflix","authors":"Loïc Bourdeau, Gemma King","doi":"10.1080/26438941.2024.2389621","DOIUrl":"https://doi.org/10.1080/26438941.2024.2389621","url":null,"abstract":"This article builds on the emerging scholarship on Netflix productions and French series to analyse questions of racial visibility and feminine representation in two series: Dix pour cent/Call My A...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"8 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142451994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El jefe político: genre crossover and thematic originality in a restored French film El jefe político：一部修复的法国电影中的类型交叉和主题原创性
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-09-02 DOI: 10.1080/26438941.2024.2384752
Daniel Sánchez-Salas
{"title":"El jefe político: genre crossover and thematic originality in a restored French film","authors":"Daniel Sánchez-Salas","doi":"10.1080/26438941.2024.2384752","DOIUrl":"https://doi.org/10.1080/26438941.2024.2384752","url":null,"abstract":"In 2021, the restoration of the long-lost French film El jefe político (‘The Political Boss’, released as La Réponse du destin in France) was finally completed. Directed by André Hugon between 1924...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"23 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142317555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Complex TV and complex feminism: Laure Berthaud and co. in Engrenages/Spiral 复杂的电视和复杂的女权主义：Laure Berthaud 等人在 Engrenages/Spiral 中的表演
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-08-22 DOI: 10.1080/26438941.2024.2389623
Fiona Handyside
{"title":"Complex TV and complex feminism: Laure Berthaud and co. in Engrenages/Spiral","authors":"Fiona Handyside","doi":"10.1080/26438941.2024.2389623","DOIUrl":"https://doi.org/10.1080/26438941.2024.2389623","url":null,"abstract":"The long-running French detective series Engrenages/Spiral (2005–2020) anticipates and participates in the changing ecosystem of French TV, one that transnationalises and hybridises content in a gl...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"23 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142100781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Sandrine Bonnaire regained’: space and mobility in Sans toit ni loi and Prendre le large 重获桑德琳-邦奈尔"：《Sans toit ni loi》和《Prendre le large》中的空间和流动性
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-08-09 DOI: 10.1080/26438941.2024.2377456
Amy Wigelsworth
{"title":"‘Sandrine Bonnaire regained’: space and mobility in Sans toit ni loi and Prendre le large","authors":"Amy Wigelsworth","doi":"10.1080/26438941.2024.2377456","DOIUrl":"https://doi.org/10.1080/26438941.2024.2377456","url":null,"abstract":"This article considers the parallels that can be drawn between two characters portrayed by Sandrine Bonnaire at distinct junctures in her film career: Mona, a young homeless woman whose wanderings ...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"83 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141915279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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