英国现代主义者与第一次世界大战的形象(1914-1920)

Q4 Social Sciences
Elena V. Igumnova
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引用次数: 0

摘要

这篇文章致力于探讨现代主义者对机械化战争形势的看法,因为年轻的英国艺术家在战时作品中采用了最新的形式和概念。第一次世界大战不同于以往的军事冲突。技术在战争过程中的作用越来越大,给人一种战争没有人情味的印象,士兵们被认为是一台夺去数百万人生命的大机器的一部分。面对新的军事现实,英国现代主义者正在寻找适合现代主义艺术的可能性,以传达破碎,如几何抽象,战争的“机器”特征,夺走生命,炸毁地球,粉碎设备和飞机。艺术家们明白,英雄现实主义和寓言的时代已经过去;战争没有了人脸,需要大量装备的参与,需要其他的艺术表现手段——断线和几何形状、对比色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
British Modernists and the Images of the First World War 1914–1920
The article is devoted to the problem of modernist perception of the situation of mechanized war, as young British artists adapted the latest forms and concepts in wartime works. The First World War was not like previous military clashes. The increased role of technology in the process of hostilities created the impression of the impersonality of the war, the soldiers were perceived as a part of a large machine that claimed millions of lives. British modernists, faced with a new military reality, were looking for suitable possibilities of modernist art in order to convey the broken, like geometric abstraction, “machine” character of war, taking away lifes, blowing up the earth, crushing equipment and airplanes. Artists understood that the time heroic realism and allegories has passed; the war, deprived of a human face, going on with the participation of a large number of equipment, required other means of artistic display – broken lines and geometric shapes, contrasting colors.
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来源期刊
Academia (Greece)
Academia (Greece) Social Sciences-Education
CiteScore
0.50
自引率
0.00%
发文量
0
审稿时长
24 weeks
期刊介绍: ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.
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