{"title":"The construction of ‘Jacques Becker’: realism, popular film and the auteur in 1950s film criticism","authors":"Sarah Leahy","doi":"10.1080/26438941.2024.2330808","DOIUrl":null,"url":null,"abstract":"Jacques Becker is well known as an auteur, one of the few French directors working in the post-war period who has been hailed as an ‘uncle’ of the New Wave (alongside Robert Bresson, Max Ophuls, Je...","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"29 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2024-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"French Screen Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/26438941.2024.2330808","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
Jacques Becker is well known as an auteur, one of the few French directors working in the post-war period who has been hailed as an ‘uncle’ of the New Wave (alongside Robert Bresson, Max Ophuls, Je...