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La tétralogie « judiciaire » d’André Cayatte face à la cinéphilie de l’après-guerre 安德烈-卡亚特的 "司法 "四部曲与战后电影狂热
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-03-28 DOI: 10.1080/26438941.2024.2322233
Jean Montarnal
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引用次数: 0
Henri Verneuil (1920–2002) – cinéaste de première classe 亨利-韦尔纳伊（1920-2002）--一流电影制作人
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-03-22 DOI: 10.1080/26438941.2024.2321708
Susan Hayward
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引用次数: 0
Le biopic français contemporain : un genre populaire postnational ? 当代法国传记片：一种流行的后国家类型？
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-02-20 DOI: 10.1080/26438941.2023.2294637
Raphaëlle Moine
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引用次数: 0
Fragmented but not dead: auteurism lives on 支离破碎但并未消亡：自创主义仍在继续
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-02-06 DOI: 10.1080/26438941.2023.2291899
Freddie Robinson, Zoe Savage
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引用次数: 0
Bibliography for French and francophone cinema and television 2023 法国和法语国家电影电视书目 2023
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-02-06 DOI: 10.1080/26438941.2024.2306744
Marion Hallet
{"title":"Bibliography for French and francophone cinema and television 2023","authors":"Marion Hallet","doi":"10.1080/26438941.2024.2306744","DOIUrl":"https://doi.org/10.1080/26438941.2024.2306744","url":null,"abstract":"Published in French Screen Studies (Ahead of Print, 2024)","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"31 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139745560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Special issue: French television then and now 特刊：法国电视的过去与现在
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-01-31 DOI: 10.1080/26438941.2023.2292405
Ben McCann
{"title":"Special issue: French television then and now","authors":"Ben McCann","doi":"10.1080/26438941.2023.2292405","DOIUrl":"https://doi.org/10.1080/26438941.2023.2292405","url":null,"abstract":"Published in French Screen Studies (Vol. 24, No. 1, 2024)","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"221 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139898819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rediscovering Guy Gilles, pioneer of queer 重新发现同性恋先驱居伊-吉勒
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-01-19 DOI: 10.1080/26438941.2023.2283985
Marion Schmid
{"title":"Rediscovering Guy Gilles, pioneer of queer","authors":"Marion Schmid","doi":"10.1080/26438941.2023.2283985","DOIUrl":"https://doi.org/10.1080/26438941.2023.2283985","url":null,"abstract":"This article positions Guy Gilles (1938–1996), an overlooked filmmaker at the periphery of the French New Wave, as an important pioneer of queer cinema. Situating Gilles in the context of the Frenc...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"6 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-01-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139506075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reassessing the French film industry, past and present 重新评估法国电影业的过去和现在
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2024-01-08 DOI: 10.1080/26438941.2023.2291910
Elizabeth Miller
{"title":"Reassessing the French film industry, past and present","authors":"Elizabeth Miller","doi":"10.1080/26438941.2023.2291910","DOIUrl":"https://doi.org/10.1080/26438941.2023.2291910","url":null,"abstract":"Published in French Screen Studies (Ahead of Print, 2024)","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"43 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139407344","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Connecting the dots: La Passion de Jeanne d’Arc, a musical score and censorship 连接点：圣女受难记》、乐谱和审查制度
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2023-12-13 DOI: 10.1080/26438941.2023.2275895
Donald Greig
{"title":"Connecting the dots: La Passion de Jeanne d’Arc, a musical score and censorship","authors":"Donald Greig","doi":"10.1080/26438941.2023.2275895","DOIUrl":"https://doi.org/10.1080/26438941.2023.2275895","url":null,"abstract":"Film historians have long known that the version of Carl Theodor Dreyer’s La Passion de Jeanne d’Arc (1928) shown at its French premiere was heavily censored by the state and the Catholic church. E...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"95 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138658148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Connections / disconnections: on Alice Diop’s Nous 连接/断开：关于爱丽丝-迪奥普的《努斯
IF 0.2 2区 艺术学
French Screen Studies Pub Date : 2023-12-13 DOI: 10.1080/26438941.2023.2283984
Thomas Austin
{"title":"Connections / disconnections: on Alice Diop’s Nous","authors":"Thomas Austin","doi":"10.1080/26438941.2023.2283984","DOIUrl":"https://doi.org/10.1080/26438941.2023.2283984","url":null,"abstract":"This article considers how Alice Diop’s documentary Nous/We (2021) challenges the myopia of hegemonic colourblind constructions of France and its people. Its title both raises a question (who are w...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"6 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138679139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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