Ars Aeterna最新文献

Technological imagination as a source of the culture of neural networks 技术想象力是神经网络文化的源泉

Ars Aeterna Pub Date : 2023-12-01 DOI: 10.2478/aa-2023-0007

Zuzana Husárová, Karel Piorecký

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Shhh!: Whisper cycle in John Crowley’s rendition of Samuel Beckett’s Come and Go 嘘约翰-克劳利演绎塞缪尔-贝克特的《来去匆匆》中的耳语循环

Ars Aeterna Pub Date : 2023-12-01 DOI: 10.2478/aa-2023-0009

Filiz Kutlu

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The “own” vs the “foreign” in the German translation of Pavol Rankov’s novel Svätý mäsiar zo Šamorína a iné príbehy z čias Malej dunajskej vojny1 帕沃尔-兰科夫的小说《沙莫林的屠夫和小多瑙河战争时期的其他故事》德文译本中的 "本国 "与 "外国 "1

Ars Aeterna Pub Date : 2023-12-01 DOI: 10.2478/aa-2023-0012

Andrej Zahorák

{"title":"The “own” vs the “foreign” in the German translation of Pavol Rankov’s novel Svätý mäsiar zo Šamorína a iné príbehy z čias Malej dunajskej vojny1","authors":"Andrej Zahorák","doi":"10.2478/aa-2023-0012","DOIUrl":"https://doi.org/10.2478/aa-2023-0012","url":null,"abstract":"Abstract The paper deals with cultural phenomena – realia and precedent phenomena – in the novel by contemporary Slovak author Pavol Rankov: Svätý mäsiar zo Šamorína a iné príbehy z čias Malej dunajskej vojny [The Holy Butcher of Šamorín and Other Stories from the Time of the Lesser Danube War, 2016] and in its German translation Der Kleine Donaukrieg (2022). The novel depicts a fictional war between Slovakia and Hungary, with its specific feature being the clash of several cultures and linguo-cultural spaces (Slovak, Hungarian, Roma, Czech) on the linguistic and extra-linguistic levels. The paper presents an interpretative probe into the analysed novel as well as a theoretical definition of the types of cultural phenomena in translation communication, focusing on the ambiguity of the rendering and definition of the “own” and “foreign” in a literary text. In the comparative analysis of the original work and its German translation, we focus on the interpretative, receptive and translational specificities of realia and precedent phenomena reflecting the Roma and Slovak linguo-cultural space.","PeriodicalId":37754,"journal":{"name":"Ars Aeterna","volume":"42 2","pages":"79 - 92"},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139018435","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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The foreign atmosphere of Africa as part of magical expression in the fiction of Marek Vadas 非洲的异域风情是马雷克-瓦达斯小说中神奇表达的一部分

Ars Aeterna Pub Date : 2023-12-01 DOI: 10.2478/aa-2023-0011

Paula Píšová

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The Hillbilly Stereotype in Horror Comics 恐怖漫画中的乡巴佬刻板印象

Ars Aeterna Pub Date : 2023-12-01 DOI: 10.2478/aa-2023-0008

Jozef Pecina

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(En)gendering diaspora: Negotiating food, culture and women in select Indian diasporic novels (散居地（性别）化：印度散居地小说选集中的饮食、文化和妇女谈判

Ars Aeterna Pub Date : 2023-12-01 DOI: 10.2478/aa-2023-0010

Rajbir Samal, Binod Mishra

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The blood motif in culture-forming narratives: Morphology and semantics 文化形成叙事中的血母题:形态与语义

Ars Aeterna Pub Date : 2023-06-01 DOI: 10.2478/aa-2023-0004

Nikola Danišová, Simona Klimková

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Staging violence in William Shakespeare’s Hamlet: From the theatrics of the mind, the image and the stage to the creation of the meta-self 莎士比亚《哈姆雷特》中的暴力表演:从心灵、形象和舞台的戏剧到元自我的创造

Ars Aeterna Pub Date : 2023-06-01 DOI: 10.2478/aa-2023-0003

Zied Ben Amor

{"title":"Staging violence in William Shakespeare’s Hamlet: From the theatrics of the mind, the image and the stage to the creation of the meta-self","authors":"Zied Ben Amor","doi":"10.2478/aa-2023-0003","DOIUrl":"https://doi.org/10.2478/aa-2023-0003","url":null,"abstract":"Abstract Violence in William Shakespeare’s Hamlet follows stage-managed theatrics at the level of the language and images used, the construction of a theatre that comments on theatre, and of staged minds. The theatrics of images, sound, stage and mind are necessary steps for Hamlet to create a meta-self. Metatheatre and the grotesque are deeply connected to violence; their association makes what the research calls the meta-self. The article combines different theoretical concepts not commonly used simultaneously. The alliance between the carnivalesque and the metatheatrical reveals the theatrics of the stage while dealing with violence. The theatrics of violence are present at the level of performance, language and images. The dynamics of violence constructed upon theatrics and staging prove that the mind of Hamlet is staged. Baudrillard’s concepts of “hyperreality”, “traversing the self” and “holographic attempts” allow us to conclude that Hamlet reaches a “meta-self”. The Meta-self is a traversing self that challenges society and mocks over-confidence; it operates as a mirror, a crossing-thinking self in constant rehearsal and reassessment of the certitudes of humans.","PeriodicalId":37754,"journal":{"name":"Ars Aeterna","volume":"15 1","pages":"39 - 60"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42637300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Oscar Wilde’s ideal woman: Constructing Victorian upper-class female identity in Wilde’s Lady Windermere’s Fan 奥斯卡·王尔德的理想女性:在王尔德《温德米尔夫人的扇子》中构建维多利亚时代上流社会女性身份

Ars Aeterna Pub Date : 2023-06-01 DOI: 10.2478/aa-2023-0002

Younes Poorghorban

{"title":"Oscar Wilde’s ideal woman: Constructing Victorian upper-class female identity in Wilde’s Lady Windermere’s Fan","authors":"Younes Poorghorban","doi":"10.2478/aa-2023-0002","DOIUrl":"https://doi.org/10.2478/aa-2023-0002","url":null,"abstract":"Abstract This paper examines the definition of the Victorian upper-class woman in the context of Oscar Wilde’s Lady Windermere’s Fan, in light of the prevailing gender roles and conventions of the late Victorian era. Drawing upon Judith Butler’s theories of sex and gender, this study investigates Victorian female subjectivity in terms of the power dynamics between men and women. Drawing upon Butlerian analyses of sex and gender, this paper has explored two divergent representations of upper-class female subjectivity in the Victorian period. The representation of intelligible-gendered identities in the Duchess of Berwick is a key point of consideration when examining Victorian upper-class female subjects. In contrast, Mrs. Erlynne serves as an example of an unintelligible-gendered character, allowing for an exploration of the ramifications of challenging the prevailing power structure. In this article, it is demonstrated that Wilde’s female ideal is neither definitively intelligible-gendered nor unintelligible-gendered; rather, she is a figure who resists power and reacts to any perceived threats to her social standing. This article posits that Wilde’s ideal woman is a semi-intelligible-gendered identity. Furthermore, it is suggested that, despite his advocacy of Women’s rights, Wilde still endorses certain gender roles and binary oppositions between the sexes, one of which is the role of motherhood. Wilde illustrates a scenario in which breaking away from these social conventions would lead to a tragic end which no woman is able to escape.","PeriodicalId":37754,"journal":{"name":"Ars Aeterna","volume":"15 1","pages":"20 - 38"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42154832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Quantum cognition and interpretation of the fantastic in Virginia Hamilton’s Sweet Whispers, Brother Rush 弗吉尼亚·汉密尔顿《甜蜜的低语》《拉什兄弟》中奇幻的量子认知与解读

Ars Aeterna Pub Date : 2023-06-01 DOI: 10.2478/aa-2023-0001

Pegah Mashhadi

{"title":"Quantum cognition and interpretation of the fantastic in Virginia Hamilton’s Sweet Whispers, Brother Rush","authors":"Pegah Mashhadi","doi":"10.2478/aa-2023-0001","DOIUrl":"https://doi.org/10.2478/aa-2023-0001","url":null,"abstract":"Abstract Fantasy requires a probabilistic theory of reasoning to explore how it enables the observer to create mental images from uncertainty. This study proposes a quantum cognitive approach to fantasy used for disclosing mental models of the character in uncertainty. For the uncertain individual, there exists a multiplicity of mentally incompatible but equally valid and complete representations (mental pictures) of the world. Contextualizing fantasy within the quantum cognitive principles, the novel Sweet Whispers, Brother Rush (1982) by Virginia Hamilton has been taken into consideration. In this novel the hesitation between psychological and supernatural explanations interrupts the predictive power about the real and affects mental models or cognitive states of the young character of the novel as the observer. The process of representing fantasy through complementarity, one of the quantum cognitive principles, shows that fantasy is a mixed state with a familiar probabilistic combination of states which reflect incomplete knowledge. The quantum principle of superposition has been used to explain the way an introspective mental experiment is initiated by the observer but not completed. The decision made by the observer is not a deterministic process that converges to a single mental representation. Rather it can evolve forever. To sum up, this article marks how quantum cognition can describe the uncertainty principle both on an emotional-behavioural and structural level when the observer entangles themselves within the irreducible indeterminacy of reality within fantasy.","PeriodicalId":37754,"journal":{"name":"Ars Aeterna","volume":"15 1","pages":"1 - 19"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42885138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0