{"title":"杰奎琳-奥德里的《科莱特》电影：带有女权主义色彩的战后优质风格","authors":"Diana Holmes","doi":"10.1080/26438941.2024.2407238","DOIUrl":null,"url":null,"abstract":"Jacqueline Audry was that rare phenomenon, a woman film director in mid-twentieth century France. Drawn to Colette’s work by her appreciation of the latter’s style and close affinity with her value...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"6 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2024-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Jacqueline Audry’s Colette films: post-war quality style with a feminist edge\",\"authors\":\"Diana Holmes\",\"doi\":\"10.1080/26438941.2024.2407238\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Jacqueline Audry was that rare phenomenon, a woman film director in mid-twentieth century France. Drawn to Colette’s work by her appreciation of the latter’s style and close affinity with her value...\",\"PeriodicalId\":40074,\"journal\":{\"name\":\"French Screen Studies\",\"volume\":\"6 1\",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2024-10-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"French Screen Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/26438941.2024.2407238\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"French Screen Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/26438941.2024.2407238","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Jacqueline Audry’s Colette films: post-war quality style with a feminist edge
Jacqueline Audry was that rare phenomenon, a woman film director in mid-twentieth century France. Drawn to Colette’s work by her appreciation of the latter’s style and close affinity with her value...
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