Ars Aeterna最新文献_第9页

Cognitive distortion, translation distortion and poetic distortion as semiotic shifts 符号学转向下的认知失真、翻译失真与诗歌失真

Ars Aeterna Pub Date : 2017-12-20 DOI: 10.1515/aa-2017-0006

S. Osimo, Bruno Osimo

引用次数: 1

Aesthetic distance as a form of liminality in selected short stories of American literature 审美距离：美国文学短篇小说选中的一种界限形式

Ars Aeterna Pub Date : 2017-06-27 DOI: 10.1515/aa-2017-0005

N. Čechová

{"title":"Aesthetic distance as a form of liminality in selected short stories of American literature","authors":"N. Čechová","doi":"10.1515/aa-2017-0005","DOIUrl":"https://doi.org/10.1515/aa-2017-0005","url":null,"abstract":"Abstract Aesthetic distance is a phenomenon that has attracted a considerable amount of attention, especially since the first works of postmodernism came to light. Aesthetic distance is based on creating such works which - using certain artistic tools and techniques - break the illusion and thus inhibit readers from immersing themselves in the literary world portrayed in the work they read. As a result, aesthetic distance creates a liminal space, or an invisible but consciously perceivable border between reality, i.e. the world we live in and fiction, i.e. the world we want to relocate to and enjoy during the reading process. The paper is based on an article by Bjorn Thomassen, in which he presents several types of liminality and states that the typology is not final. My aim is to prove that liminality can occur in literature as well, particularly in works built on aesthetic distance. In this matter, I focus on the reception theory of Wolfgang Iser, who studies literary texts from three perspectives: the text, the reader and the communication between the two. The theory is applied to selected short stories of American literature, which contain illusion-breaking features and thus may be viewed as liminal spaces.","PeriodicalId":37754,"journal":{"name":"Ars Aeterna","volume":"9 1","pages":"35 - 56"},"PeriodicalIF":0.0,"publicationDate":"2017-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47626895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Jane Austen Americanized: The democratic principle in recent adaptations of Emma 简·奥斯丁的美国化:近期《爱玛》改编中的民主原则

Ars Aeterna Pub Date : 2017-06-27 DOI: 10.1515/aa-2017-0004

E. Jelínková

引用次数: 0

Hawthorne’s Rome – A city of evil, political and religious corruption and violence 霍桑笔下的罗马——一个充满邪恶、政治和宗教腐败和暴力的城市

Ars Aeterna Pub Date : 2017-06-27 DOI: 10.1515/aa-2017-0001

Irina Rabinovich

{"title":"Hawthorne’s Rome – A city of evil, political and religious corruption and violence","authors":"Irina Rabinovich","doi":"10.1515/aa-2017-0001","DOIUrl":"https://doi.org/10.1515/aa-2017-0001","url":null,"abstract":"Abstract Hawthorne’s Rome is the home of dark and evil catacombs. It is a city haunted by evil spirits from the past that actively shape the romance’s plot. Rome’s dark gardens, endless staircases, hidden corners and vast catacombs, as well as the malodorous Jewish ghetto, affect Donatello’s and Miriam’s judgment, almost forcing them to get rid of the Model, Miriam’s persecutor. Hawthorne’s narrator’s shockingly violent, harsh and seemingly anti-Semitic description of the ghetto in Rome is just one among many similarly ruthless, and at times offensive, accounts of the city wherein Hawthorne situates his last completed romance, The Marble Faun. Hawthorne’s two-year stay in Rome in 1858-59 sets the scene for his conception of The Marble Faun. In addition to providing Hawthorne with the extensive contact with art and artists that undoubtedly affected the choice of his protagonists (Kenyon, a sculptor; Hilda and Miriam, painters), Italy exposed Hawthorne to Jewish traditions and history, as well as to the life of Jews in the Roman ghetto. Most probably it also aroused his interest in some of the political affairs in which Italian Jews were involved in the 1840s and 50s. This historical background, especially the well-publicized abduction and conversion of a Jewish child, Edgardo Mortara, in 1858 provides important political and cultural background for Hawthorne’s portrayal of Miriam in The Marble Faun.","PeriodicalId":37754,"journal":{"name":"Ars Aeterna","volume":"9 1","pages":"1 - 6"},"PeriodicalIF":0.0,"publicationDate":"2017-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45415626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Towards freedom and social awareness: Hopeful narratives and performatives in American theatre and literature 走向自由和社会意识：美国戏剧和文学中充满希望的叙事和表演

Ars Aeterna Pub Date : 2017-06-27 DOI: 10.1515/aa-2017-0002

I. Lacko

引用次数: 0

Protected values and the meaning of life in Marilynne Robinson’s novel Gilead 玛丽莲·罗宾逊小说《基列》中的保护价值与生命意义

Ars Aeterna Pub Date : 2017-06-27 DOI: 10.1515/aa-2017-0003

Mária Hricková

引用次数: 0

Ethnic humour in a multicultural society 多元文化社会中的民族幽默

Ars Aeterna Pub Date : 2016-12-01 DOI: 10.1515/aa-2016-0006

Lenka Gogová

{"title":"Ethnic humour in a multicultural society","authors":"Lenka Gogová","doi":"10.1515/aa-2016-0006","DOIUrl":"https://doi.org/10.1515/aa-2016-0006","url":null,"abstract":"Abstract The coexistence of different cultures in specific pluralistic settings not only has positive but also negative impacts. Besides exchanging cultural contents within a multicultural environment, societies use humour as a form of social interaction, which reinforces cultural interrelationships as well as ethnical differences. However, humour differs from culture to culture and from individual to individual. On the one hand, it develops social cohesion, fosters positive relations and increases the self-identification of the individual in relation to other ethnic groups, but on the other hand, it functions as an acceptable and tolerated form of aggression in a particular society. The bipolar character of humour stems from its status and functions. It serves both as a social unifier and a social separator. The most common paradigms of humour in social discourse are ethnic jokes or cartoons that are often built on fixed ethnic/racial stereotypes leading to social categorization but also to fast and correct decoding of semantic information by an audience. Ethnic jokes are social thermometers, recording and measuring the level of sensitivity towards specific cultural groups. The main aim of this paper is to introduce ethnic humour and its key functions in the context of ongoing cultural interactions and changes.","PeriodicalId":37754,"journal":{"name":"Ars Aeterna","volume":"8 1","pages":"12 - 24"},"PeriodicalIF":0.0,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/aa-2016-0006","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67071811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

From the diasporic to the transnation: Catherine Temma Davidson’s The Priest Fainted 从流散到跨界:凯瑟琳·泰玛·戴维森的《昏倒的牧师》

Ars Aeterna Pub Date : 2016-12-01 DOI: 10.1515/aa-2016-0005

J. Kušnír

引用次数: 0

The humanistic aspect of Alexander McCall Smith’s African detective fiction 亚历山大·麦考尔·史密斯非洲侦探小说的人文主义方面

Ars Aeterna Pub Date : 2016-12-01 DOI: 10.1515/aa-2016-0008

Jana Waldnerová

引用次数: 0

Communication across cultures: ideological implications of Sam Selvon’s linguistic inventiveness 跨文化交流:山姆·塞尔文语言创造性的意识形态含义

Ars Aeterna Pub Date : 2016-12-01 DOI: 10.1515/aa-2016-0007

Simona Klimková

引用次数: 0