International Journal of Performance Arts and Digital Media最新文献_第6页

Findings in the future of live performance 现场表演的未来发现

International Journal of Performance Arts and Digital Media Pub Date : 2022-09-02 DOI: 10.1080/14794713.2022.2124770

Camille Intson

引用次数: 0

Post-COVID-19 art worlds: viral theatre, precarity and medical humanities 后covid -19艺术世界:病毒戏剧、不稳定性和医学人文

International Journal of Performance Arts and Digital Media Pub Date : 2022-09-02 DOI: 10.1080/14794713.2022.2124769

Sarah Busch

{"title":"Post-COVID-19 art worlds: viral theatre, precarity and medical humanities","authors":"Sarah Busch","doi":"10.1080/14794713.2022.2124769","DOIUrl":"https://doi.org/10.1080/14794713.2022.2124769","url":null,"abstract":"In their 2021 article on ‘ viral theatre ’ in the Journal of Contemporary Drama in English that preceded the conference, Liedke and Pietrzak-Franger describe the concept of ‘ viral theatre ’ to entail ‘ ﬁ rst, historical/theoretical notions of contagiousness in theatre, second, 21st-century musings on virality as the condition of postmodern society, and, third, the current digitalization of theatre (due to the pandemic) and its attempts to go online and “ go viral ”‘ (129). These three aspects inspired the programme of ‘ Post-COVID-19 Art Worlds: Viral Theatre, Precarity and Medical Humanities ’ . The goal, as the organisers presented it, was to start an interdisciplinary dialogue between performance studies, cultural studies and medical humanities to ﬁ nd out how we experience and understand viral theatre as audience members, scholars and practitioners. Another endeavour was to high-light innovative practices of online theatre and how these works respond to the issues of physical, economical and artistic precarity. The conference set out to explore these issues within ﬁ ve sections entitled ‘ Medical Knowl-edge and Media ’ , ‘ COVID Precarity and Institutions ’ , ‘ COVID Creativity ’ , ‘ (Post)-COVID Audiences ’ , ‘ On the Edges ’ and a closing discussion on ‘ New Challenges ’ . The ﬁ rst panel presented theatre as potentially healing for people in isolation by improving their physical and mental health. Jane MacNaughton underlined how a health crisis like the pandemic makes us more aware of how entangled culture and our embodied reality are and stressed the responsibility of the medical humanities to trace these developments. Coming from a prac-tical background of drama therapy, Amy Willshire described how, even in the virtual space, the possibility to express themselves creatively through performance gave a sense of self to the young people she worked with during lockdown.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48197611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Telematic Sublime: anti-racist Zoom play in the time of COVID-19 Telematic Sublime：新冠肺炎时代的反种族主义Zoom游戏

International Journal of Performance Arts and Digital Media Pub Date : 2022-08-08 DOI: 10.1080/14794713.2022.2097983

Yulia Gilich

引用次数: 0

Audiovisual gesture and spectromorphology: the Invalid Data W.E.S.T. project 视听手势和声谱形态学：无效数据W.E.S.T.项目

International Journal of Performance Arts and Digital Media Pub Date : 2022-07-21 DOI: 10.1080/14794713.2022.2101317

G. Cooke, Felicity Wilcox

{"title":"Audiovisual gesture and spectromorphology: the Invalid Data W.E.S.T. project","authors":"G. Cooke, Felicity Wilcox","doi":"10.1080/14794713.2022.2101317","DOIUrl":"https://doi.org/10.1080/14794713.2022.2101317","url":null,"abstract":"ABSTRACT In this article, we detail a project that seeks to expand the ways in which the concepts of gesture and spectromorphology can be understood and applied in audiovisual projects. We argue that understanding spectromorphology in visual domains requires consideration of the wavelengths of light that give us an image. In this project, the complex interaction between clouds and solar radiation becomes the medium for understanding this concept of visual spectra. Invalid Data W.E.S.T. is a collaboration between media artist Grayson Cooke, audio engineer Ian Stevenson, and the experimental improvising group Wilcox, Encarnacao, Swanton Trio (W.E.S.T.), comprising three Australian composer-performers: Felicity Wilcox (piano), John Encarnacao (guitar), and Lloyd Swanton (bass). In this project, a multi-camera recording of W.E.S.T. in studio performance is combined with Cooke’s exploration of creative uses of satellite data. Satellite images of clouds rendered using infrared light are intercut with in-depth, multi-camera footage of W.E.S.T. captured during improvisation. The resulting audiovisual meditation draws parallels between spontaneous artistic processes, collaborative creation, and environmental phenomena. In this article, we explore how concepts of gesture and spectromorphology shaped the conception, production and post-production phases of the project, and how these concepts can be used to enhance the production of audiovisual work.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48602879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Reframing performance’s ontology: hybridity in contemporary performance art’s ontology 重构行为本体论：当代行为艺术本体论的杂糅

International Journal of Performance Arts and Digital Media Pub Date : 2022-07-13 DOI: 10.1080/14794713.2022.2097982

Zane Austin Willard

引用次数: 0

Live coding choreography: real-time programming with Terpsicode 实时编码编排：Terpsicode实时编程

International Journal of Performance Arts and Digital Media Pub Date : 2022-07-13 DOI: 10.1080/14794713.2022.2099107

K. Sicchio

引用次数: 0

Digital scenography: 30 years of experimentation and innovation in performance and interactive media 数字场景：30年来在表演和互动媒体方面的实验和创新

International Journal of Performance Arts and Digital Media Pub Date : 2022-05-04 DOI: 10.1080/14794713.2022.2078583

K. Zezulka

引用次数: 4

Slow Down (You Move Too Fast): designing mechanics to encourage practices of ‘ecological perception’ through mobile digital performances 慢下来(你走得太快了):设计机制，鼓励通过移动数字表演实践“生态感知”

International Journal of Performance Arts and Digital Media Pub Date : 2022-05-04 DOI: 10.1080/14794713.2022.2101285

Máiréad Ní Chróinín

{"title":"Slow Down (You Move Too Fast): designing mechanics to encourage practices of ‘ecological perception’ through mobile digital performances","authors":"Máiréad Ní Chróinín","doi":"10.1080/14794713.2022.2101285","DOIUrl":"https://doi.org/10.1080/14794713.2022.2101285","url":null,"abstract":"ABSTRACT Slow Down (You Move Too Fast) is a mobile digital performance that the audience member experiences via headphones as they walk for fifty minutes outdoors. During the performance the audience member is encouraged to physically slow down the movement of their body as they walk, from a comfortable walking pace to extreme slow motion. As they slow down, they experience aural soundscapes that evoke progressively slower temporal rhythms in nature, from the circadian rhythm of a single day passing through to the millennial long cycle of rock eroding and moving. Drawing on Laura Sewall’s insight into the ‘skill of ecological perception’ the work sought to utilise the mechanics of slowing down to engage the audience member in an embodied reflection on the interconnection of their body with the natural world around them, and on the temporal practices that shape their awareness of this interconnection. This practice-as-research reflection explores theoretical inspirations and how these were translated into the goals and design of the work. It then examines participant responses and offers insights into whether, and how, mechanics that evoke sensory engagement can allow participants to develop an expanded sense of an ‘ecological self’.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45825345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Wrestling with technology: audiences, politics and the ecosystems of attendance during COVID-19 与技术的角力：新冠肺炎期间的观众、政治和出席生态系统

International Journal of Performance Arts and Digital Media Pub Date : 2022-05-04 DOI: 10.1080/14794713.2022.2097988

Andrew Westerside

{"title":"Wrestling with technology: audiences, politics and the ecosystems of attendance during COVID-19","authors":"Andrew Westerside","doi":"10.1080/14794713.2022.2097988","DOIUrl":"https://doi.org/10.1080/14794713.2022.2097988","url":null,"abstract":"ABSTRACT Using a mixed methodology of case study analysis, qualitative methods and semi-longitudinal data analysis, this research asks how professional wrestling’s ‘techNo-fix’ (Huesemann, Michael, and Joyce Huesemann. 2011. TechNo-Fix: Why Technology Won’t Save Us or the Environment. Gabriola Island, Bc: New Society Publishers.) response to COVID-19 sought to remedy real or perceived voids in cultural and sporting participation since the global emergence of SARS-CoV-2 in March 2020. It considers the extent to which emerging, technologically driven models of event attendance are indeed ‘fixes’ at all, and identifies what such ‘fixes’ have therefore presupposed was ‘broken’, primarily in the social and/or aesthetic contract between performer and audience. The research examines spectator-performer and spectator-spectator relationships in live-broadcast events where in-arena audiences function as a form of paratext to the event-proper. In conclusion, the article considers to what extent these ‘techno-fixes’ are, in-and-of-themselves, responsible for creating emergent political, economic and ecological issues that require careful critical attendance for arts, culture and entertainment in a post-Covid landscape.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42105514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Intermediality in theatre and performance working group – International Federation For Theatre Research Online Conference 中介性在戏剧和表演工作组-国际联合会戏剧研究在线会议

International Journal of Performance Arts and Digital Media Pub Date : 2022-05-04 DOI: 10.1080/14794713.2022.2078582

Ester Fuoco

引用次数: 0