{"title":"Virtual World Construction and The Relationship to Creativity in Art Education / Construction de mondes virtuels et lien avec la créativité en éducation artistique","authors":"Hsiao-Cheng Han","doi":"10.26443/CRAE.V46I1.44","DOIUrl":"https://doi.org/10.26443/CRAE.V46I1.44","url":null,"abstract":"Abstract: This paper presents findings from a participatory observational case study with a perspective on creativity. In this research, high school students from Vancouver, Canada, worked in the virtual world of VCER (Virtual Commons for Education and Research), an Open Simulator, to create an ecosystem. The main research question of this study was: How can the virtual world creation process foster student creativity? The sub-questions were 1. How do students express their creativity through the virtual world creation process? And 2. What can teachers do to further student creativity?Keywords: Virtual worlds; Creativity; Technology. Résumé : Cet article présente les résultats d’une étude d’observation participative axée sur la créativité. Des étudiants du secondaire, basés à Vancouver au Canada, ont exploité le monde virtuel du VCER (Virtual Commons for Education and Research) pour créer un écosystème. Cette étude posait essentiellement la question suivante : en quoi la création de mondes virtuels favorise-t-elle la créativité chez les étudiants ? Les questions subséquentes étaient les suivantes : 1. Comment les étudiants expriment-ils leur créativité par la construction de mondes virtuels ? et 2. Que peuvent faire les enseignants pour promouvoir la créativité des étudiants ?Mots-clés : mondes virtuels, créativité, technologie.","PeriodicalId":383634,"journal":{"name":"The Canadian Review of Art Education / Revue canadienne d’éducation artistique","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114360723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Exploring a Curricula of Visual and Poetic Aesthetics / Exploration de programmes d’esthétisme visuel et poétique","authors":"Kelly Young","doi":"10.26443/CRAE.V46I1.49","DOIUrl":"https://doi.org/10.26443/CRAE.V46I1.49","url":null,"abstract":"Abstract: In this article, I explore the role of visual arts in shaping the future direction of the literary arts in my pre-service teacher education classroom. I outline a cross-curricular curriculum by exploring a theoretical and practical relationship between visual and poetic aesthetics. Drawing upon the imagination, we are able to become critical storytellers as we engage in ekphrastic poetics, that is—a poetic response to a form of art. Ultimately, we modify and expand on the practice to include responses to photography or works of art—that are themselves aesthetic responses. Key words: Arts; Education; Imagination; Ekphrastic Poetics; Curriculum. Résumé : J’analyse dans cet article le rôle des arts visuels dans l’orientation future des arts littéraires dans le contexte de ma classe de formation initiale des enseignants. Je donne un aperçu d’un programme transdisciplinaire en analysant le lien théorique et pratique entre l’esthétisme visuel et l’esthétisme poétique. Nous pouvons, grâce à l’imagination, devenir des raconteurs critiques par le biais de la poésie ekphrasique, c’est-à-dire par le biais d’une réaction poétique vis-à-vis une forme d’art. En bout de ligne, nous modifions et élargissons la pratique pour y inclure les réactions face à la photographie ou à des œuvres d’art, qui sont elles-mêmes des interprétations esthétiques.Mots-clés : arts, éducation, imagination, poésie ekphrasique, curriculum.","PeriodicalId":383634,"journal":{"name":"The Canadian Review of Art Education / Revue canadienne d’éducation artistique","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121800023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ekphrasis: A Poet's Dance with Art / Ekphrasis : quand un poète dance avec les arts","authors":"Merle Mindelle Nudelman","doi":"10.26443/crae.v46i1.46","DOIUrl":"https://doi.org/10.26443/crae.v46i1.46","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":383634,"journal":{"name":"The Canadian Review of Art Education / Revue canadienne d’éducation artistique","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123708505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Professional Training of Museum Educators in Canada / La formation professionnelle en éducation muséale au Canada","authors":"R. Lachapelle, Thibault Zimmer, Anita Sinner","doi":"10.26443/CRAE.V46I1.64","DOIUrl":"https://doi.org/10.26443/CRAE.V46I1.64","url":null,"abstract":"Abstract: A review of museum training programs was undertaken to assess the current state of professional museum education training in Canada. Out of 18 post-secondary museum studies programs, four programs include one museum education course and two programs include two courses. We found no evidence of museum education content in any of the eight Canadian curatorial practice programs. In terms of specialized programs, a Masters of Museum Education program has existed at UBC since 2012. Another Canadian university is currently examining the possibility of setting up a program. We conclude that the offer of professional museum education training in Canada is slowly improving. Keywords: Museum Education; Museum Education Training; Post-secondary Professional Education; Professionalization of Museum Education. [1] This research has been made possible by a grant from the Social Sciences and Humanities Research Council of Canada.Résumé : Une analyse des différents programmes de formation muséale a été menée pour déterminer l’état actuel de la formation muséale professionnelle au Canada. Quatre des dix-huit programmes d’études muséales postsecondaires proposent un seul cours d’éducation muséale tandis que deux programmes en offrent deux. Nous n’avons trouvé aucune trace de contenu d’éducation muséale parmi les huit programmes canadiens de pratique des conservateurs. En ce qui concerne les programmes spécialisés, l’Université de la Colombie-Britannique propose depuis 2012 un programme de maîtrise en éducation muséale. Une autre université canadienne étudie présentement la possibilité de mettre sur pied un tel programme. Il semblerait donc que la formation professionnelle en éducation muséale offerte gagne lentement du terrain.Mots-clés : éducation muséale, formation à l’éducation muséale, formation professionnelle postsecondaire, professionnalisation de l’éducation muséale.[1]Cette recherche a bénéficié d’une subvention du Conseil de recherches en sciences humains du Canada.","PeriodicalId":383634,"journal":{"name":"The Canadian Review of Art Education / Revue canadienne d’éducation artistique","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131886658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Endless Open Heart: Collaborative Poetry and Image as Contemplative and Restorative Practice / Du fond du cœur : poésie concertée et imagerie pour une pratique contemplative et restauratrice","authors":"P. Richardson, S. Walsh","doi":"10.26443/CRAE.V45I1.59","DOIUrl":"https://doi.org/10.26443/CRAE.V45I1.59","url":null,"abstract":"Abstract: In this article, we share how during a time of retreat from our academic careers we engaged in a shared contemplative arts process that included two practices, the first being renga, or linked verse poetry, and the second being Miksang, or contemplative photography. Through our particular collaboration, we sought to co-create a space where healthy habits of mind and open-hearted awareness were nurtured through practices of spaciousness, restfulness, curiosity, and compassion. In this way, we manifested a process that has been restorative for ourselves and that is potentially helpful for other artists, teachers and researchers.Keywords: poetry; photography; contemplative arts; collaboration; healing.Résumé : Nous racontons dans cet article comment nous nous sommes, en retrait temporaire de nos activités professionnelles, impliqués dans un processus concerté d’art contemplatif impliquant deux pratiques, à savoir le renga, sorte de poésie collaborative, et le Miksang, ou photographie contemplative. Nous avons voulu, dans le cadre de cette collaboration spéciale, co-créer un environnement favorisant de saines habitudes intellectuelles et la bienveillance en y intégrant grandeur, détente, curiosité et compassion. Nous avons ainsi amorcé un processus restauratif pour nous et potentiellement utile à d’autres artistes, enseignants et chercheurs.Mots-clés : poésie, photographie, arts contemplatifs, photographie, collaboration, guérison. ","PeriodicalId":383634,"journal":{"name":"The Canadian Review of Art Education / Revue canadienne d’éducation artistique","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121237042","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Faith, Hope & Love: Postscript on Interprofessional Processes for Innovating Generation / Foi, espoir et amour : postscript sur les processus interprofessionnels de génération novatrice","authors":"Pauline Sameshima, Sean Wiebe","doi":"10.26443/CRAE.V45I1.61","DOIUrl":"https://doi.org/10.26443/CRAE.V45I1.61","url":null,"abstract":"Abstract: Universities Canada, Canada Council, and numerous sources urge the development of creativity and innovation capacity by leveraging broad interdisciplinary approaches, collaboration, and partnerships and networking; however, the relational mechanics of working together on interdisciplinary teams and in combinatory partnerships remain equivocal. Drawing on health care practices of interprofessional education, the authors present three tenets, a currere of team collaboration. They offer eight collaboratively created ekphrastic poems written for a curated international touring printmakers’ art exhibition and use their poetry writing process as a generative learning strategy and example for explaining how to frame a path to authentic collaboration.Keywords: Interdisciplinary research; Poetic inquiry; Ekphrasis; Collaborative research; Interprofessional education; Currere. Résumé : Universités Canada, le Conseil des arts du Canada et plusieurs sources prônent le développement de la créativité et de la capacité d’innovation par le biais de vastes approches interdisciplinaires, de la collaboration, de partenariats et de réseautage. Mais la mécanique relationnelle de la collaboration au sein d’équipes interdisciplinaires et de partenariats combinatoires demeure équivoque. S’inspirant de pratiques d’éducation interprofessionnelle dans le domaine de la santé, les auteurs proposent trois principes fondamentaux et un examen réflexif du travail en équipe. Ils présentent huit poèmes ekphrasiques écrits en collaboration en vue d’une exposition internationale itinérante de graveurs et proposent ce procédé d’écriture de poèmes comme stratégie d’apprentissage générative. Ils utilisent ce processus pour expliquer la façon d’accéder à une véritable collaboration.Mots-clés : recherche interdisciplinaire, questionnement poétique, ekphrasis, recherche concertée, éducation interprofessionnelle, examen réflexif. ","PeriodicalId":383634,"journal":{"name":"The Canadian Review of Art Education / Revue canadienne d’éducation artistique","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124964635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ekphrastic Conversations: Writing Poems as Dialogues with Works of Art / Conversations ekphrasiques : écrire des poèmes pour converser avec les œuvres d’art","authors":"Amanda Nicole Gulla","doi":"10.26443/CRAE.V45I1.56","DOIUrl":"https://doi.org/10.26443/CRAE.V45I1.56","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":383634,"journal":{"name":"The Canadian Review of Art Education / Revue canadienne d’éducation artistique","volume":"190 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122426226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Sense of Wonder: An A/r/tographer’s Musings on Seeing and Being in the World / Un sentiment d’émerveillement : réflexions d’un a/r/tographe sur l’observation d’un monde et sa place en ce monde","authors":"Charity Dawn Becker","doi":"10.26443/CRAE.V45I1.51","DOIUrl":"https://doi.org/10.26443/CRAE.V45I1.51","url":null,"abstract":"Abstract: This paper examines ways of seeing the world differently through the eyes of an a/r/tographer (artist, researcher, teacher). It addresses how I see the world phenomenologically, pedagogically, poetically, and artistically (as a photographer), and how my seeing the world through these varied-yet-connected lenses influences my way of being in the world. The structure of the paper echoes this way of seeing through the various lenses of research, reflection, poetry, and photography.Keywords: A/r/tography; Phenomenology; Poetry; Pedagogy; Art; Wonder. Résumé : Cet article analyse les diverses façons de percevoir le monde selon le point de vue d’un a/r/tographe (artiste, chercheur, enseignant). J’y propose ma vision phénoménologique, pédagogique, poétique et artistique du monde (en tant que photographe) et explique comment cette perception du monde à travers ce prisme varié mais interconnecté, influence ma façon d’être au sein de cet environnement. La structure même de l’article s’inspire de cette perception des choses à travers le prisme de la recherche, de la réflexion, de la poésie et de la photographie.Mots-clés : a/r/tographie, phénoménologies, poésie, pédagogie, art, émerveillement.","PeriodicalId":383634,"journal":{"name":"The Canadian Review of Art Education / Revue canadienne d’éducation artistique","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123799847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Poetry and process: Glad in the Ruthless Furnance / Poésie et procédé : être joyeux dans l’impitoyable fournaise","authors":"Wendy Donawa","doi":"10.26443/CRAE.V45I1.47","DOIUrl":"https://doi.org/10.26443/CRAE.V45I1.47","url":null,"abstract":"Abstract: Poets use sensory imagery and perception, memory and experience, free association and contemplation to join psychic and material worlds, and to honour both emotional and discursive truths. Through multiple drafts, free-writing and research, the author unpacks her own reflections and poems to demonstrate the process by which intuition and personal insight are crafted for public understanding. This poetic process suggests that scholarly discourses of the arts and the humanities need not always fall into the quantitative/qualitative binary, but that both heart and mind are required to some degree in the seeking of wisdom.Keywords: imagery, craft, metaphor, cadence, tone, sensory perception, memory, intuition, contemplationRésumé : Les poètes utilisent l’imagerie sensorielle et la perception, la mémoire et l’expérience ainsi que l’association libre et la contemplation, pour unifier les univers psychique et matériel et célébrer à la fois les vérités émotionnelles et discursives. Par le biais de multiples ébauches, d’écriture libre et de recherches, l’auteure partage ses réflexions et poèmes pour décrire le procédé par lequel intuition et points de vue personnels sont façonnés dans le but d’être compris par le public. Ce procédé poétique donne à penser que les discours érudits sur les arts et les sciences humaines ne doivent pas obligatoirement être de nature binaire quantitative ou qualitative mais que cœur et esprit sont, dans une certaine mesure, indispensables à la quête de la sagesse. Mots-clés : imagerie, art, métaphore, cadence, ton, perception sensorielle, mémoire, intuition, contemplation. ","PeriodicalId":383634,"journal":{"name":"The Canadian Review of Art Education / Revue canadienne d’éducation artistique","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125068671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}