展览回顾“皮斯卡托的圣经——俄罗斯图标画家手册”(国家特列季亚科夫画廊，2019年6月26日至10月6日)。

Q4 Social Sciences

Academia (Greece) Pub Date : 2020-01-01 DOI:10.37953/2079-0341-2020-1-1-132-142

Andrei V. Gamlitsky

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引用次数: 0

摘要

这篇评论谈到了俄罗斯与西欧艺术接触的展览，这在俄罗斯文化从中世纪向新时代的过渡中发挥了至关重要的作用。本次展览展出了17世纪中期至19世纪初在荷兰出版的“圣经版画”的影响下创作的俄罗斯艺术作品(图标、图形、装饰艺术品)。其中最大的是克拉斯·维舍尔(Nikolaus Piscator)的《Theatrum biblicum》，国家特列季亚科夫美术馆收藏的一本《Theatrum biblicum》也与俄罗斯已知的其他西方插图版本一起在展览中展出。此次展览是在博物馆实践中首次呈现这一主题。许多作品在2010年首次展出。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Exhibition Review “Piscator’s Bible, A Handbook of Russian Icon Painters” (The State Tretyakov Gallery, June 26 – October 6, 2019).

The review talks about the exhibition dedicated to the artistic contacts of Russia and Western Europe, which played a crucial role in the transition of Russian culture from the Middle Ages to the New Time. The exhibition presents works of Russian art (icons, graphics, objects of decorative art) created from the middle of the 17th up to the beginning of the 19th century under the influence of “Biblical prints” published in the Netherlands in the 17th century. The largest of them is Theatrum biblicum by Claes Visscher (Nikolaus Piscator), a copy of which from the collection of the State Tretyakov Gallery is also presented at the exhibition along with other illustrated Western editions known in Russia. The exhibition is the first experience of representing this topic in museum practice. Many works are exhibited for the first time [1].

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来源期刊

Academia (Greece) Social Sciences-Education

CiteScore

0.50

自引率

0.00%

发文量

审稿时长

24 weeks

期刊介绍： ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.