"THE TALE OF THE POSSESSED WOMAN SOLOMONIA". MYTHOLOGICAL CONTEXTS AND PARALLELS

O. Khristoforova
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Abstract

The article discusses a masterpiece of Old Russian literature of the 17th century, “The Tale of the Possessed Woman Solomonia”, in the context of Russian and Finno-Ugric mythology. The plot of the Tale is compared to two close plot sets: about people given away to spirits of nature (lost / cursed) or taken away by said spirits (the plot of the North Russian and Finno-Ugric mythological narratives), and about the supernatural or enchanted wife (husband) (the plot is common in Russian fairy tales and in non-fairytale prose of the Finno-Ugric peoples). Consideration of the Tale in a wider mythological context allows to talk not only about the folklore origins of the Old Russian literary masterpiece or thematic unity of the literary and oral texts, but also about the work of cross-genre transmission for mythological motifs, about the logic and ideology of the plot composition in texts of different genres. In particular, it is assumed that, from the point of view of comparative mythology, the motif of sexual persecution of Solomonia by demons can be considered not a result of the influence of Western European demonology with its idea of the succubi and incubi, but an inverse of the mythological model of exogamous marriage regarding of its content, structure and function. The article offers an extension of the context in which one can think about the plot of the Old Russian tale and about weaving yet another thread into the canvas of interpretations.
"被附身的女人所罗门尼亚的故事"神话背景和相似之处
本文以俄罗斯和芬兰-乌戈尔神话为背景,讨论了17世纪古俄罗斯文学的代表作《附身女子所罗门尼亚的故事》。这个故事的情节与两个相近的情节相比较:关于人们被自然的灵魂(迷失/被诅咒)或被这些灵魂带走(北俄罗斯和芬兰-乌戈尔神话叙事的情节),以及关于超自然或被施了魔法的妻子(丈夫)(这种情节在俄罗斯童话和芬兰-乌戈尔民族的非童话散文中很常见)。在更广泛的神话语境中考察《故事》,不仅可以探讨古俄罗斯文学名著的民间传说起源或文学和口头文本的主题统一,还可以探讨神话母题的跨体裁传播工作,以及不同体裁文本中情节构成的逻辑和意识形态。特别是,从比较神话的角度来看,可以认为所罗门尼亚遭受恶魔性迫害的主题不是西欧鬼神学及其魅魔和淫妖观念的影响的结果,而是在内容、结构和功能方面与异族通婚的神话模式相反。这篇文章提供了一个背景的延伸,人们可以在其中思考这个古老的俄罗斯故事的情节,并在解释的画布上编织另一条线索。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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