Ars Aeterna最新文献_第8页

Romancing the crucifixion in biblical rewritings by Phillip Pullman and Colm Tóibín 菲利普·普尔曼和科尔姆·托宾在圣经改写中对十字架的浪漫化

Ars Aeterna Pub Date : 2018-06-01 DOI: 10.1515/aa-2018-0004

Ewa Rychter

引用次数: 0

The landscape of trauma, pain and hope in Jim Crace’s The Pesthouse 吉姆·克拉斯的《害虫屋》中的创伤、痛苦和希望

Ars Aeterna Pub Date : 2018-06-01 DOI: 10.1515/aa-2018-0001

P. Chalupský

{"title":"The landscape of trauma, pain and hope in Jim Crace’s The Pesthouse","authors":"P. Chalupský","doi":"10.1515/aa-2018-0001","DOIUrl":"https://doi.org/10.1515/aa-2018-0001","url":null,"abstract":"Abstract Jim Crace likes to refer to himself as a “landscape writer” and indeed, in each of his eleven novels he has created a distinct yet recognizable imaginary landscape or cityscape. This has led critics to coin the term “Craceland” to describe the idiosyncratic milieux he creates, which, through his remarkably authentic and poetic rendering of geography and topography, appear to be both other and familiar at the same time. In The Pesthouse 2007, the milieu is the devastated America of an imagined future, a country which has deteriorated into a pre-modern and pre-industrial wasteland so hostile to sustainable existence that most of its inhabitants have become refugees travelling eastwards to sail to a new life on another continent. Franklin and Margaret, two such refugees, are leaving their homes not only to flee misery and destitution, but also the trauma and pain occasioned by the loss of their relatives. Using geocriticism as a practice and theoretical point of departure, this article presents and analyses the various ways in which Crace’s novel renders and explores its spaces, landscapes and places, as well as how it links them with the transformation of the protagonists’ psyches and mental worlds.","PeriodicalId":37754,"journal":{"name":"Ars Aeterna","volume":"10 1","pages":"1 - 20"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49066569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Iconization of the deathly affliction in Andersen’s Fairytales1 安徒生童话中死亡痛苦的象征1

Ars Aeterna Pub Date : 2018-06-01 DOI: 10.1515/aa-2018-0006

M. Čechová

引用次数: 0

Media, simulation, freedom and control in Richard Flanagan’s The Unknown Terrorist 2006 理查德·弗拉纳根2006年《未知恐怖分子》中的媒体、模拟、自由与控制

Ars Aeterna Pub Date : 2018-06-01 DOI: 10.1515/aa-2018-0005

J. Kušnír

引用次数: 0

Foreign in London: Diaspora as a traumatic experience in Samuel Selvon’s The Lonely Londoners 外国人在伦敦：塞缪尔·塞尔文的《孤独的伦敦人》中的流散经历

Ars Aeterna Pub Date : 2018-06-01 DOI: 10.1515/AA-2018-0002

Pavlína Flajšarová

{"title":"Foreign in London: Diaspora as a traumatic experience in Samuel Selvon’s The Lonely Londoners","authors":"Pavlína Flajšarová","doi":"10.1515/AA-2018-0002","DOIUrl":"https://doi.org/10.1515/AA-2018-0002","url":null,"abstract":"Abstract Stuart Hall in Black Britain claims that “the experience of black settlement has been a long, difficult, sometimes bitterly contested and unfinished story.” Such is the case in Samuel Selvon’s 1956 novel The Lonely Londoners, which depicts the trauma of diaspora for West Indian newcomers. People from the Caribbean who settle in the “mother country” experience total disillusion because they are not welcomed by the white British. The paper focuses on the influence British politics has had upon the Windrush generation of immigrants. It shows how the characters cope with animosity, loneliness and the sense of failed promise that all lead to the traumatic experience of living in total isolation in a foreign city far from their native islands. The immigrants face xenophobia, suffer from being the “other”, invisible and segregated. They try to cope with the trauma of “not belonging anywhere”, i.e. being uprooted from their homes in the West Indies. In the aftermath of the decolonization process they fail to come to terms with their new living conditions, and as there is no return ticket to the Caribbean, they experience the ever-growing trauma of unsuccessful resettlement.","PeriodicalId":37754,"journal":{"name":"Ars Aeterna","volume":"10 1","pages":"21 - 27"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49472228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ethnotextual mental translation and self-translation in African literature 非洲文学中的民族文本心理翻译与自我翻译

Ars Aeterna Pub Date : 2017-12-20 DOI: 10.1515/aa-2017-0010

Fella Benabed

引用次数: 1

Full Access to Cultural Spaces (FACS): Mapping and evaluating museum access services using mobile eye-tracking technology 文化空间全面访问(FACS):利用移动眼动追踪技术绘制和评估博物馆访问服务

Ars Aeterna Pub Date : 2017-12-20 DOI: 10.1515/aa-2017-0007

F. Raffi

{"title":"Full Access to Cultural Spaces (FACS): Mapping and evaluating museum access services using mobile eye-tracking technology","authors":"F. Raffi","doi":"10.1515/aa-2017-0007","DOIUrl":"https://doi.org/10.1515/aa-2017-0007","url":null,"abstract":"Abstract The present paper aims to present significant results stemming from the FACS (Full Access to Cultural Spaces) project, launched in 2014 by the University of Macerata and concluded in 2016. In particular, this paper reports on stages one and two of the FACS project which aimed first to explore the state of the art of universal access services across a large variety of museums in Italy and nine other EU countries. Based on the first stage, an analysis of some of the most significant data obtained from a questionnaire sent out to over 1,200 European museums will be presented, with a special focus on multilingual devices and access services for the sensory impaired. The first stage was followed by an eye-tracking study on an Italian museum, Turin’s Museo Nazionale del Cinema (National Cinema Museum), aimed at evaluating visitors’ experience, attitudes and patterns of fruition through a test with a portable eye tracker (Tobii Pro Glasses 2, 50 Hz). Based on this second stage, the fruition of information panels by museum visitors at the Museo Nazionale del Cinema will be explored, specifically focusing on reading patterns and behaviours.","PeriodicalId":37754,"journal":{"name":"Ars Aeterna","volume":"9 1","pages":"18 - 38"},"PeriodicalIF":0.0,"publicationDate":"2017-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/aa-2017-0007","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46309525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Culture in advertising and advertising in culture: Communication, translation, representation 广告中的文化与文化中的广告：传播、翻译、表现

Ars Aeterna Pub Date : 2017-12-20 DOI: 10.1515/aa-2017-0011

E. Gromová, Daniela Müglová, Emília (néi Janecova) Perez

引用次数: 4

“Philip Marlowe in drag?” – The construct of the hard-boiled detective in feminist appropriation and translation "菲利普·马洛穿女装?——女性主义挪用与翻译中冷酷侦探的建构

Ars Aeterna Pub Date : 2017-12-20 DOI: 10.1515/aa-2017-0008

K. Seago

引用次数: 4

Translation as artistic communication in the aesthetics of migration: From nonfiction to the visual arts 翻译是移民美学中的艺术交流:从非虚构到视觉艺术

Ars Aeterna Pub Date : 2017-12-20 DOI: 10.1515/aa-2017-0009

A. Rizzo

{"title":"Translation as artistic communication in the aesthetics of migration: From nonfiction to the visual arts","authors":"A. Rizzo","doi":"10.1515/aa-2017-0009","DOIUrl":"https://doi.org/10.1515/aa-2017-0009","url":null,"abstract":"Abstract In an increasingly globalized and digitalized world, where the advancement of technologies and media constructions oversimplify and manipulate public beliefs and shared knowledge, the artistic sector seems to provide new networks of solidarity, collaboration and interaction that challenge a world dominated by conflicts and cultural shocks. Against this backdrop, acts of translation within the arts bear witness to humanity and become the ultimate ground for subjective expression and fundamental reflections upon individualist attitudes against migration issues. By putting emphasis on the role of translation in its political transfer of migration into the arts, this investigation draws attention to a recent corpus of works of art that testifies to the modalities by means of which the creative cultural industries are contributing to giving voice to migration not just as transruption and memory, but as an inclusive form of movement and communication. In Notes on the Exodus by Richard Flanagan, with illustrations by Ben Quilty (2016), and in the arts installations Call Me By My Name and All I Left Behind. All I Will Discover (London, 2017), translation intervenes as an instrument of cross-cultural collaboration and solidarity, resistance and dissent, and also demonstrates to what extent stories of migration can interact within art forms and be performed as acts of translation involving processes of (re)narration and (re)framing of identities.","PeriodicalId":37754,"journal":{"name":"Ars Aeterna","volume":"9 1","pages":"53 - 70"},"PeriodicalIF":0.0,"publicationDate":"2017-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/aa-2017-0009","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48159227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2