Pseudorandom: generative animation as performance in Emergent (2020–2022)

IF 0.8 0 THEATER
E. Putnam
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引用次数: 0

Abstract

ABSTRACT The body is the database of lived experience. Emergent was created during COVID-19 from the desire to explore the extended possibilities of digital performance beyond lens-based media. The work includes generative animations and sound compositions using data collected from a consumer fitness tracker worn since the start of the COVID-19 pandemic in 2020. As a portrait of experience through the data body (as both body of data and body producing data), Emergent engages with the memories of the flesh, becoming the impetus for aesthetic encounters through digital performance. In this article about the work, Putnam describes how it was produced, provides a detailed overview of the work and its theoretical context, and discusses how it functions as a digital performance between the artist and computer. The result is a work where data visualisation and sonification generates ambiguity, rather than clarity, introducing difference in how biometric sensing devices are used and understood.
伪随机:生成动画在Emergent中的表现(2020-2022)
身体是生活经验的数据库。Emergent是在新冠肺炎期间创建的,旨在探索基于镜头的媒体之外的数字性能的扩展可能性。该作品包括使用自2020年新冠肺炎疫情开始以来佩戴的消费者健身追踪器收集的数据生成动画和声音作品。作为通过数据体(作为数据体和产生数据的身体)体验的画像,Emergent参与了对肉体的记忆,通过数字表演成为审美体验的推动力。在这篇关于这件作品的文章中,Putnam描述了它是如何制作的,对这件作品及其理论背景进行了详细的概述,并讨论了它如何作为艺术家和计算机之间的数字表演发挥作用。其结果是,数据可视化和超声处理产生了模糊性,而不是清晰度,从而在生物识别传感设备的使用和理解方面产生了差异。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
International Journal of Performance Arts and Digital Media
International Journal of Performance Arts and Digital Media Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.70
自引率
0.00%
发文量
29
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