{"title":"Marcel Camus and the New Wave: from Mort en fraude to Orfeu negro","authors":"Richard Neupert","doi":"10.1080/26438941.2025.2503622","DOIUrl":"https://doi.org/10.1080/26438941.2025.2503622","url":null,"abstract":"","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"23 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144622383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘The solid reality of a piece of ore’: Guernica (Alain Resnais and Robert Hessens) and Bazinian realism","authors":"Tamara Trodd","doi":"10.1080/26438941.2025.2500172","DOIUrl":"https://doi.org/10.1080/26438941.2025.2500172","url":null,"abstract":"","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"9 1","pages":"1-24"},"PeriodicalIF":0.2,"publicationDate":"2025-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144290182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bidasses et Compagnies : l’homosociabilité dans les comédies troupières du cinéma français des années 1970","authors":"Hélène Fiche","doi":"10.1080/26438941.2025.2488164","DOIUrl":"https://doi.org/10.1080/26438941.2025.2488164","url":null,"abstract":"","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"70 1","pages":"1-14"},"PeriodicalIF":0.2,"publicationDate":"2025-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144238094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Moroccan maternal outcasts: speaking out and speaking up in Sofia and Adam","authors":"Julie Rodgers","doi":"10.1080/26438941.2025.2470531","DOIUrl":"https://doi.org/10.1080/26438941.2025.2470531","url":null,"abstract":"","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"9 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144193370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mise en scène and authorship in the Tradition of Quality (1945–1960)","authors":"Barry Nevin","doi":"10.1080/26438941.2025.2454180","DOIUrl":"https://doi.org/10.1080/26438941.2025.2454180","url":null,"abstract":"","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"100 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-02-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144193615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nostalgia, authorship and sexualities in the new French cinema. Fassbinder’s legacy in François Ozon’s Gouttes d’eau sur pierres brûlantes","authors":"Enrico Biasin","doi":"10.1080/26438941.2025.2452111","DOIUrl":"https://doi.org/10.1080/26438941.2025.2452111","url":null,"abstract":"","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"7 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2025-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"144193415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bodies, care and power in La Permanence","authors":"Thomas Austin","doi":"10.1080/26438941.2024.2410622","DOIUrl":"https://doi.org/10.1080/26438941.2024.2410622","url":null,"abstract":"This article tracks the political and ethical positions taken up by Alice Diop’s documentary La Permanence/On Call (2016) in relation to its subjects, both outpatients and hospital staff. It begins...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"11 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142536664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}