{"title":"从技术垃圾到生活设备:超越进步神话的技术占有注释","authors":"Greenman Muleh Mbillo, Daniël Ploeger","doi":"10.1080/14794713.2022.2098931","DOIUrl":null,"url":null,"abstract":"ABSTRACT Through a fragmented collection of shared experiences and reflections, the two authors – from Kenya and the UK/Netherlands – give an impression of their practice-based research in Kenya into the reappropriation of obsolete technologies. In this, they connect to and work through their our own relationships with consumer culture and post-colonialism. In the context of a discussion of a traditional Kenyan ritual technology and the ideological implications of globalized techno-standardization, two example devices – found and developed by the authors – are presented that are aimed at connecting to the developers’ and users’ immediate lifeworlds.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":"18 1","pages":"281 - 296"},"PeriodicalIF":0.8000,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From Techno-Junk to Lifeworld-Device: notes on technological appropriation beyond the myth of progress\",\"authors\":\"Greenman Muleh Mbillo, Daniël Ploeger\",\"doi\":\"10.1080/14794713.2022.2098931\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Through a fragmented collection of shared experiences and reflections, the two authors – from Kenya and the UK/Netherlands – give an impression of their practice-based research in Kenya into the reappropriation of obsolete technologies. In this, they connect to and work through their our own relationships with consumer culture and post-colonialism. In the context of a discussion of a traditional Kenyan ritual technology and the ideological implications of globalized techno-standardization, two example devices – found and developed by the authors – are presented that are aimed at connecting to the developers’ and users’ immediate lifeworlds.\",\"PeriodicalId\":38661,\"journal\":{\"name\":\"International Journal of Performance Arts and Digital Media\",\"volume\":\"18 1\",\"pages\":\"281 - 296\"},\"PeriodicalIF\":0.8000,\"publicationDate\":\"2022-05-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Performance Arts and Digital Media\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14794713.2022.2098931\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Performance Arts and Digital Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14794713.2022.2098931","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
From Techno-Junk to Lifeworld-Device: notes on technological appropriation beyond the myth of progress
ABSTRACT Through a fragmented collection of shared experiences and reflections, the two authors – from Kenya and the UK/Netherlands – give an impression of their practice-based research in Kenya into the reappropriation of obsolete technologies. In this, they connect to and work through their our own relationships with consumer culture and post-colonialism. In the context of a discussion of a traditional Kenyan ritual technology and the ideological implications of globalized techno-standardization, two example devices – found and developed by the authors – are presented that are aimed at connecting to the developers’ and users’ immediate lifeworlds.