International Journal of Performance Arts and Digital Media最新文献_第4页

‘The closest and the farthest away’: telling intermedial spatial stories in National Theatre Live – the case of Julius Caesar “最近的和最远的”:讲述国家剧院现场的中间空间故事——朱利叶斯·凯撒的案例

International Journal of Performance Arts and Digital Media Pub Date : 2023-04-06 DOI: 10.1080/14794713.2023.2196874

Yang Zhou

引用次数: 0

Mixed reality in threatened environments 受威胁环境中的混合现实

International Journal of Performance Arts and Digital Media Pub Date : 2023-04-06 DOI: 10.1080/14794713.2023.2196895

Ian Garrett

{"title":"Mixed reality in threatened environments","authors":"Ian Garrett","doi":"10.1080/14794713.2023.2196895","DOIUrl":"https://doi.org/10.1080/14794713.2023.2196895","url":null,"abstract":"ABSTRACT This article considers the ecoscenographer’s use of technologies to ‘timeshift’ performances. Timeshifting refers to watching locally recorded content after its originally scheduled broadcast. It explores the evolution, refinement, and emergent issues related to applying this approach to performing relationships within threatened environments, including how they relate to notions of ‘hauntology’ in highlighting and collapsing time in reference to climate change. The article reviews the cultivation of new technologies to provide located media in remote locations, such as: Dance Exchange’s 500 Miles/ 500 Stories, Out of Box Productions’ Rallentando, and more recent projects including Toasterlab’s Groundworks and park-based projects, Swim Pony’s TrailOff, The Only Animal’s 1000-Year Theatre, and Nakai Theatre’s Landscape Theatre. These projects establish a trajectory of emplaced mixed reality practice. This includes practical production topics such as asymmetrical data infrastructure and the trade-offs of accessible technology. It considers how gaming (i.e. open world games) and 360VR provide tools for scenographers to stage spatial performances that examine the deep performativity of space over time despite the limitations resulting from the phenomenology of archive.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42838846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

In search of synchresis: an examination of compositional approaches in new audiovisual works for solo electric guitar and visual projections 寻找同步性：对独奏电吉他和视觉投影新视听作品中作曲方法的考察

International Journal of Performance Arts and Digital Media Pub Date : 2023-03-01 DOI: 10.1080/14794713.2023.2183337

Jonathan Fitzgerald

{"title":"In search of synchresis: an examination of compositional approaches in new audiovisual works for solo electric guitar and visual projections","authors":"Jonathan Fitzgerald","doi":"10.1080/14794713.2023.2183337","DOIUrl":"https://doi.org/10.1080/14794713.2023.2183337","url":null,"abstract":"ABSTRACT This paper examines the interaction of sound and vision in audiovisual works for solo electric guitar, providing an overview of existing compositions before exploring in depth the approaches utilised in two new works commissioned by the author. Multimedia works which combine sound and vision represent a minority of the contemporary western art music repertoire, and are rarer still in works involving the electric guitar. The use of visuals in the small literature of audiovisual works for solo electric guitar varies widely, ranging from pre-recorded videos which simply play back over the course of a performance with no temporal alignment between sound and vision, to complex lighting mechanisms which respond to the music in real-time with clear parameter mapping. The bulk of the repertoire, however, demonstrates limited gestural synchronisation between the two media, with composers creating audiovisual cohesion through extra-temporal means. The works commissioned by the author – Svart-Hvít Ský á Himni by Icelandic composer Gulli Björnsson, and especially Akrasia by Australian composer Victor Arul – run counter to this trend, situating them as outliers which push the boundaries of parametric mapping in the repertoire for solo electric guitar and visuals.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42247978","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Pseudorandom: generative animation as performance in Emergent (2020–2022) 伪随机:生成动画在Emergent中的表现(2020-2022)

International Journal of Performance Arts and Digital Media Pub Date : 2023-02-21 DOI: 10.1080/14794713.2023.2179784

E. Putnam

引用次数: 0

Data embodiment: approaching the body as a choreographic medium for performing abstract data 数据体现：将身体作为表演抽象数据的舞蹈媒介

International Journal of Performance Arts and Digital Media Pub Date : 2023-01-02 DOI: 10.1080/14794713.2023.2175105

Lins Derry

{"title":"Data embodiment: approaching the body as a choreographic medium for performing abstract data","authors":"Lins Derry","doi":"10.1080/14794713.2023.2175105","DOIUrl":"https://doi.org/10.1080/14794713.2023.2175105","url":null,"abstract":"ABSTRACT The motivation to make information more accessible in data communication – physically to the senses and culturally to different audiences – has led designers to experiment, for example, in data physicalization and data sonification. Experimentation overlapping data communication and the performance arts suggests another practice is emerging. Calling it data embodiment, I define the term as a communicative and artistic method that approaches the body as a choreographic medium to physicalize and perform abstract data. The intent of this paper is to sufficiently delineate the space where bodily movement and abstract data have begun to intermingle across several milieu under the concept. The paper begins by contextualizing data embodiment in design, then continues by observing how choreographers have previously approached dance as data, and finishes with a case study where an environmental migration dataset is choreographed. A brief section on human-centered datasets and the surveillant technologies that produce them peppers the overarching discussion on bodily movement and abstract data. By reconstituting data in time and space, especially in the context of performance, otherwise sterile datasets are shown to become more physically and culturally accessible as well as aesthetically expressive.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47085250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ecodramaturgies: theatre, performance and climate change 生态戏剧:戏剧、表演和气候变化

International Journal of Performance Arts and Digital Media Pub Date : 2023-01-02 DOI: 10.1080/14794713.2023.2170623

Sarah Blissett

引用次数: 1

By Slight Ligaments 轻微韧带

International Journal of Performance Arts and Digital Media Pub Date : 2023-01-02 DOI: 10.1080/14794713.2023.2170628

Kate Antosik-Parsons

{"title":"By Slight Ligaments","authors":"Kate Antosik-Parsons","doi":"10.1080/14794713.2023.2170628","DOIUrl":"https://doi.org/10.1080/14794713.2023.2170628","url":null,"abstract":"offers different experiences. As a participant in the park, I had to follow themap carefully not to get lost and, therefore, to play the theatre-game successfully. The excitement, curiosity as well as light tension maintained my engaged participation all the way through. Contrastingly, as a remote viewer without such a mission to get to the final spot of the route, I was gradually discouraged to continue watching the participants’ repeated action of walking around and staring at their mobile phones. In addition, while the thirty-minute-long documentation delivers the story faithfully, it becomes noticeable that the ‘performing’ participants in the video screen are silenced. In some scenes, the audience’s verbal reaction is visible but inaudible. That is, despite the fact that each audience member is not a silenced spectator in a darkened auditorium but ultimately a performer, the focus of the documentation is not on the performing participants. Without their participation and interaction, Tamara cannot take place. Likewise, without a more participant-centred approach, the sharing of immersive experience in digital space cannot afford remote spectators an engaging experience of Tamara. The case of Tamara suggests a way of extending the spectating capacity of immersive performance. The subsidised documentation of interactive cultural experience widened public access to the creative work beyond geographical and physical boundaries. In the (post)pandemic age, such an expanded artistic experience and its contribution to increased global connectivity cannot be underestimated as before. With a more sharpened focus on the audience as performing participants, the digitally documented and shared immersive cultural experience will lead to a creation of a more fully functioning artistic ecology online. The potential – as well as limitations – of digital spectatorship explored through this pioneering project will also offer inspiration for more advanced artistic ideas and explorations that target the post-pandemic time we are entering.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45845126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cripping hybrid futures 瘸腿混合期货

International Journal of Performance Arts and Digital Media Pub Date : 2023-01-02 DOI: 10.1080/14794713.2022.2162279

Nina Mühlemann, Celestina Widmer, Y. Schmidt

引用次数: 0

City Dionysia: narrating wasteland in urban life 城市酒神:叙述城市生活中的荒原

International Journal of Performance Arts and Digital Media Pub Date : 2023-01-02 DOI: 10.1080/14794713.2023.2177431

P. Arabindoo, Nicola Baldwin

{"title":"City Dionysia: narrating wasteland in urban life","authors":"P. Arabindoo, Nicola Baldwin","doi":"10.1080/14794713.2023.2177431","DOIUrl":"https://doi.org/10.1080/14794713.2023.2177431","url":null,"abstract":"ABSTRACT Using the centennial anniversary of TS Eliot’s The Waste Land as an opportune moment to reconsider the reflexive and the discursive in addressing themes occupying critical and creative thought, this document discusses the collaboration between a social scientist and a playwright during and in the aftermath of the COVID-19 pandemic. Its main output, a play titled Wasteland, had an understory framed by the problem-event of the lockdown as it confronted not only the negativity of wasteland but also the possibility of negating it simultaneously. The play situates itself in the privileged UCL Student Centre to probe its ‘storied matter’ through repeated re-enactments. As an encounter between words and worlds across a temporal threshold marked by ‘becoming-events’, the play draws the building into focus, diffracting it, blurring it, and finally opening it up as a wasteland. Based on the Ancient Greek theatrical tradition of City Dionysia, it relies on ‘preplays’, multiple ‘draft’ readings, to emphasise less a staged performance and more an identity text that is unhurried, unfinished, improvised and provisional. For, in the inter-subjective exchanges within this text we find ‘the sense of ongoingness’ (Berlant 2008) to inhabit the now of our (post)pandemic present.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42945138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Re-socializing emptied spaces: a queer-feminist performance, the theatrical apparatus and its (post)pandemic epistemology 重新社会化空虚的空间:酷儿女权主义表演，戏剧设备及其(后)大流行的认识论

International Journal of Performance Arts and Digital Media Pub Date : 2023-01-02 DOI: 10.1080/14794713.2023.2172523

Ulf Otto

{"title":"Re-socializing emptied spaces: a queer-feminist performance, the theatrical apparatus and its (post)pandemic epistemology","authors":"Ulf Otto","doi":"10.1080/14794713.2023.2172523","DOIUrl":"https://doi.org/10.1080/14794713.2023.2172523","url":null,"abstract":"ABSTRACT The suspension of operations during lockdowns facilitated a new perspective on performance: the absent came to appear as a determining factor of not only the pandemic, but became evident as constitutive of late modern theater cultures. Based on a description of the lockdown performance A Room of Our Own (2021) by the feminist collective Swoosh Lieu, it is shown how contemporary practice is relocating performance within its entanglement with the social spaces of reproduction. Emphasizing the realities of exclusion that the performing arts rest upon, the paper argues against a theory of performance as an enclosed event of participation based on an idealized idea of the social as a homogeneous microcosm. It calls instead for an empirics of assembly, and more generally to question a thinking of performance along the lines of interaction and communication. Adopting Karen Barad's concept of posthuman performativity to Theater Studies, it foregrounds the mediating function of performance in its articulation of the world and proposes to reconceptualize theater as an epistemological apparatus to invigorate a strong program of theater studies that refocuses on the socio-political real of theatricality.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45364040","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0