PHENOMENA OF FUNERAL, BORDER, TRANSITION IN THE CONTEXT OF REPRESENTATIONS OF THE OTHERS IN GREEK VASE PAINTING

Tatiana S. Tereshchenko
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Abstract

Greek perception of the Others was syncretic: real facts were mixed with fantastic ideas; in their view the Others lived on the outskirts of the oikumene, that is on the border with the other worlds – in the broad sense – real and fantastic, the world of alive and dead – this connected them with the phenomena of borders, transition, burial, etc. Due to this, the Others in Greek art were often represented in mythological subjects and as mythological characters. Also, some subjects where the Others were represented were connected with the phenomena of transition and burial – war, preparations for war, hunt, etc. Also, some details of such images were connected with these phenomena. The semantics of the Greek vase painting was controversial and multilayered therefore interpretation of many of such images is disputable. Besides, the phenomena studied might be examined in a more narrow or more broad sense. Moreover, the connection of many characters represented with the other world, other gods and myths is much more complicated and outgoes far beyond the borders of the thematic connected with the Otherness.
希腊花瓶绘画中他者表现的葬礼、边界、过渡现象
希腊人对他者的看法是综合的:真实的事实与奇异的想法混杂在一起;在他们看来,他者生活在oikumene的外围,也就是在与其他世界的边界上——从广义上讲——真实的和虚幻的,活着的和死去的世界——这将他们与边界、过渡、埋葬等现象联系在一起。正因为如此,希腊艺术中的他者经常以神话题材和神话人物的形式出现。此外,他者所代表的一些主题与过渡和埋葬现象有关-战争,准备战争,狩猎等。同时,这些图像的一些细节也与这些现象联系在一起。希腊花瓶画的语义是有争议的,多层次的,因此许多这样的图像的解释是有争议的。此外,所研究的现象可以从更狭义或更广义的角度来考察。此外,所表现的许多人物与他者世界、他者神和神话的联系要复杂得多,远远超出了与他者联系的主题范围。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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