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Petrarch’s understanding of the landscape: from medieval relations to the new picture of world 彼特拉克对风景的理解:从中世纪的关系到新的世界图景
Academia (Greece) Pub Date : 2020-01-01 DOI: 10.37953/2079-0341-2020-2-1-194-209
S. Kozlova
{"title":"Petrarch’s understanding of the landscape: from medieval relations to the new picture of world","authors":"S. Kozlova","doi":"10.37953/2079-0341-2020-2-1-194-209","DOIUrl":"https://doi.org/10.37953/2079-0341-2020-2-1-194-209","url":null,"abstract":"The article discusses Petrarch’s ideas about the landscape, which he imagined in wide and diverse aspects, approaching directly to humanist concepts. On the one hand, the landscape was perceived by the poet as a cultural habitat, on the other hand, it was associated with intimate experience, awareness of natural space as necessary for creativity and disclosure of the lyrical features of an individual. Petrarch’s understanding of the landscape came into close contact with the garden, or the landscape cultivated, ideal; in addition he made available contribution to the forming of the Renaissance garden conception.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70463601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Martin Luther image as an object of myth-making in the German art of 19th century (through the stoneware collection of the Saratov State Art Museum named after A. N. Radischev) 马丁·路德的形象在19世纪的德国艺术中成为神话的对象(通过以A. N. Radischev命名的萨拉托夫国家艺术博物馆的石器收藏)
Academia (Greece) Pub Date : 2020-01-01 DOI: 10.37953/2079-0341-2020-2-1-239-247
Tatijana E. Savitskaya
{"title":"The Martin Luther image as an object of myth-making in the German art of 19th century (through the stoneware collection of the Saratov State Art Museum named after A. N. Radischev)","authors":"Tatijana E. Savitskaya","doi":"10.37953/2079-0341-2020-2-1-239-247","DOIUrl":"https://doi.org/10.37953/2079-0341-2020-2-1-239-247","url":null,"abstract":"The article considers the Martin Luther image as an object of the myth-making in Germany of the 19th century and its reflection in the art. The main focus of the article is the stoneware beer jug depicting the scene of the feast and the music-making. The author identified Luther person among the participants of the feast. The presence of Father of the Church Luther in the scene on the beer jug is explained by the historical situation in Germany. The 19th-century passes in Germany under the banner of the national idea. The author proves that in the 19th century Luther became the national myth. The unification of Germany was the necessary basis for the development and prosperity of the bourgeoisie, because the bourgeoisie needed this myth first of all. For the population Luther was the personification of the national idea (as the creator of the literary language and the national religion).","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70463624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The classic ideal. In memory of Valentina Aleksandrovna Kryuchkova 经典的理想。纪念瓦伦蒂娜·亚历山德罗夫娜·克柳契科娃
Academia (Greece) Pub Date : 2020-01-01 DOI: 10.37953/2079-0341-2020-4-1-414-415
E. Fedotova
{"title":"The classic ideal. In memory of Valentina Aleksandrovna Kryuchkova","authors":"E. Fedotova","doi":"10.37953/2079-0341-2020-4-1-414-415","DOIUrl":"https://doi.org/10.37953/2079-0341-2020-4-1-414-415","url":null,"abstract":"The article is devoted to the memory of art historian Michael Nikolaevich Sokolov (1946–2016), professional heritage and the significance of his works for contemporary art history.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70463866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Scientist Michael Sokolov (1946–2016) 科学家迈克尔·索科洛夫（1946–2016）
Academia (Greece) Pub Date : 2020-01-01 DOI: 10.37953/2079-0341-2020-2-1-163-165
E. Fedotova
{"title":"Scientist Michael Sokolov (1946–2016)","authors":"E. Fedotova","doi":"10.37953/2079-0341-2020-2-1-163-165","DOIUrl":"https://doi.org/10.37953/2079-0341-2020-2-1-163-165","url":null,"abstract":"The article is devoted to the memory of art historian Michael Nikolaevich Sokolov (1946–2016), professional heritage and the significance of his works for contemporary art history.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70462956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Specific features of antique gods’ iconography in paintings of Florentine master Apollonio di Giovanni (1415/17–1465) 佛罗伦萨大师乔瓦尼(Apollonio di Giovanni, 1415/17-1465)绘画中古代神的形象特征
Academia (Greece) Pub Date : 2020-01-01 DOI: 10.37953/2079-0341-2020-2-1-210-218
M. G. Piven
{"title":"Specific features of antique gods’ iconography in paintings of Florentine master Apollonio di Giovanni (1415/17–1465)","authors":"M. G. Piven","doi":"10.37953/2079-0341-2020-2-1-210-218","DOIUrl":"https://doi.org/10.37953/2079-0341-2020-2-1-210-218","url":null,"abstract":"In the 15th century in Italy due to the growing attention to humanistic culture, masters of visual arts represented plots and images, that came from poetry and history of Antiquity. This essay is devoted to the specific submission of ancient gods’ images in Apollonio di Giovanni’s book miniatures and decorative paintings. The objects of study are miniatures of the Virgil Codex (MS 492, Riccardian Library), and narrative paintings, which adorn florentine wedding chests (cassoni). The article focuses on visual interpretations of images: compositions, representative techniques, attributes. Despite of common medieval depiction of antique motifs, the master’s work is distinguished by reliance on literary sources, expressed in some details of iconographic solutions.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70463164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Exhibition projects of creative workshops of the Russian Academy of Arts (Moscow) 2015–2019 2015-2019年俄罗斯艺术学院(莫斯科)创意工作坊展览项目
Academia (Greece) Pub Date : 2020-01-01 DOI: 10.37953/2079-0341-2020-3-1-350-351
Alexander A. Troshin
{"title":"Exhibition projects of creative workshops of the Russian Academy of Arts (Moscow) 2015–2019","authors":"Alexander A. Troshin","doi":"10.37953/2079-0341-2020-3-1-350-351","DOIUrl":"https://doi.org/10.37953/2079-0341-2020-3-1-350-351","url":null,"abstract":"Artistic images are created by creator – painters, sculptors, architects, decorators… Their works influence aesthetic and ethical norms, form a person`s historical memory, educate categories of consciousness that unite us as members of a civil society. If artists are deprived of their creative production base, if the links of the unified system of professional training are broken, society will gradually lose the parameters of its identity and native artistic images will replace those of others. The need for the Russian Academy of Arts to preserve an integral system of training professional artists clearly confirms by our album.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70463691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Michael Gavrilovitch Biriukov. An unknown portrait of Prince Grigorii Aleksandrovitch Potemkin-Tavricheskii. 1789 迈克尔·加夫里洛维奇·比留科夫。一幅不知名的格里高利·亚历山德罗维奇·波将金-塔夫里切斯基王子的肖像。1789
Academia (Greece) Pub Date : 2020-01-01 DOI: 10.37953/2079-0341-2020-3-1-370-381
S. V. Moiseeva
{"title":"Michael Gavrilovitch Biriukov. An unknown portrait of Prince Grigorii Aleksandrovitch Potemkin-Tavricheskii. 1789","authors":"S. V. Moiseeva","doi":"10.37953/2079-0341-2020-3-1-370-381","DOIUrl":"https://doi.org/10.37953/2079-0341-2020-3-1-370-381","url":null,"abstract":"This article examines a portrait of Prince Grigorii Aleksandrovitch Potemkin, recently discovered by professor Yuri Schmavonovich Abramov (Saint Petersburg) and currently kept in his collection. The portrait bears a signature: “Copied by a 5th stage (5th “vozrast”) student M. Biriukov, in the year 1789”. Michael Gavrilovitch Biriukov (September 1st 1770 – July 12th 1809) studied at St. Petersburg Academy of Arts from 1776, under tuition of S.S. Shchukin. In 1791 he completed, together with a co-student N.A. Siniavski, an academic programme on the following subject: “present a female in Russian dress in the occupation suitable to her sex” (now lost). In the same year he was chosen to stay on at the Academy as a stipendiat (“pensionnaire”). His later life remains unknown. In an attempt to identify the author of the original, copied by Biriukov, this text suggests Michael Shibanov, the painter to Grigorii Potemkin, as a most likely candidate.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70463844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The imitation of the ancients and the value of novelty in the work of Roman artistic workshops of the 16th century 16世纪罗马艺术工作室作品中对古人的模仿和新奇的价值
Academia (Greece) Pub Date : 2020-01-01 DOI: 10.37953/2079-0341-2020-4-1-479-487
Maria V. Dunina
{"title":"The imitation of the ancients and the value of novelty in the work of Roman artistic workshops of the 16th century","authors":"Maria V. Dunina","doi":"10.37953/2079-0341-2020-4-1-479-487","DOIUrl":"https://doi.org/10.37953/2079-0341-2020-4-1-479-487","url":null,"abstract":"With examination of the graphic heritage of artists who worked in Rome in the 16th century we can find many examples of sketches of ancient monuments, which became examples and reference material for the artistic workshops. In this regard, our interest is not only what antiquities were captured by the artists, but also the question of how accurate such sketches were. The Roman workshops of Cinquecento were faced with the demand for creative novelty and the conscious imitation of their art simultaneously.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70464145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From the first person. Based on the interview with Tatiana Nazarenko on April 29, 2019 第一人称。基于2019年4月29日对塔蒂亚娜·纳扎连科的采访
Academia (Greece) Pub Date : 2020-01-01 DOI: 10.37953/2079-0341-2020-1-1-104-110
Olga A. Yushkova
{"title":"From the first person. Based on the interview with Tatiana Nazarenko on April 29, 2019","authors":"Olga A. Yushkova","doi":"10.37953/2079-0341-2020-1-1-104-110","DOIUrl":"https://doi.org/10.37953/2079-0341-2020-1-1-104-110","url":null,"abstract":"Tatiana Nazarenko is a well-known artist, academician, member of the Presidium of Russian Academy of Arts. Master’s statements about various problems of contemporary art, art education and her own creative path are of great interest.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70462447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Exhibition Review “Piscator’s Bible, A Handbook of Russian Icon Painters” (The State Tretyakov Gallery, June 26 – October 6, 2019). 展览回顾“皮斯卡托的圣经——俄罗斯图标画家手册”(国家特列季亚科夫画廊，2019年6月26日至10月6日)。
Academia (Greece) Pub Date : 2020-01-01 DOI: 10.37953/2079-0341-2020-1-1-132-142
Andrei V. Gamlitsky
{"title":"Exhibition Review “Piscator’s Bible, A Handbook of Russian Icon Painters” (The State Tretyakov Gallery, June 26 – October 6, 2019).","authors":"Andrei V. Gamlitsky","doi":"10.37953/2079-0341-2020-1-1-132-142","DOIUrl":"https://doi.org/10.37953/2079-0341-2020-1-1-132-142","url":null,"abstract":"The review talks about the exhibition dedicated to the artistic contacts of Russia and Western Europe, which played a crucial role in the transition of Russian culture from the Middle Ages to the New Time. The exhibition presents works of Russian art (icons, graphics, objects of decorative art) created from the middle of the 17th up to the beginning of the 19th century under the influence of “Biblical prints” published in the Netherlands in the 17th century. The largest of them is Theatrum biblicum by Claes Visscher (Nikolaus Piscator), a copy of which from the collection of the State Tretyakov Gallery is also presented at the exhibition along with other illustrated Western editions known in Russia. The exhibition is the first experience of representing this topic in museum practice. Many works are exhibited for the first time [1].","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70462633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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