{"title":"Screening race, streaming Frenchness: Women of colour on French Netflix","authors":"Loïc Bourdeau, Gemma King","doi":"10.1080/26438941.2024.2389621","DOIUrl":"https://doi.org/10.1080/26438941.2024.2389621","url":null,"abstract":"This article builds on the emerging scholarship on Netflix productions and French series to analyse questions of racial visibility and feminine representation in two series: Dix pour cent/Call My A...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"8 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142451994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"El jefe político: genre crossover and thematic originality in a restored French film","authors":"Daniel Sánchez-Salas","doi":"10.1080/26438941.2024.2384752","DOIUrl":"https://doi.org/10.1080/26438941.2024.2384752","url":null,"abstract":"In 2021, the restoration of the long-lost French film El jefe político (‘The Political Boss’, released as La Réponse du destin in France) was finally completed. Directed by André Hugon between 1924...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"23 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142317555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Complex TV and complex feminism: Laure Berthaud and co. in Engrenages/Spiral","authors":"Fiona Handyside","doi":"10.1080/26438941.2024.2389623","DOIUrl":"https://doi.org/10.1080/26438941.2024.2389623","url":null,"abstract":"The long-running French detective series Engrenages/Spiral (2005–2020) anticipates and participates in the changing ecosystem of French TV, one that transnationalises and hybridises content in a gl...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"23 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142100781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Sandrine Bonnaire regained’: space and mobility in Sans toit ni loi and Prendre le large","authors":"Amy Wigelsworth","doi":"10.1080/26438941.2024.2377456","DOIUrl":"https://doi.org/10.1080/26438941.2024.2377456","url":null,"abstract":"This article considers the parallels that can be drawn between two characters portrayed by Sandrine Bonnaire at distinct junctures in her film career: Mona, a young homeless woman whose wanderings ...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"83 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141915279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Allégret-Sigurd, une association artistique typique de l’immédiat après-guerre","authors":"Geneviève Sellier","doi":"10.1080/26438941.2024.2360270","DOIUrl":"https://doi.org/10.1080/26438941.2024.2360270","url":null,"abstract":"Cet article revient sur le « réalisme psychologique » d’après-guerre à travers la collaboration artistique du scénariste Jacques Sigurd et du réalisateur Yves Allégret entre 1948 et 1952, en se foc...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"6 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141597565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The ageing, the immature and the ageless: Juliette Binoche’s midlife roles since 2010","authors":"Douglas Morrey","doi":"10.1080/26438941.2024.2358611","DOIUrl":"https://doi.org/10.1080/26438941.2024.2358611","url":null,"abstract":"This article focuses on Juliette Binoche’s career during the past decade, a period running from her mid-forties to her mid-fifties, and suggests that her roles in this period can also be read as a ...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"61 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141597637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Tarot’s Tower in Agnès Varda’s Cléo de 5 à 7","authors":"Michelle Scatton-Tessier","doi":"10.1080/26438941.2024.2347122","DOIUrl":"https://doi.org/10.1080/26438941.2024.2347122","url":null,"abstract":"Agnès Varda’s Cléo de 5 à 7/Cléo from 5 to 7 begins with a divination session that launches a process by which the protagonist will shed her public persona in favour of an inner form of self-awaren...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"52 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141334404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A poetics of opacity: disability, race and gender in Khady Sylla’s Une fenêtre ouverte","authors":"Laura McMahon","doi":"10.1080/26438941.2024.2348888","DOIUrl":"https://doi.org/10.1080/26438941.2024.2348888","url":null,"abstract":"Une fenêtre ouverte/An Open Window (2005), a documentary by the Senegalese writer and filmmaker Khady Sylla, offers an intimate, unsettling portrait of the mental health difficulties suffered by bo...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"47 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141334259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Oceanic feeling in Mati Diop’s Atlantique","authors":"Elisabeth Hodges","doi":"10.1080/26438941.2024.2343557","DOIUrl":"https://doi.org/10.1080/26438941.2024.2343557","url":null,"abstract":"The ocean is a constant presence in Mati Diop’s award-winning film Atlantique/Atlantics (2019), a ghostly love story about the ongoing migration crisis set in Dakar, Senegal. A critical issue Diop ...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"34 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140910622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Global Gallicisms: the postnational popular in francophone European film and television since 2010","authors":"Mary Harrod, Raphaëlle Moine","doi":"10.1080/26438941.2024.2344930","DOIUrl":"https://doi.org/10.1080/26438941.2024.2344930","url":null,"abstract":"Published in French Screen Studies (Vol. 24, No. 2, 2024)","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"20 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140895853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}