Actuality and intertextuality in the painting of Edouard Manet

Q4 Social Sciences
Krassimira L. Loukitcheva
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引用次数: 0

Abstract

In this article, the painting of Edouard Manet is traditionally considered as a new set of pictorial means representing actual life and the perspective of the development of contemporary art; and as a dialogue with the art of old masters, in which there is a destruction of the classical type of mimesis and the birth of picture’s new status. But here, the emphasis is different: the novelty and significance of his painting are predetermined not by changing social environment directly, they are born of a new visual discourse of Manet’s time, responding to the challenge presented by a new stage in the development of art, and its new role in stratification of culture.
马奈绘画中的现实性与互文性
在本文中,马奈的绘画传统上被认为是一套新的表现现实生活的绘画手段和当代艺术发展的视角;作为与老大师艺术的对话,这是对古典模仿类型的破坏和图像新地位的诞生。但在这里,重点是不同的:他的绘画的新颖性和意义不是由直接改变的社会环境决定的,它们诞生于马奈时代的一种新的视觉话语,以回应艺术发展的新阶段所带来的挑战,以及它在文化分层中的新角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Academia (Greece)
Academia (Greece) Social Sciences-Education
CiteScore
0.50
自引率
0.00%
发文量
0
审稿时长
24 weeks
期刊介绍: ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.
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