International Journal of Performance Arts and Digital Media最新文献

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Your writing sounds gorgeous: post-cinematic experiments in ASMR videos as a sign of posthuman sensibility 你的写作听起来很棒:ASMR视频中的后电影实验是后人类情感的标志
International Journal of Performance Arts and Digital Media Pub Date : 2023-06-21 DOI: 10.1080/14794713.2023.2226059
J. Łapińska
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引用次数: 0
‘It’s not just about technology!': Creativity as a driving force for nurturing the development of skills for digital performance “这不仅仅是技术!”:创造力是培养数字表演技能发展的驱动力
International Journal of Performance Arts and Digital Media Pub Date : 2023-06-18 DOI: 10.1080/14794713.2023.2223719
Aleksandra Webb, James Layton
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引用次数: 0
Personalising prosthetics: digital interventions in disability and dance 个性化假肢:残疾和舞蹈的数字干预
International Journal of Performance Arts and Digital Media Pub Date : 2023-06-05 DOI: 10.1080/14794713.2023.2196884
Sarah Whatley, Steve Benford, Kate Marsh, Feng Zhou, I. Ashcroft, P. Tennent, Welly O’Brien, Tanja Erhart
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引用次数: 0
Ethical aspects of integrating AI expert models in the process of retrieval and use of ICH registry material 在非物质文化遗产登记材料的检索和使用过程中整合人工智能专家模型的伦理方面
International Journal of Performance Arts and Digital Media Pub Date : 2023-05-24 DOI: 10.1080/14794713.2023.2215162
Luis Garcia-Lara, Ignacio G. Bugueño-Córdova
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引用次数: 0
Equality, findability, sustainability: the challenges and rewards of open digital humanities data 平等、可寻性、可持续性:开放数字人文数据的挑战与回报
International Journal of Performance Arts and Digital Media Pub Date : 2023-05-23 DOI: 10.1080/14794713.2023.2206286
Damon Strange, Megan Gooch, Alwyn Collinson
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引用次数: 1
Art after Instagram: art spaces, audiences, aesthetics 后Instagram时代的艺术:艺术空间、观众、美学
International Journal of Performance Arts and Digital Media Pub Date : 2023-05-04 DOI: 10.1080/14794713.2023.2213019
Taylor C. Black
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引用次数: 3
The post-screen through virtual reality, holograms and light projections. Where screen boundaries lie 后屏幕通过虚拟现实,全息图和光投影。屏幕边界所在
International Journal of Performance Arts and Digital Media Pub Date : 2023-05-04 DOI: 10.1080/14794713.2023.2213020
Kerry Francksen
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引用次数: 2
Avatars, Activism and Postdigital Performance: precarious intermedial identities 化身、激进主义和后数字表现:不稳定的中间身份
International Journal of Performance Arts and Digital Media Pub Date : 2023-05-04 DOI: 10.1080/14794713.2023.2213018
E. Marchevska
{"title":"Avatars, Activism and Postdigital Performance: precarious intermedial identities","authors":"E. Marchevska","doi":"10.1080/14794713.2023.2213018","DOIUrl":"https://doi.org/10.1080/14794713.2023.2213018","url":null,"abstract":"technologies. By asking us to consider notions of newness (Bazin’s ‘perfect illusion’ for example), and how media art continues to arouse our curiosity for extending expressions of reality, Ng ‘s sophistication in re-thinking how we see and experience the world through The Post-Screen is both detailed and rigorous. Where screen boundaries lie ushers the reader towards an internalised post-screen, where you can’t help but consider your own truth.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43393780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Open justice transformations impacting extended reality (XR) environments 影响扩展现实(XR)环境的开放式司法转型
International Journal of Performance Arts and Digital Media Pub Date : 2023-04-19 DOI: 10.1080/14794713.2023.2198535
Adnan Hadziselimovic
{"title":"Open justice transformations impacting extended reality (XR) environments","authors":"Adnan Hadziselimovic","doi":"10.1080/14794713.2023.2198535","DOIUrl":"https://doi.org/10.1080/14794713.2023.2198535","url":null,"abstract":"","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46282794","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The black box aesthetics: performative dynamics between artificial intelligence and human interactive staging 黑箱美学:人工智能与人类互动舞台之间的表演动态
International Journal of Performance Arts and Digital Media Pub Date : 2023-04-06 DOI: 10.1080/14794713.2023.2196890
Luca Befera
{"title":"The black box aesthetics: performative dynamics between artificial intelligence and human interactive staging","authors":"Luca Befera","doi":"10.1080/14794713.2023.2196890","DOIUrl":"https://doi.org/10.1080/14794713.2023.2196890","url":null,"abstract":"ABSTRACT The present paper addresses a theoretical model for human-machine interaction in intermedia performance taking as reference the author’s perspective. It is discussed the role of artificial intelligence as an autonomous, pervasive, and real-time evolving entity in dialectical relation with the performer and/or audience. The convergence of physical and virtual elements suggests the emergence of hybrid systems, insofar as digital instances manifest their own agency and humans show mechanical actions linked to information processing. Three typologies of human-machine interaction are inferred: 1) the algorithm elaborates the output through self-referential data, as in Δnfang; 2) the algorithm gathers information from performed actions, as in Convergence; 3) the algorithm processes data from the audience’s reaction, as in DoPPioGioco. As digital and analogue devices are employed, programming environments are hidden from human agents and filtered through the author’s gaze. Comparing the underlying black box rules with stage setting, it is observed to what extent algorithms are mediated and enacted. The article considers the information bias commonly attributed to artificial intelligence as rooted in the aesthetic domain, with significant dramaturgical implications.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47106305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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