Folklore: structure, typology, semiotics最新文献_第2页

DISCUSSION ON “AYKOL MANAS” IN THE CONTEXT OF THE HISTORICAL RELATIONSHIP BETWEEN SHAMANISM AND STORYTELLING AMONG THE KYRGYZ PEOPLE 在吉尔吉斯族萨满教与讲故事历史关系的背景下，探讨“阿依科尔·玛纳斯”

Folklore: structure, typology, semiotics Pub Date : 1900-01-01 DOI: 10.28995/2658-5294-2020-3-4-12-34

N. Manichkin

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PHENOMENA OF FUNERAL, BORDER, TRANSITION IN THE CONTEXT OF REPRESENTATIONS OF THE OTHERS IN GREEK VASE PAINTING 希腊花瓶绘画中他者表现的葬礼、边界、过渡现象

Folklore: structure, typology, semiotics Pub Date : 1900-01-01 DOI: 10.28995/2658-5294-2022-5-3-80-98

Tatiana S. Tereshchenko

{"title":"PHENOMENA OF FUNERAL, BORDER, TRANSITION IN THE CONTEXT OF REPRESENTATIONS OF THE OTHERS IN GREEK VASE PAINTING","authors":"Tatiana S. Tereshchenko","doi":"10.28995/2658-5294-2022-5-3-80-98","DOIUrl":"https://doi.org/10.28995/2658-5294-2022-5-3-80-98","url":null,"abstract":"Greek perception of the Others was syncretic: real facts were mixed with fantastic ideas; in their view the Others lived on the outskirts of the oikumene, that is on the border with the other worlds – in the broad sense – real and fantastic, the world of alive and dead – this connected them with the phenomena of borders, transition, burial, etc. Due to this, the Others in Greek art were often represented in mythological subjects and as mythological characters. Also, some subjects where the Others were represented were connected with the phenomena of transition and burial – war, preparations for war, hunt, etc. Also, some details of such images were connected with these phenomena. The semantics of the Greek vase painting was controversial and multilayered therefore interpretation of many of such images is disputable. Besides, the phenomena studied might be examined in a more narrow or more broad sense. Moreover, the connection of many characters represented with the other world, other gods and myths is much more complicated and outgoes far beyond the borders of the thematic connected with the Otherness.","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"126 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130953919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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"DEDICATED TO THE FUTURE BIRTHS OF THE BELOVED GRANDMOTHER" AND OTHER INSCRIPTIONS ON KHURDE (PRAYER WHEELS) IN MONGOLIA AND BURYATIA 在蒙古和布里亚特的khurde(转经轮)上有“献给敬爱的祖母未来的出生”和其他铭文

Folklore: structure, typology, semiotics Pub Date : 1900-01-01 DOI: 10.28995/2658-5294-2019-3-87-108

A. A. Karpunina

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FOLKLORE OF SART-KALMYK OF KYRGYZIA: TEXTS AND AUDIO RECORDS 吉尔吉斯卡尔梅克的民间传说:文字和录音

Folklore: structure, typology, semiotics Pub Date : 1900-01-01 DOI: 10.28995/2658-5294-2022-5-2-42-55

B. Borlykova, B. Menyaev

{"title":"FOLKLORE OF SART-KALMYK OF KYRGYZIA: TEXTS AND AUDIO RECORDS","authors":"B. Borlykova, B. Menyaev","doi":"10.28995/2658-5294-2022-5-2-42-55","DOIUrl":"https://doi.org/10.28995/2658-5294-2022-5-2-42-55","url":null,"abstract":"The article is devoted to the texts and audio records of the SartKalmyk folklore. The Sart-Kalmyks are among the least studied Mongolian peoples living in the settlements of Kyrgyzstan. The first examples of oral folk art of the Sart-Kalmyks can be found in the manuscripts written by the Russian Mongolian scholar A.V. Burdukovin 1929, as well as in the notes made by K.E. Erendzhenovin 1933 and published in the newspaper “Ulan khalmg” (“Red Kalmyk”) in 1935. The most important sources for the study of Sart-Kalmyk folklore are the collections of the Archive of Orientalists of the Institute of Oriental Manuscripts of the Russian Academy of Sciences and the Scientific Archive of the Kalmyk Scientific Center of the Russian Academy of Sciences (KalmSC RAS), where besides fables, songs and proverbs the manuscripts of the texts of the epic “Dzhangar”, the historical legend “Zyungar Khan” (“Dzungar Khan”) are kept. The fund № 16 of the Scientific Archive of the Kalmyk Scientific Center of the Russian Academy of Sciences contains the inventory № 1 with expeditionary records of Sart-Kalmyk folklore on magnetic tapes collected by the researchers of the Folklore Department of the Kalmyk Research Institute of Language, Literature and History A.Sh. Kichikov (1979), B.B. Okonov (1979), T.B. Badmaeva (1979). In the last twenty years, Russian and foreign researchers have carried out a number of important scientific expeditions to the places of permanent residence of the Sart-Kalmyks in order to collect new field material. A deeper look into the history of collecting and publishing Sart-Kalmyk folklore allows to conclude that the texts and audio (video) records made by Russian scientists are valuable sources for the study of the folklore tradition of the Sart-Kalmyks of the 20–21 centuries.","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114823948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

TYPOLOGY OF GERMAN ANDACHTSBILDER AND ITS CONNECTION WITH VOTIVE ICONOGRAPHY 德国式和achtbilder的类型学及其与宗教肖像学的联系

Folklore: structure, typology, semiotics Pub Date : 1900-01-01 DOI: 10.28995/2658-5294-2022-5-1-126-137

Sergei O. Zotov

{"title":"TYPOLOGY OF GERMAN ANDACHTSBILDER AND ITS CONNECTION WITH VOTIVE ICONOGRAPHY","authors":"Sergei O. Zotov","doi":"10.28995/2658-5294-2022-5-1-126-137","DOIUrl":"https://doi.org/10.28995/2658-5294-2022-5-1-126-137","url":null,"abstract":"This article provides the author’s typology of a specific and underresearched genre of sacred art – Andachtsbilder, which in some cases was influenced by the iconography of votive images. From the fourteenth century onwards, pocket or home sacred images were used in Germany for piety. They were called Andachtsbilder, literally – “prayer images”. Commonly, they were images of saints and could be engravings, miniatures, or even appliqués. Andachtsbilder’s motifs were usually associated with the images of the Holy Family or mystical allegories, but there was another type of Andachtsbilder, in particular, images representing a scene of some miracle. Their prototypes were often originally votive objects (wax, silver, etc.) or votive images (Votiftafel), i.e. images created as a vow to God or saints. Some of the votive objects appeared on the votive images (Votiftafel). Further, the most famous votive images could be copied onto Andachtsbilder. Votive images copied onto Andachtsbilder, according to my hypothesis, could have a magical function, like the wellknown Schluckbildchen. The paper presents a cross-section of the main Andachtsbilder typologies and provides examples of images that migrated from votive practices into the practice of domestic, “pocket” piety. The cultural and anthropological analysis of these phenomena follows","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128395597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A FOLKLORIST IN DIALECTOLOGISTS’ FIELD: HOW MAPPING METHOD HELPS RESEARCH MYTHOLOGY 方言学界的民俗学家:地图法如何帮助研究神话

Folklore: structure, typology, semiotics Pub Date : 1900-01-01 DOI: 10.28995/2658-5294-2020-3-2-49-71

E. Levkievskaya

{"title":"A FOLKLORIST IN DIALECTOLOGISTS’ FIELD: HOW MAPPING METHOD HELPS RESEARCH MYTHOLOGY","authors":"E. Levkievskaya","doi":"10.28995/2658-5294-2020-3-2-49-71","DOIUrl":"https://doi.org/10.28995/2658-5294-2020-3-2-49-71","url":null,"abstract":"The article analyses the application of dialectological methods in studies of Slavic mythological system, as exemplified by the parallels between Polesie, the Carpathians and the Balkans. Possibility of implementing dialectology in the field of folklore studies is connected to the concept of ethnocultural area – a set of features, characteristic for a tradition, that are common in a certain area and stable geography-wise. The article considers dialectal distribution in Polesie of the following four motives: 1) «a snake that no one has seen acquires mythological features»; 2) a dead man becomes “walking dead”, if an animal has jumped over the body; 3) to keep the dead man from “walking” someone tells him nonsense; 4) a man turns into a werewolf, if his parents violated any prohibitions. Mapping of these motifs on the territory of Polesie demonstrates that their distribution is noted exclusively in central Polesie and, partially, in western Polesie. The density of these motives in the Polesie region is small, while in the Carpathian region they are represented widely. The presented material demonstrates the links between these regions. The mapping method allows us to understand the formation of Polesie mythological system and to solve the problem of diachronic description of the East Slavic tradition.","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125550745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE 3D READINGS IN MEMORY OF ELENA NOVIK 纪念埃琳娜·诺维克的3d读数

Folklore: structure, typology, semiotics Pub Date : 1900-01-01 DOI: 10.28995/2658-5294-2019-3-159-161

A. A. Karpunina

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РЕЦЕНЗИЯ НА КН.: ШИШЕЛОВ Н. РЫБОЛОВНАЯ КУЛЬТУРА АТАПАСКОВ АРКТИЧЕСКОГО БАССЕЙНА (XVIII-XXI ВВ.). М.: ИЗДАТЕЛЬСКИЕ РЕШЕНИЯ, 2018. 110 С

Folklore: structure, typology, semiotics Pub Date : 1900-01-01 DOI: 10.28995/2658-5294-2019-3-143-148

Esta G. Matveeva

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MARTIAN THEME IN RUSSIAN MODERN SPIRITUALISM MOVEMENT IN THE LATE 19TH - EARLY 20TH CENTURIES 19世纪末20世纪初俄国现代唯心论运动中的火星主题

Folklore: structure, typology, semiotics Pub Date : 1900-01-01 DOI: 10.28995/2658-5294-2022-5-3-63-79

Vladislav Razdyakonov

{"title":"MARTIAN THEME IN RUSSIAN MODERN SPIRITUALISM MOVEMENT IN THE LATE 19TH - EARLY 20TH CENTURIES","authors":"Vladislav Razdyakonov","doi":"10.28995/2658-5294-2022-5-3-63-79","DOIUrl":"https://doi.org/10.28995/2658-5294-2022-5-3-63-79","url":null,"abstract":"The paper investigates spiritualistic perception of Mars by Russian spiritualists in the late nineteenth and early twentieth centuries. It determines historical and cultural specificity of spiritualist attitude to Mars and its Russian background enrooted in the orthodox tradition. The paper overviews popular scientific concepts, which made probable the existence of a highly developed civilization on Mars; it indicates the authoritative spiritual works, which influenced the interest of Russian spiritualists to cosmological problems; it reveals spiritualistic interpretation of spirit messages about the existence of a highly developed civilization on Mars; it considers the cosmological Martian theme in the works of Russian spiritualist I.A. Karyshev. The author argues that the interest in Mars should be explained by the similar nature of epistemological problems encountered by both spiritualists and astronomers. Elusiveness of natural phenomena in positivistic age was the reason that secured Mars a certain place in popular scientific, artistic and spiritualist literature. Аlthough the fideistic view was common among spiritualists, the author claims, that some of them argued for the need to demythologize the spirit messages. I.A. Karyshev’s cosmological system is of interest to the historian of religion as an example of spiritualist construction of Russian planetary utopia and can rightfully take its place in the history of Russian utopian literature.","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131531752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

FROM THE HISTORY OF “ARRESTED” FOLK TEXTS OF 1930S: THE CASE OF SONG ABOUT “CHELYUSKIN” CREW MEMBERS (ON THE MATERIALS OF INVESTIGATIVE CASES OF THE NKVD) 摘自20世纪30年代“被捕”民间文本的历史:关于“切留斯金”船员的歌曲案例(关于内务人民委员部调查案件的材料)

Folklore: structure, typology, semiotics Pub Date : 1900-01-01 DOI: 10.28995/2658-5294-2022-5-2-86-108

Svetlana I. Bykova

{"title":"FROM THE HISTORY OF “ARRESTED” FOLK TEXTS OF 1930S: THE CASE OF SONG ABOUT “CHELYUSKIN” CREW MEMBERS (ON THE MATERIALS OF INVESTIGATIVE CASES OF THE NKVD)","authors":"Svetlana I. Bykova","doi":"10.28995/2658-5294-2022-5-2-86-108","DOIUrl":"https://doi.org/10.28995/2658-5294-2022-5-2-86-108","url":null,"abstract":"The article analyzes the content of the song about Chelyuskintsy (sung to the tune of “Murka”) and how it spread among the people. The lyrics were kept in the investigation cases initiated by the NKVD Department of the Sverdlovsk Oblast’ in the 1930s. NKVD operatives considered that song to be “counterrevolutionary” and arrested people with the lyrics written down. Analyzing the results of folklore research during Stalin’s day, the author determines the importance of the found archival materials within both the context of political communication of the 1930s and the scientific discussion of the heroic topicality of the Soviet mythology. Comparing the text versions of the song with each other as well as with other versions published earlier, the author identifies both common elements and differences of situational and/or personal nature. The analysis of the style and handwriting, personal and other data of the arrested, the stories of the text “circulation” in the testimonies of both the accused and the witnesses, supplemented by facts from other studies, allows us to conclude about the space and social environment for the “counterrevolutionary” work.","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123067147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0