International Journal of Performance Arts and Digital Media最新文献_第5页

Framing hybrid futures in the Anthropocene 构建人类世的混合未来

International Journal of Performance Arts and Digital Media Pub Date : 2023-01-02 DOI: 10.1080/14794713.2023.2180342

M. Felton-Dansky, Seda Ilter, R. Mosse, Nina Tecklenburg, Carmen Gil Vrolijk

{"title":"Framing hybrid futures in the Anthropocene","authors":"M. Felton-Dansky, Seda Ilter, R. Mosse, Nina Tecklenburg, Carmen Gil Vrolijk","doi":"10.1080/14794713.2023.2180342","DOIUrl":"https://doi.org/10.1080/14794713.2023.2180342","url":null,"abstract":"suggests a (theoretical) reconceptualisation of locality in relation to performance. Her focus lies on social VR, a form of virtual reality in which geographically dispersed audience members and performers interact with each other in a virtual 360° environment – physically and vocally in real time – as avatars using VR goggles. In her analysis of Finding Pandora X by Double Eye Studio Hunter demonstrates how the dominant understanding of theatre as ‘ axiomatically local ’ , that is of a geographical boundedness of theatre including architectural, social and economic implications, is both expanded and contracted in social VR environments. Finding Pandora X simultaneously de-localises audiences and performers corporeal bodies and hyper-localises the individual theatre experience to a limited space of a few square metres marked out in the private homes of the participants. E.B. Hunter recon ﬁ gures the place of theatre and, with it, reconceives what we might mean by a theatrical community. The participants of social VR experience community as fundamentally hybrid, engaging with an increased sense of communitas in an immersively shared narrative environment on the one hand, while retaining a sense of separation due to the geographical distance amongst themselves on the other hand. Co-present spaces turn into hybrid relationalities.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44431490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Mediatized dramaturgy: the evolution of plays in the media age 媒介化戏剧:媒介时代戏剧的演变

International Journal of Performance Arts and Digital Media Pub Date : 2023-01-02 DOI: 10.1080/14794713.2023.2170626

Abbie Trott

引用次数: 1

Threatened in the making: institutional consolidation and precariousness in the independent performing arts in Europe 正在形成的威胁：欧洲独立表演艺术的制度整合和不稳定

International Journal of Performance Arts and Digital Media Pub Date : 2023-01-02 DOI: 10.1080/14794713.2023.2185385

T. Eder

{"title":"Threatened in the making: institutional consolidation and precariousness in the independent performing arts in Europe","authors":"T. Eder","doi":"10.1080/14794713.2023.2185385","DOIUrl":"https://doi.org/10.1080/14794713.2023.2185385","url":null,"abstract":"ABSTRACT The independent performing arts are establishing themselves as an independent organizational field operating across Europe. The focus is not on artistic form or aesthetics, but on structural and organizational features that define the field institutionally in many countries of Northern, Eastern, Southern and Western Europe alike. The presented consideration of these features is specified in an analysis of the socio-economic situation in the field, especially in light of the new challenges of the Coronavirus pandemic. Subsequently, the actions taken by different advocacy groups to improve the precarious situation across countries and their effectiveness in governance are described to illustrate international coalition patterns, the development of mutual awareness and isomorphic alignment in the structuring of the field beyond nation-state borders. The research is based on 1031 survey responses from artists and cultural professionals as well as expert interviews with the management staff of the interest groups of independent performing arts from 12 European countries (This paper is an elaboration of the following work published in French: Eder, Thomas Fabian. 2022. “Rapport Intermédiaire : Les Arts Du Spectacle Indépendants Entre Consolidation Institutionnelle et Précarité – Une Perspective Comparative Européenne.” D’Allemagne d’Aujourd’hui (No 241)).","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43315238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Tamara 塔玛拉

International Journal of Performance Arts and Digital Media Pub Date : 2023-01-02 DOI: 10.1080/14794713.2023.2170627

Bomi Choi

引用次数: 3

Theater of lockdown: digital and distanced performance in a time of pandemic 封锁剧院：疫情期间的数字和远程表演

International Journal of Performance Arts and Digital Media Pub Date : 2023-01-02 DOI: 10.1080/14794713.2023.2170625

Joseph Dunne-Howrie

引用次数: 1

‘Curtains, music and stages’ in Zoom theatre: framing devices in Coney’s Telephone Zoom剧院的“窗帘、音乐和舞台”:科尼的《电话》中的框架装置

International Journal of Performance Arts and Digital Media Pub Date : 2022-12-29 DOI: 10.1080/14794713.2022.2162273

Lin Chen

{"title":"‘Curtains, music and stages’ in Zoom theatre: framing devices in Coney’s Telephone","authors":"Lin Chen","doi":"10.1080/14794713.2022.2162273","DOIUrl":"https://doi.org/10.1080/14794713.2022.2162273","url":null,"abstract":"ABSTRACT Coney’s interactive digital piece Telephone, created and performed by Tassos Stevens, was premiered in April 2020 amidst the first lockdown in England. Performed via the videoconferencing platform Zoom, it employs conventional framing devices such as a prologue, opening music, a surrogate stage curtain and a virtual theatre bar. This paper intends to examine the functions of these theatrical conventions in the Zoom production. The author argues that these devices are used not only for their usual dramatic purposes, but are also adapted with new functions for digital media and the special circumstances of the pandemic. They inform the spectators of the dramatic situation and the contextual situation of lockdown, in order to provide crucial technical instructions, to frame the performance within familiar domestic spaces and cyberspace, and to seek their understanding of the unusual form in which the piece is made. By the explicit and emphatic use of these conventional framing devices, the production activates the audience’s consciousness of the theatrical dual orders of presence and representation, so as to construct a live theatre experience and senses of co-presence and togetherness, which are all the more significant during a time of theatre closure and social distancing.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45800217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

New social contracts and digital intimacy in mammalian diving reflex’s the lockdown resolution 哺乳动物潜水反射中的新的社会契约和数字亲密关系是封锁的解决方案

International Journal of Performance Arts and Digital Media Pub Date : 2022-12-15 DOI: 10.1080/14794713.2022.2152963

Nadia Abdelaziz, D. O’donnell

{"title":"New social contracts and digital intimacy in mammalian diving reflex’s the lockdown resolution","authors":"Nadia Abdelaziz, D. O’donnell","doi":"10.1080/14794713.2022.2152963","DOIUrl":"https://doi.org/10.1080/14794713.2022.2152963","url":null,"abstract":"ABSTRACT In July 2021, Canadian performance company Mammalian Diving Reflex premiered The Lockdown Resolution at Arnolfini, a contemporary art centre in Bristol, UK. Combining virtual reality (VR) hardware, 360° film and Zoom teleconferencing, the performance connected ten ‘in real life’ (IRL) audience members to ten remote audience members around the world. Through conversations and immersive, tech-mediated interaction, audiences found out about each other and the lives of three young Bristolians during lockdown. Drawing on research in VR and social dynamics, this paper examines human-tech interfacing in The Lockdown Resolution, exploring synchrony, social presence and intimacy to social cohesion. Examining social engagement through multiple-reality performance, producer Nadia Abdelaziz and Mammalian Founder Darren O’Donnell investigate digital intimacy in performance and its role in creating an opportunity for civic development. At the centre of this activity, Mammalian create space for young people to lead these interactions. Bristol-based young performers Chris Lewis (18), Alke Schwarz (19) and Germain Loud (21) co-devised the show working with local creatives over a series of workshops, meetings and rehearsals. Offering insight into Mammalian Diving Reflex’s working methods, we imagine and discuss the civic potential of new social contracts that might be created through intimate and immersive digital performance.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49108594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Social VR and the continuing reinvention of local in theatre and performance 社交虚拟现实与本地戏剧和表演的持续重塑

International Journal of Performance Arts and Digital Media Pub Date : 2022-12-15 DOI: 10.1080/14794713.2022.2152952

E. B. Hunter

引用次数: 1

Considering digital art museums in the era of mass extinction: exploring digital zoos and aquariums through posthuman thinking 考虑大灭绝时代的数字艺术博物馆:通过后人类思维探索数字动物园和水族馆

International Journal of Performance Arts and Digital Media Pub Date : 2022-11-23 DOI: 10.1080/14794713.2022.2141427

Asuka Yamazaki

{"title":"Considering digital art museums in the era of mass extinction: exploring digital zoos and aquariums through posthuman thinking","authors":"Asuka Yamazaki","doi":"10.1080/14794713.2022.2141427","DOIUrl":"https://doi.org/10.1080/14794713.2022.2141427","url":null,"abstract":"ABSTRACT This paper discusses the possibility of digital art museums, which have recently been gaining popularity, examining how they function as new educational facilities for enlightenment in the age of mass extinction. It then considers two digital amusement facilities of teamLab. These digital installations change the traditional asymmetrical relationship humans have with animals and plants, for example, by forming a pseudo-parent–child dynamic, thus creating an interactive and cross-species connection based on equality. Moreover, compared to conventional zoos and botanical gardens, which exhibit animals and plants in pursuit of realism, digital museums create virtual natural environments based on a nonrealistic orientation and can become models for sustainable museums. Moreover, they can be places for the inheritance of lost memories by reconstructing extinct animals and plants and transmitting their digital data to the next generation. One problem with these digital amusement facilities; however, is the aesthetic and romantic modeling of digital creatures, which reflects anthropocentric consciousness as well as the maintenance of a panoramic and divine perspective. It is difficult to create a digital museum that deconstructs this much-desired divine perspective. Concerning these problems, a new model for an ecologically sustainable digital museum as an educational facility is discussed.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44206643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Machinic City 机械城市

International Journal of Performance Arts and Digital Media Pub Date : 2022-09-02 DOI: 10.1080/14794713.2022.2124771

J. Scott

引用次数: 0