{"title":"谋杀与母性：《Regarde la mer》中的越轨女性形象","authors":"Peadar Kearney","doi":"10.1080/26438941.2024.2389624","DOIUrl":null,"url":null,"abstract":"François Ozon’s Regarde la mer/See the Sea uses the generic codes of a psychological thriller in order to portray femininity in a state of flux. Although Ozon is one of the most established contemp...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"9 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2024-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Murder and motherhood: transgressing femininity in Regarde la mer\",\"authors\":\"Peadar Kearney\",\"doi\":\"10.1080/26438941.2024.2389624\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"François Ozon’s Regarde la mer/See the Sea uses the generic codes of a psychological thriller in order to portray femininity in a state of flux. Although Ozon is one of the most established contemp...\",\"PeriodicalId\":40074,\"journal\":{\"name\":\"French Screen Studies\",\"volume\":\"9 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-09-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"French Screen Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/26438941.2024.2389624\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"French Screen Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/26438941.2024.2389624","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
摘要
弗朗索瓦-奥松（François Ozon）的《看海》（Regarde la mer/See the Sea）使用了心理惊悚片的一般代码来描绘处于变化状态中的女性。虽然奥松是最知名的当代惊悚片导演之一，但他的作品却充满了对女性的关注。
Murder and motherhood: transgressing femininity in Regarde la mer
François Ozon’s Regarde la mer/See the Sea uses the generic codes of a psychological thriller in order to portray femininity in a state of flux. Although Ozon is one of the most established contemp...
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