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French Screen Studies最新文献

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Netflix as site of transnational gender conflict: the US (mis)understanding of Maïmouna Doucouré’s Mignonnes Netflix作为跨国性别冲突的场所：美国对Maïmouna doucour<s:1>的《米尼翁》的（错误）理解
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2025-08-13 DOI: 10.1080/26438941.2025.2536398
Gemma King, Sophie Tallis
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引用次数: 0
Amazon Prime Video and French cinema: between ‘hyper-local’ comedies and national non-specificity 亚马逊Prime视频和法国电影：在“超本土”喜剧和国家非特异性之间
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2025-08-12 DOI: 10.1080/26438941.2025.2529131
Christopher Meir
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引用次数: 0
Transgressive women on screen: femmes dérangées, femmes dérangeantes 银幕上的越轨女人：烦躁的女人，烦躁的女人
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2025-07-16 DOI: 10.1080/26438941.2025.2521179
Polly Galis, Julie Rodgers
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引用次数: 0
Marcel Camus and the New Wave: from Mort en fraude to Orfeu negro 马塞尔·加缪与新浪潮：从欺诈到黑人
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2025-07-14 DOI: 10.1080/26438941.2025.2503622
Richard Neupert
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引用次数: 0
‘The solid reality of a piece of ore’: Guernica (Alain Resnais and Robert Hessens) and Bazinian realism “一块矿石的坚实现实”：格尔尼卡（阿兰·雷奈和罗伯特·海森斯）和巴齐尼安的现实主义
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2025-06-13 DOI: 10.1080/26438941.2025.2500172
Tamara Trodd
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引用次数: 0
Refusing ‘postnational’ femininity: Fanny Ardant, export French ‘seductress’ 拒绝“后民族”女性气质：范妮·阿尔丹，出口法国“诱惑者”
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2025-05-09 DOI: 10.1080/26438941.2025.2488163
Stuart Bell
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引用次数: 0
Bidasses et Compagnies : l’homosociabilité dans les comédies troupières du cinéma français des années 1970 Bidasses和Compagnies: 70年代法国电影中群居喜剧中的同性恋性
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2025-04-28 DOI: 10.1080/26438941.2025.2488164
Hélène Fiche
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引用次数: 0
Moroccan maternal outcasts: speaking out and speaking up in Sofia and Adam 摩洛哥被遗弃的母亲：在索菲亚和亚当大声疾呼
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2025-03-25 DOI: 10.1080/26438941.2025.2470531
Julie Rodgers
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引用次数: 0
Mise en scène and authorship in the Tradition of Quality (1945–1960) 质量传统中的场景设计与作者身份（1945-1960）
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2025-02-18 DOI: 10.1080/26438941.2025.2454180
Barry Nevin
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引用次数: 0
Nostalgia, authorship and sexualities in the new French cinema. Fassbinder’s legacy in François Ozon’s Gouttes d’eau sur pierres brûlantes 法国新电影中的怀旧、原创和性。法斯宾德在弗朗索瓦·奥宗的《巴黎风情》中留下的遗产
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2025-02-11 DOI: 10.1080/26438941.2025.2452111
Enrico Biasin
{"title":"Nostalgia, authorship and sexualities in the new French cinema. Fassbinder’s legacy in François Ozon’s Gouttes d’eau sur pierres brûlantes","authors":"Enrico Biasin","doi":"10.1080/26438941.2025.2452111","DOIUrl":"https://doi.org/10.1080/26438941.2025.2452111","url":null,"abstract":"","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"7 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144193415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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