{"title":"Murder and motherhood: transgressing femininity in Regarde la mer","authors":"Peadar Kearney","doi":"10.1080/26438941.2024.2389624","DOIUrl":null,"url":null,"abstract":"François Ozon’s Regarde la mer/See the Sea uses the generic codes of a psychological thriller in order to portray femininity in a state of flux. Although Ozon is one of the most established contemp...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"9 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2024-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"French Screen Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/26438941.2024.2389624","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
François Ozon’s Regarde la mer/See the Sea uses the generic codes of a psychological thriller in order to portray femininity in a state of flux. Although Ozon is one of the most established contemp...