{"title":"\"MIGRATION\" OF FOLKLORIC BORROWINGS AND STYLIZATIONS FROM THE NOVEL BY MELNIKOV-PECHERSKY \"ON THE MOUNTAINS\" INTO SCIENCE AND CULTURE","authors":"A. Kurochkina","doi":"10.28995/2658-5294-2019-2-4-107-129","DOIUrl":"https://doi.org/10.28995/2658-5294-2019-2-4-107-129","url":null,"abstract":"","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123955962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE SHAMANIC PRACTICES OF THE TAMPUAN PEOPLE. BASED ON THE ARCHIVAL MATERIALS OF M.V. STANYUKOVICH","authors":"Аlisa А. Lukina","doi":"10.28995/2658-5294-2021-4-2-131-145","DOIUrl":"https://doi.org/10.28995/2658-5294-2021-4-2-131-145","url":null,"abstract":"The Tampuans are the indigenous people of Cambodia, living mainly in the northeastern province of Ratanakiri. It was there, to the places of the Tampuan people, that in summer 2015 a group of scientists (specialists from ILS RAS, IL RAS, MAE RAS) made an expedition in order to collect information about the language, culture and life of that people. The cultural aspect was studied in detail by M.V. Stanyukovich (MAE RAS). During the expedition, folklore material and several interviews with natives of the Tampuan people were recorded, including, very extensive interviews with the local shaman Saryan and his daughter, who live in the village of La’en Kraen. Shamanism today continues to play a large role in the daily life and culture of the minorities in Cambodia. In the report, we would like to talk about shamanism through the example of how that traditional form of religion survived among the Tampuan people. In everyday life, the Tampuans communicate with each other using their native language, but at the same time they also speak the state language of Cambodia – Khmer. M.V. Stanyukovich does not speak Khmer, so she worked with the help of Khmer translator Saat So. Until last year, the interviews were not transcribed and analyzed. After a long work on transcribing two interviews, we managed to ascertain that the shamanism of the indigenous people of Cambodia Tampuan is a combination of the following elements: initiation into shamans, performing rituals of sacrifice, treatment of sick people","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"198 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122598785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE LIFE OF A MOTIF IN THE TEMPLE ENVIRONMENT (ON THE MATERIAL OF MEMORATIONS AND BEHAVIORAL PRACTICES OF DOMINICAN WOMEN OF THE 13TH–14TH CENTURIES)","authors":"M. Y. Reutin","doi":"10.28995/2658-5294-2022-5-1-44-53","DOIUrl":"https://doi.org/10.28995/2658-5294-2022-5-1-44-53","url":null,"abstract":"The article is devoted to the main motives of the nine so-called “sister books” that were created at the turn of the 12th–13th centuries in the Dominican convents for women in the south of the German-speaking region and were highly mythologized monastic chronicles. The mysticalascetic practices of medieval Western monasticism were built on the basis of several (marriage, passion, Christmas) motifs developed by the Cistercian Bernard of Clairvaux in a cycle of sermons on the biblical Song of Songs of King Solomon. Created in the middle of the 12th century, these motifs subsequently descended into the environment of common piety at the turn of the 13th and 14th centuries. In these three motives – marriage (nuptial), passionate (passionate) and Christmas (natal) – the mystical union of the soul of man and God (unio mystica) is allegorically described. Launched into circulation by Bernard of Clairvaux as conditional metaphors that accompanied discursive theological reasoning, these motifs passed through several stages in their development, until they finally became behavioral scenarios played out by Dominicans in everyday life, in the process of unfolding spontaneous performative practices. Through the efforts of the inquisitors (John Nider and others), such scenarios were rethought in the middle of the 15th century as constituent elements of witch cults.","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115571095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"THE TALE OF THE POSSESSED WOMAN SOLOMONIA\". MYTHOLOGICAL CONTEXTS AND PARALLELS","authors":"O. Khristoforova","doi":"10.28995/2658-5294-2020-3-1-94-127","DOIUrl":"https://doi.org/10.28995/2658-5294-2020-3-1-94-127","url":null,"abstract":"The article discusses a masterpiece of Old Russian literature of the 17th century, “The Tale of the Possessed Woman Solomonia”, in the context of Russian and Finno-Ugric mythology. The plot of the Tale is compared to two close plot sets: about people given away to spirits of nature (lost / cursed) or taken away by said spirits (the plot of the North Russian and Finno-Ugric mythological narratives), and about the supernatural or enchanted wife (husband) (the plot is common in Russian fairy tales and in non-fairytale prose of the Finno-Ugric peoples). Consideration of the Tale in a wider mythological context allows to talk not only about the folklore origins of the Old Russian literary masterpiece or thematic unity of the literary and oral texts, but also about the work of cross-genre transmission for mythological motifs, about the logic and ideology of the plot composition in texts of different genres. In particular, it is assumed that, from the point of view of comparative mythology, the motif of sexual persecution of Solomonia by demons can be considered not a result of the influence of Western European demonology with its idea of the succubi and incubi, but an inverse of the mythological model of exogamous marriage regarding of its content, structure and function. The article offers an extension of the context in which one can think about the plot of the Old Russian tale and about weaving yet another thread into the canvas of interpretations.","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"487 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116029499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"DASHDORJ - THE LAMA WHO WAS A PRAYER (ORAL LEGENDS ABOUT MAGIC POWERS OF THE HOLY WORD)","authors":"A. Tsendina","doi":"10.28995/2658-5294-2019-3-31-44","DOIUrl":"https://doi.org/10.28995/2658-5294-2019-3-31-44","url":null,"abstract":"","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115482079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"BOOK REVIEW: FOLKLORE WITHOUT FOLKLORISTS [VOL. 1]: HANDWRITTEN ALBUMS AND AMATEUR COLLECTIONS OF CHASTUSHKAS OF THE FIRST THIRD OF THE 20TH CENTURY / ED. BY M.L. LURIE; СOMP. M.L. LURIE, N.N. RYCHKOVA. M.: RGGU, 2019","authors":"Victoria B. Novikova","doi":"10.28995/2658-5294-2022-5-1-138-142","DOIUrl":"https://doi.org/10.28995/2658-5294-2022-5-1-138-142","url":null,"abstract":"","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127104610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"SECTION “FOLKLORE AND DOCUMENT” AT THE 29TH LOTMAN READINGS - 2021","authors":"Victoria A. Chervaneva","doi":"10.28995/2658-5294-2022-5-1-143-146","DOIUrl":"https://doi.org/10.28995/2658-5294-2022-5-1-143-146","url":null,"abstract":"","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129186159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"CLANDESTINE INTELLECTUAL GAMES: GAMING PRACTICES DURING THE PANDEMIC","authors":"Tatiana V. Savelyeva","doi":"10.28995/2658-5294-2022-5-2-109-121","DOIUrl":"https://doi.org/10.28995/2658-5294-2022-5-2-109-121","url":null,"abstract":"The research subject is the intellectual movement subculture “What? Where? When?” and “daughter” games – QUIZ, “60 seconds”, “Brain Slaughterhouse”, etc. during the coronavirus pandemic. Using the participant observation method, new players’ rituals, jokes, comic passwords and names of teams were collected, in which, as in the acts of verbal creativity of experts, it is possible to note the representation of the community’s attitude to the pandemic in three aspects: 1) features, symptoms and consequences of a new disease; 2) administrative measures aimed at limiting spread of the infection: self-isolation, QR-codes, event bans; 3) vaccinations against coronavirus, society attitude to them. A review of the collected material allows us to draw the following conclusions. Making fun of the public life phenomena associated with the pandemic is an effort to make them less scary and dangerous. The attitude to measures of limiting the spread of the infection (underground intellectual games held under conditions of mass event bans, readiness for other violations of restrictive measures) shows not only an attitude to the disease itself, but also distrust of the preventing coronavirus official policy.","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131137172","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE MUSICAL LEITMOTIFS OF THE ACADEMIC WORKS OF E.S. NOVIK. A REFLECTION OF THE MUSICAL TRADITIONS OF THE SIBERIAN PEOPLES IN THE WORKS OF THE RESEARCHER","authors":"O. Dobzhanskaya","doi":"10.28995/2658-5294-2021-4-2-105-114","DOIUrl":"https://doi.org/10.28995/2658-5294-2021-4-2-105-114","url":null,"abstract":"This article is dedicated to the discussion on the articles by E.S. Novik, publsihed in 1980–1990s, which reflect the themes of musical cutlure and musical folklore of the indigenous peoples of Siberia . In the article «On the typology of genres of non-fairytale prose of Siberia and theFar East» she touches upon the significant role of singing in the narrative: singing in narrative genres is a sign of a sacred message. In the article «Archaic beliefs in the light of interpersonal communication» the scholar points out the important role of the sound/voice for performing the sacred practices, and then comes to a conclusion about the sacred nature of a musical talent, consindering singers and musicians as the mediators between the worlds of people and spirits. The ideas about the magical nature of the singing and storytelling talents, supported by the examples from the Siberian folklore, are developed further in the article «The magical function of folklore narratives in the traditional culture of the peoples of Siberia: pragmatic structure and perlocutionary effect of the narrative text». In the article «The verbal component of the hunting and fishing rituals (based on materials of the Siberian traditions)» one can find plenty of data on the intonational diversity of the ritualistic formulae, as well as the solid number of the notes, concerning the distinguishment of the different types of intonation, which might be useful for musicologists. In the article «Semiotic functions of the voice in Siberian peoples’ folklore and beliefs» the researcher is concentrated on the archaic folklore strata – interpretation and imitation of the sounds of nature, beliefs, related to the voice of a human and «the voices» of the mythological charachters. The ideas of Novikova on the musical folklore of the indigenous peoples of Siberia not only are still topical, but furthermore, their significance has increased at the present stage, due to the geocultural research of the Arctic region.","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134210251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"HOW FICTION BECOMES ETHNOGRAPHY. THE CASE OF ONE QUOTATION","authors":"M. Akhmetova, O. Belova","doi":"10.28995/2658-5294-2019-2-4-84-106","DOIUrl":"https://doi.org/10.28995/2658-5294-2019-2-4-84-106","url":null,"abstract":"The paper discusses the sources used by I.M. Snegirev in his work “Russian folk festivals and superstitious rites” (1839) for the description of the autumn commemorative rite in Lithuania and Belorussia. The authors reveal that Snegirev, along with in the narrow sense ethnographic, historical texts and Slavic dictionaries, used as a source the second part of the drama “Dziady” (1823) by Adam Mickiewicz (namely, its preface, poetic refrains and particular motives). Besides that, Mickiewicz’s “Dziady” served as a source for some other ethnographic works, e. g. for the article by A.O. Muchlińsky on folk rites in the Novogrudok powiat (1830), which was also used by Snegirev. From the other side, Mickiewicz’s drama displayed both ethnographic impressions of his own childhood and youth, and images of the armchair “national mythology” obtained from the literary sources. Mickiewicz combines motifs and formulas, referring to various folklore and mythological discourses (from one side, elements of the authentic rite, aimed at communication with ancestors’ souls, and formulas and motifs of balladic narratives concerning the “impure” dead from the other side). Snegirev, in his turn, goes even further and combines","PeriodicalId":367091,"journal":{"name":"Folklore: structure, typology, semiotics","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132898262","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}