Parks as performance: wilderness and colonial ecological violence in ‘The Hidden Worlds of the National Parks'

IF 0.8 N/A THEATER
Angenette Spalink
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引用次数: 0

Abstract

ABSTRACT In 2016, Google launched ‘The Hidden Worlds of the National Parks’, an interactive digital platform, hosted through Google Arts & Culture and produced in collaboration with the National Park Service, that offers virtual explorations of some of the most remote parts of several United States National Parks. In this article I argue that Hidden Worlds is more than an innocuous, interactive tour of fascinating geological and biological features. It is a performance ingrained with ideologies that have severe consequences for how we understand social and ecological injustice on the land that is now part of the national parks system. I use an ecocritical approach to examine the immersive experience of Hidden Worlds as performance and ultimately demonstrate that it enacts colonial ecological violence.
作为表演的公园:《国家公园的隐秘世界》中的荒野和殖民生态暴力
摘要2016年,谷歌推出了“国家公园的隐藏世界”,这是一个互动数字平台,由谷歌艺术与文化主办,并与国家公园管理局合作制作,提供对几个美国国家公园最偏远地区的虚拟探索。在这篇文章中,我认为《隐藏的世界》不仅仅是一次无害的、互动的、引人入胜的地质和生物特征之旅。这是一场根深蒂固的意识形态表演,对我们如何理解现在已成为国家公园系统一部分的土地上的社会和生态不公正产生了严重影响。我使用生态批判的方法来研究《隐藏的世界》作为表演的沉浸式体验,并最终证明它再现了殖民地的生态暴力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
International Journal of Performance Arts and Digital Media
International Journal of Performance Arts and Digital Media Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.70
自引率
0.00%
发文量
29
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