{"title":"The construction of ‘Jacques Becker’: realism, popular film and the auteur in 1950s film criticism","authors":"Sarah Leahy","doi":"10.1080/26438941.2024.2330808","DOIUrl":"https://doi.org/10.1080/26438941.2024.2330808","url":null,"abstract":"Jacques Becker is well known as an auteur, one of the few French directors working in the post-war period who has been hailed as an ‘uncle’ of the New Wave (alongside Robert Bresson, Max Ophuls, Je...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"29 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140808539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘To possible what ifs’: promises, reenactment and other horizons in francophone cinema","authors":"Jeremi Szaniawski","doi":"10.1080/26438941.2024.2325324","DOIUrl":"https://doi.org/10.1080/26438941.2024.2325324","url":null,"abstract":"Published in French Screen Studies (Ahead of Print, 2024)","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"111 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140622891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fashioning the intimate: a cartography of autobiographical French documentary film","authors":"Rémi Fontanel","doi":"10.1080/26438941.2024.2330832","DOIUrl":"https://doi.org/10.1080/26438941.2024.2330832","url":null,"abstract":"In the 1980s, the French documentary field opened up to a number of autobiographical practices which redrew the frontiers of the cinematic landscape. L’Heure exquise (‘The exquisite hour’) (René Al...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"84 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140604015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Anatole Litvak: a unique figure among émigré filmmakers in 1930s French cinema","authors":"Nedjma Moussaoui","doi":"10.1080/26438941.2024.2325861","DOIUrl":"https://doi.org/10.1080/26438941.2024.2325861","url":null,"abstract":"Anatole Litvak, a Russian Jew who began his career at Ufa in Berlin, was one of the German émigrés who settled in France after Hitler came to power. His case is little known, yet it is both singula...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"74 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140553264","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La tétralogie « judiciaire » d’André Cayatte face à la cinéphilie de l’après-guerre","authors":"Jean Montarnal","doi":"10.1080/26438941.2024.2322233","DOIUrl":"https://doi.org/10.1080/26438941.2024.2322233","url":null,"abstract":"La tétralogie « judiciaire » réalisée entre 1950 et 1955 par André Cayatte a apporté au réalisateur une notoriété paradoxale : reconnue par la presse et le public, la plupart des histoires du ciném...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"125 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140317117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Henri Verneuil (1920–2002) – cinéaste de première classe","authors":"Susan Hayward","doi":"10.1080/26438941.2024.2321708","DOIUrl":"https://doi.org/10.1080/26438941.2024.2321708","url":null,"abstract":"Albeit a director scornfully dismissed by the Cahiers du cinéma’s ‘Young Turks’, writing in the 1950s, as part and parcel of the derided ‘cinéma de papa’, Henri Verneuil was, as this essay will sho...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"6 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140192719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Le biopic français contemporain : un genre populaire postnational ?","authors":"Raphaëlle Moine","doi":"10.1080/26438941.2023.2294637","DOIUrl":"https://doi.org/10.1080/26438941.2023.2294637","url":null,"abstract":"Cet article explore les dynamiques contradictoires à l’œuvre dans les biopics français contemporains qui apparaissent d’une part comme les symptômes d’une culture cinématographique globalisée, ce d...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"114 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139909165","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fragmented but not dead: auteurism lives on","authors":"Freddie Robinson, Zoe Savage","doi":"10.1080/26438941.2023.2291899","DOIUrl":"https://doi.org/10.1080/26438941.2023.2291899","url":null,"abstract":"Published in French Screen Studies (Ahead of Print, 2024)","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"135 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139750400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bibliography for French and francophone cinema and television 2023","authors":"Marion Hallet","doi":"10.1080/26438941.2024.2306744","DOIUrl":"https://doi.org/10.1080/26438941.2024.2306744","url":null,"abstract":"Published in French Screen Studies (Ahead of Print, 2024)","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"31 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139745560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Special issue: French television then and now","authors":"Ben McCann","doi":"10.1080/26438941.2023.2292405","DOIUrl":"https://doi.org/10.1080/26438941.2023.2292405","url":null,"abstract":"Published in French Screen Studies (Vol. 24, No. 1, 2024)","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"221 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139898819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}