17世纪末和18世纪初雅罗斯拉夫尔艺术的主题——圣母在天堂的狂喜

Q4 Social Sciences

Academia (Greece) Pub Date : 2021-01-01 DOI:10.37953/2079-0341-2021-2-1-111-117

Ekaterina Yu. Makarova

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引用次数: 0

摘要

在雅罗斯拉夫艺术的全盛时期，它扩大了文学来源的范围。加利亚托夫斯基的作品《新天堂》(Nebo Novoe)非常受欢迎。圣托马斯贝克特的奇迹坎特伯雷，其中圣母告诉他，她在天堂的狂喜，成为一个形象的主题。在雅罗斯拉夫艺术中，这个主题可以在几个版本中找到，无论是在图标上还是在纪念性绘画中。人们认为，这一主题是在雅罗斯拉夫尔肖像画家费奥多尔·伊格纳季耶夫的学派中出现并发展起来的。目前，这一情节尚未在其他艺术中心确定。

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The Virgin’s heavenly rapture as a theme in Yaroslavl art of the late 17th and early 18th centuries

In its heydays, Yaroslavl art expanded its range of literary sources. The composition of Ioanniky Galyatovsky “Nebo Novoe” (“New Heaven”) was very popular. The miracle of St Thomas Becket of Canterbury, in which the Virgin tells him of her rapture in Heaven, became an iconographic subject. In Yaroslavl art this theme can be found in several versions, both in icons and in monumental painting. It is believed that the theme appeared and was developed in the school of Yaroslavl icon painter Feodor Ignatiev. Currently, this plot has not been identified in other centres of art.

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来源期刊

Academia (Greece) Social Sciences-Education

CiteScore

0.50

自引率

0.00%

发文量

审稿时长

24 weeks

期刊介绍： ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.