作为表演的公园:《国家公园的隐秘世界》中的荒野和殖民生态暴力

IF 0.8 0 THEATER
Angenette Spalink
{"title":"作为表演的公园:《国家公园的隐秘世界》中的荒野和殖民生态暴力","authors":"Angenette Spalink","doi":"10.1080/14794713.2022.2040288","DOIUrl":null,"url":null,"abstract":"ABSTRACT In 2016, Google launched ‘The Hidden Worlds of the National Parks’, an interactive digital platform, hosted through Google Arts & Culture and produced in collaboration with the National Park Service, that offers virtual explorations of some of the most remote parts of several United States National Parks. In this article I argue that Hidden Worlds is more than an innocuous, interactive tour of fascinating geological and biological features. It is a performance ingrained with ideologies that have severe consequences for how we understand social and ecological injustice on the land that is now part of the national parks system. I use an ecocritical approach to examine the immersive experience of Hidden Worlds as performance and ultimately demonstrate that it enacts colonial ecological violence.","PeriodicalId":38661,"journal":{"name":"International Journal of Performance Arts and Digital Media","volume":null,"pages":null},"PeriodicalIF":0.8000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Parks as performance: wilderness and colonial ecological violence in ‘The Hidden Worlds of the National Parks'\",\"authors\":\"Angenette Spalink\",\"doi\":\"10.1080/14794713.2022.2040288\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT In 2016, Google launched ‘The Hidden Worlds of the National Parks’, an interactive digital platform, hosted through Google Arts & Culture and produced in collaboration with the National Park Service, that offers virtual explorations of some of the most remote parts of several United States National Parks. In this article I argue that Hidden Worlds is more than an innocuous, interactive tour of fascinating geological and biological features. It is a performance ingrained with ideologies that have severe consequences for how we understand social and ecological injustice on the land that is now part of the national parks system. I use an ecocritical approach to examine the immersive experience of Hidden Worlds as performance and ultimately demonstrate that it enacts colonial ecological violence.\",\"PeriodicalId\":38661,\"journal\":{\"name\":\"International Journal of Performance Arts and Digital Media\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.8000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Performance Arts and Digital Media\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14794713.2022.2040288\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Performance Arts and Digital Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14794713.2022.2040288","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0

摘要

摘要2016年,谷歌推出了“国家公园的隐藏世界”,这是一个互动数字平台,由谷歌艺术与文化主办,并与国家公园管理局合作制作,提供对几个美国国家公园最偏远地区的虚拟探索。在这篇文章中,我认为《隐藏的世界》不仅仅是一次无害的、互动的、引人入胜的地质和生物特征之旅。这是一场根深蒂固的意识形态表演,对我们如何理解现在已成为国家公园系统一部分的土地上的社会和生态不公正产生了严重影响。我使用生态批判的方法来研究《隐藏的世界》作为表演的沉浸式体验,并最终证明它再现了殖民地的生态暴力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Parks as performance: wilderness and colonial ecological violence in ‘The Hidden Worlds of the National Parks'
ABSTRACT In 2016, Google launched ‘The Hidden Worlds of the National Parks’, an interactive digital platform, hosted through Google Arts & Culture and produced in collaboration with the National Park Service, that offers virtual explorations of some of the most remote parts of several United States National Parks. In this article I argue that Hidden Worlds is more than an innocuous, interactive tour of fascinating geological and biological features. It is a performance ingrained with ideologies that have severe consequences for how we understand social and ecological injustice on the land that is now part of the national parks system. I use an ecocritical approach to examine the immersive experience of Hidden Worlds as performance and ultimately demonstrate that it enacts colonial ecological violence.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
International Journal of Performance Arts and Digital Media
International Journal of Performance Arts and Digital Media Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.70
自引率
0.00%
发文量
29
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信