Academia (Greece)最新文献_第8页

“Many have seen the original by Domenichino…”. On the iconographic type of St John the Evangelist in Russian 19th-century applied art “许多人都看过多梅尼基诺的原作……”论19世纪俄罗斯应用艺术中《福音者圣约翰》的肖像类型

Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-2-1-195-207

Marina R. Bykova

引用次数: 0

Dialogue on the turns. Vasily Surikov and “modernism”: relationship сonflict 转弯时的对话。瓦西里·苏里科夫与“现代主义”:关系的冲突

Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-3-1-255-270

Olga S. Davydova

{"title":"Dialogue on the turns. Vasily Surikov and “modernism”: relationship сonflict","authors":"Olga S. Davydova","doi":"10.37953/2079-0341-2021-3-1-255-270","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-3-1-255-270","url":null,"abstract":"The article deals with the peculiarities of the dialogue which occurred at the turn of the 19th century between the creative searches of Surikov and the newest modernist trends in Russia: from Symbolism of the artists of the World of Art (known in Russian as Mir Iskusstva) group and the Blue Rose (Golubaya Roza) circle to the different stages of the Russian avant-garde – from the Jack of Diamonds (Bubnovy Valet) to Suprematism. The composition of the study is based on the counterpoint of two questions – how Surikov perceived “modernism” and how “modernism” perceived Surikov. The concept of “modernism” in this case is interpreted in the extended sense of the creative search to the early 20th century for unconventional art of magical and plastic means of expression that went beyond the limits of the Itinerant (Рeredvizhniki) Movement’s realism. The collision of relationships is viewed through the prism of the stable plastic and emotional features of the artistic poetics of Surikov himself. That is why the author touches the issues of the artists’s personal understanding of the nature of art and the problems of innovation, which worried him until the end of his life and found expression in the decorative, lyrical and expressive features of the late creative period.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70465561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Actuality and intertextuality in the painting of Edouard Manet 马奈绘画中的现实性与互文性

Academia (Greece) Pub Date : 2020-01-01 DOI: 10.37953/2079-0341-2020-1-1-15-32

Krassimira L. Loukitcheva

引用次数: 0

From trainee to master. Exhibition projects of creative workshops of the Russian Academy of Arts 从学徒到大师。俄罗斯艺术学院创意工作坊展览项目

Academia (Greece) Pub Date : 2020-01-01 DOI: 10.37953/2079-0341-2020-3-1-396-398

N.V. Tolstaya

引用次数: 0

“Riders” of Marino Marini 马里诺·马里尼的“骑士”

Academia (Greece) Pub Date : 2020-01-01 DOI: 10.37953/2079-0341-2020-4-1-500-506

E. Fedotova

{"title":"“Riders” of Marino Marini","authors":"E. Fedotova","doi":"10.37953/2079-0341-2020-4-1-500-506","DOIUrl":"https://doi.org/10.37953/2079-0341-2020-4-1-500-506","url":null,"abstract":"The article is devoted to the creation of well-known Italian sculptor Marino Marini (1901–1980). He was the participant of many qreat displays in Italy and abroad, prize-winner of international exhibitions. The Fund of Marini and the Centre of documentation of his legacy was created in 1979 in one’s home town – Pistoia. His sculptures, drawings, photographyes, catalogues keeps there. In 1975 in Milano, where he teached at great artistic institutes for a long time, was opened «Museum Marini». His talent formed under the influence of distinguished italian sculptor of XXᵗʰ century – Arturo Martini, them meeting happened in 1926. In this article the talk is about biography of Marini and about the main theme of his creation – conception of «horse and rider». In these types he incarnated reverberations of one’s own associations with the contemporary events, also correlated the «riders» with the legacy of the plastic art of etruscas, because he was native of Toscana. This «forma in una idea» developed in sculptures and in drawings of Marini from first works of 1930ᵗʰ to the composition of 1950ᵗʰ–1960ᵗʰ («Miracle» – «Miracle», «Grido» – «Cry» and others). The dramatic history of XXᵗʰ century always was the impulse for his works. He stayed out of official orders, was «free essence», followed the precept of Arturo Martini.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70464434","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Mystery-Pictures by Tatiana Obraztsova Tatiana Obraztsova的神秘电影

Academia (Greece) Pub Date : 2020-01-01 DOI: 10.37953/2079-0341-2020-1-1-84-88

Sergey I. Orlov

引用次数: 0

Secret of Pegasus. Sacral image of Winged Horse in the past and present of history cultures 帕伽索斯的秘密。飞马在过去和现在的历史文化中的神圣形象

Academia (Greece) Pub Date : 2020-01-01 DOI: 10.37953/2079-0341-2020-2-1-166-174

Andrey V. Kuzmin

引用次数: 0

British Modernists and the Images of the First World War 1914–1920 英国现代主义者与第一次世界大战的形象(1914-1920)

Academia (Greece) Pub Date : 2020-01-01 DOI: 10.37953/2079-0341-2020-2-1-277-284

Elena V. Igumnova

引用次数: 0

Graeco-Roman and Byzantine traditions in the miniature of the Arab Middle Ages 阿拉伯中世纪的缩影中的希腊罗马和拜占庭传统

Academia (Greece) Pub Date : 2020-01-01 DOI: 10.37953/2079-0341-2020-4-1-441-463

T. K. Starodub

{"title":"Graeco-Roman and Byzantine traditions in the miniature of the Arab Middle Ages","authors":"T. K. Starodub","doi":"10.37953/2079-0341-2020-4-1-441-463","DOIUrl":"https://doi.org/10.37953/2079-0341-2020-4-1-441-463","url":null,"abstract":"A comparative analysis of the Middle Eastern art monuments from different epochs urge the assumption upon us that colourful murals, reliefs and mosaics of palaces, religious and public buildings, just as the illustrated Greek, Latin and Syrian scrolls and codes, created in distant and recent the Western Asia pre-Islamic past or in the early centuries of the Caliphate, served as a kind of breeding ground for the development of a new art form for the Islamic world – a book miniature. In the works of monumental art of the city-states of pre-Islamic ancient Syria and Mesopotamia, traits are found that allow us to see in the heritage of the different art cultures of the ancient and early medieval Mediterranean and the non-Mediterranean Hellenized East not only a cradle, but also schools of Greco-Roman and Early Byzantine miniatures that complement and decorate texts of the ancient manuscripts. With the absorption of these regions by the Caliphate and the development of the medieval Islamic civilization, these schools, next to the vivid and developing art of Byzantium, became sources of knowledge and skill for the designers of Arabic manuscripts. The design of Greek, Latin and Syrian codes, along with the illustrations in the text, inspired the inclusion in the Arabic manuscripts of the frontispiece with the \"portrait\" of the author (or authors) of the book, and 'the dedication picture' – that were the separate miniatures glorifying the patron or the crowned addressee of the book in allegorical form. Over time, the style of Arabic manuscripts had lost the visible connection with both Greco-Roman and Byzantine prototypes. However, the acquisition of their own stylistic devices, methods and norms did not mean either a final deviation or a complete denial of lessons of the classical book painting. In one form or another, their contribution in Medieval Near Eastern arts was also manifested in the later illustrated Arabic manuscripts, although now at most they were oriented toward the models and ideals of Iran and Eastern Asia.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70464343","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

In memory of Natalya Nikolaevna Sheredega (1950 – 2020) 纪念娜塔莉亚·尼古拉耶夫娜·舍列德加(1950 - 2020)

Academia (Greece) Pub Date : 2020-01-01 DOI: 10.37953/2079-0341-2020-2-1-290-292

N.V. Tolstaya

引用次数: 0