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Boris Johanson. Moscow Union of Artists. Look from the XXI century 鲍里斯·约翰逊。莫斯科艺术家联盟。从21世纪来看
Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-1-1-100-104
Alexander K. Yakimovich
{"title":"Boris Johanson. Moscow Union of Artists. Look from the XXI century","authors":"Alexander K. Yakimovich","doi":"10.37953/2079-0341-2021-1-1-100-104","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-1-1-100-104","url":null,"abstract":"Review of the book by B.I. Ioganson examines the author's statement of question, the specifics of presentation of artistic situation in the USSR (1932-1962), conditions for the establishment and existence of Soviet artistic creative organizations (MOSH) in the first three decades of Soviet power.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70464636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Own borrowed. Peculiarities of Citation in Russian Fine Arts of the 18th Century 自己的借来的。18世纪俄罗斯美术引文的特殊性
Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-1-11-22
Olga S. Evangulova, Andrey A. Karev
{"title":"Own borrowed. Peculiarities of Citation in Russian Fine Arts of the 18th Century","authors":"Olga S. Evangulova, Andrey A. Karev","doi":"10.37953/2079-0341-2021-1-11-22","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-1-11-22","url":null,"abstract":"Referring to the problem of “citation” in fine arts of the 18th century, the discussion invariably arises about author’s originality and imitation. In Russia, a tradition of respect for the model is reflected in the nature of “citation” as part of the imitating of nature. First, fine arts, like engraving, have to use models, and so acquired the right to independence. Second, artists using models often demonstrated joining the most requested ideas embodied by reputable masters of various epochs. At times it leads to some kind of paraphrasis to a significant pronomination, which enhanced the prestige of an author and national art school. In addition, it was a symptom of the metamorphosis of the “borrowed” into one’s “own” as a necessary part of a creative process.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70464169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Iconological tradition and film analysis 图像学传统与电影分析
Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-2-1-185-194
M. Y. Toropygina
{"title":"Iconological tradition and film analysis","authors":"M. Y. Toropygina","doi":"10.37953/2079-0341-2021-2-1-185-194","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-2-1-185-194","url":null,"abstract":"The article discusses film interpretation as reading and analysis of the visual part. Iconology as one of the methods in art history inspires concentration on details of the image and the scene as well as understanding of different layers of meaning in film.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70464724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ilya Repin: From Raising to Resurrection 伊利亚·列宾:《从升起到复活
Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-2-1-129-141
Tatiana V. Yudenkova
{"title":"Ilya Repin: From Raising to Resurrection","authors":"Tatiana V. Yudenkova","doi":"10.37953/2079-0341-2021-2-1-129-141","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-2-1-129-141","url":null,"abstract":"The diversity of topics and ideas in the art of Ilya Repin (1844–1930) has long been seen as a result of the artist’s changeability, the inconsistency of his views and the suddenness of his creative talent. Therefore, it is important to show the integrity of Repin’s artistic world and to discover a certain foundation for his professional activity. This article traces the artist’s path from the early academician work “The raising of Jairus’ daughter” to one of his late paintings, “The Golgotha”. If you try to assess a vast number of Repin’s picture motifs you’ll see that over the whole course of his professional career he was working step by step on the subject of life and death, demonstrating interest in the meanings of human existence. These aspects worried the painter in connection not only with Gospel subjects but also with historical pictures and portraits.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70464967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Virgin’s heavenly rapture as a theme in Yaroslavl art of the late 17th and early 18th centuries 17世纪末和18世纪初雅罗斯拉夫尔艺术的主题——圣母在天堂的狂喜
Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-2-1-111-117
Ekaterina Yu. Makarova
{"title":"The Virgin’s heavenly rapture as a theme in Yaroslavl art of the late 17th and early 18th centuries","authors":"Ekaterina Yu. Makarova","doi":"10.37953/2079-0341-2021-2-1-111-117","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-2-1-111-117","url":null,"abstract":"In its heydays, Yaroslavl art expanded its range of literary sources. The composition of Ioanniky Galyatovsky “Nebo Novoe” (“New Heaven”) was very popular. The miracle of St Thomas Becket of Canterbury, in which the Virgin tells him of her rapture in Heaven, became an iconographic subject. In Yaroslavl art this theme can be found in several versions, both in icons and in monumental painting. It is believed that the theme appeared and was developed in the school of Yaroslavl icon painter Feodor Ignatiev. Currently, this plot has not been identified in other centres of art.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70465116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Waiting for a change for traditional handcrafts. In memory of Alexander Grekov (1954–2021) 等待传统手工艺的改变。纪念亚历山大·格列科夫(1954-2021)
Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-3-1-316-319
Maria A. Nekrasova
{"title":"Waiting for a change for traditional handcrafts. In memory of Alexander Grekov (1954–2021)","authors":"Maria A. Nekrasova","doi":"10.37953/2079-0341-2021-3-1-316-319","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-3-1-316-319","url":null,"abstract":"The article is dedicated to the memory of art historian Alexander Grekov (1954–2021), determining the significance of his contribution to the study of folk arts and crafts, their maintenance and development in the late 20th – early 21st centuries.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70465282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Our teachers 我们的老师
Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-1-1-7-10
Andrey A. Karev
{"title":"Our teachers","authors":"Andrey A. Karev","doi":"10.37953/2079-0341-2021-1-1-7-10","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-1-1-7-10","url":null,"abstract":"The article is devoted to creative heritage of art historians O.S. Evangulova (1933-2016) and I.V. Ryazantsev (1932-2014), assessment of the significance of their contribution to the study of the artistic processes of Russian art of the XVIII – early XIX centuries and the development of the Russian art school for the study of Russian art of the XVIII century.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70464382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ovid’s Metamorphoses in Russian book illustrations of the 1790s: Searching European analogues 18世纪90年代俄书插图中的奥维德的《变形记》:寻找欧洲的类似物
Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-1-1-32-40
Elena V. Borshch
{"title":"Ovid’s Metamorphoses in Russian book illustrations of the 1790s: Searching European analogues","authors":"Elena V. Borshch","doi":"10.37953/2079-0341-2021-1-1-32-40","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-1-1-32-40","url":null,"abstract":"The paper shows the influence of the European engravings on the Russian book illustrations. The object of the study are European and Russian 18th-century illustrations for Ovid’s Metamorphoses. As a result of the comparison, prototypes of illustrations for the Russian edition of Ovid of 1794–1795 were identified as engravings from a similar Dutch edition of 1732. The results of a comparison of a number of sketches of the Russian manuscript “Ovid Metamorphoses with Illustrations” of 1796 and the engravings of the French edition of “Metamorphoses” of 1767–1771 are given. The methods of copying and transformation of European prints are analyzed. The author proves creative nature of the interpretation of European samples by Russian engravers and draftsmen of the academic school.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70464240","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Italy in the life and work of Vassily Surikov and Jan Matejko, outstanding historical painters 意大利杰出的历史画家瓦西里·苏里科夫和扬·马特耶科的生活和工作
Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-3-1-234-243
Leila S. Khasianova
{"title":"Italy in the life and work of Vassily Surikov and Jan Matejko, outstanding historical painters","authors":"Leila S. Khasianova","doi":"10.37953/2079-0341-2021-3-1-234-243","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-3-1-234-243","url":null,"abstract":"Ilya Repin wrote, “Matejko had a great national soul, he could as a painter express his love to his compatriots boldly and just to the point”. This statement can be attached to Surikov’s creative activity as well. Unfortunately, the researchers of Surikov’s works have to realize that painter’s secluded lifestyle obviously led to an insufficient number of letters and memoirs. The information on the Polish artist Jan Matejko is more extensive though he also was a recluse in his life. The author of the article pays special attention to Italy, and its role in private and artistic life of Surikov and Matejko. Both represented Slavonic culture, both were adherents to historical painting, and, moreover, had much in common as for their tempers, existential and creative principles.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70465144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dutch-Flemish motifs of flowers and fruit in the 18th-Century Russian Painting: From Science and Emblems to the Image Aestheticization 18世纪俄罗斯绘画中的荷兰-佛兰德花卉和水果主题:从科学和象征到图像审美化
Academia (Greece) Pub Date : 2021-01-01 DOI: 10.37953/2079-0341-2021-1-1-23-31
Tatiana A. Zakharova
{"title":"Dutch-Flemish motifs of flowers and fruit in the 18th-Century Russian Painting: From Science and Emblems to the Image Aestheticization","authors":"Tatiana A. Zakharova","doi":"10.37953/2079-0341-2021-1-1-23-31","DOIUrl":"https://doi.org/10.37953/2079-0341-2021-1-1-23-31","url":null,"abstract":"The history of Russian fruit and flower still life began in the 18th century, when Russian state’s art culture was getting closer to that of European countries, especially with the Netherlands. This article shows the evolution of Russian fruit and flower still life of the 18th century in the context of Dutch-Flemish inheritance. The major focus is made on the objective motifs of the still life and its semantics. In the works of this genre, the continuity of Dutch traditions could be traced due to “Symbols and Emblemata”, an iconological reference book published at the initiative of Peter I.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70464175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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