嘘约翰-克劳利演绎塞缪尔-贝克特的《来去匆匆》中的耳语循环

Q4 Arts and Humanities

Ars Aeterna Pub Date : 2023-12-01 DOI:10.2478/aa-2023-0009

Filiz Kutlu

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引用次数: 0

摘要

摘要塞缪尔-贝克特的《来来去去》（1965 年）讲述了三个女人的故事，每当其中两人独处而另一人不在视线范围内时，她们的对话就会变得既可听又不可听，因为每个人都在窃窃私语。本文重点介绍 2000 年由约翰-克劳利（John Crowley）执导的电影版《来来去去》，这是贝克特电影项目的一部分，该项目将贝克特的 19 部舞台剧搬上银幕。本文借鉴姆拉登-多拉尔（Mladen Dolar）的 "对象声音 "理论，旨在分析克劳利是如何以电影的形式让当代观众理解贝克特的，并特别关注 "耳语 "场景。

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Shhh!: Whisper cycle in John Crowley’s rendition of Samuel Beckett’s Come and Go

Abstract Samuel Beckett’s Come and Go (1965) is about three women whose conversations are both audible and inaudible due to each one’s whispering whenever two of them are alone and the other is out of sight. This paper focuses on the film version of Come and Go – directed by John Crowley in 2000 – as part of the Beckett on Film project, which transferred Beckett’s 19 stage-plays to the screen. Drawing upon Mladen Dolar’s theorization of the object voice, this paper aims to analyse how Crowley renders Beckett accessible for contemporary audiences in cinematic terms, with a specific focus on the whisper scenes.

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来源期刊

Ars Aeterna Arts and Humanities-Literature and Literary Theory

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： The multidisciplinary journal focused on the questions of art and its importance in the contemporary world for the development of culture, mutual understanding, and the human Self.