摘自20世纪30年代“被捕”民间文本的历史:关于“切留斯金”船员的歌曲案例(关于内务人民委员部调查案件的材料)

Svetlana I. Bykova
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引用次数: 0

摘要

本文分析了《切留斯金齐》(《穆尔卡》)这首歌的内容以及它是如何在民间流传的。这些歌词被保存在1930年代由斯维尔德洛夫斯克州内务人民委员部发起的调查案件中。内务人民委员部认为这首歌是“反革命的”,并逮捕了写下歌词的人。通过对斯大林时代民俗学研究成果的分析,作者确定了这些档案材料在20世纪30年代政治传播的背景下和对苏联神话英雄话题性的科学讨论中的重要性。作者将这首歌的文本版本与其他版本进行了比较,并与之前发表的其他版本进行了比较,发现了其中的共同因素和情境和/或个人性质的差异。通过对被捕者的文体和笔迹、个人资料和其他资料的分析,以及被告和证人证词中文字“流传”的故事,再加上其他研究的事实,使我们能够对“反革命”工作的空间和社会环境作出结论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
FROM THE HISTORY OF “ARRESTED” FOLK TEXTS OF 1930S: THE CASE OF SONG ABOUT “CHELYUSKIN” CREW MEMBERS (ON THE MATERIALS OF INVESTIGATIVE CASES OF THE NKVD)
The article analyzes the content of the song about Chelyuskintsy (sung to the tune of “Murka”) and how it spread among the people. The lyrics were kept in the investigation cases initiated by the NKVD Department of the Sverdlovsk Oblast’ in the 1930s. NKVD operatives considered that song to be “counterrevolutionary” and arrested people with the lyrics written down. Analyzing the results of folklore research during Stalin’s day, the author determines the importance of the found archival materials within both the context of political communication of the 1930s and the scientific discussion of the heroic topicality of the Soviet mythology. Comparing the text versions of the song with each other as well as with other versions published earlier, the author identifies both common elements and differences of situational and/or personal nature. The analysis of the style and handwriting, personal and other data of the arrested, the stories of the text “circulation” in the testimonies of both the accused and the witnesses, supplemented by facts from other studies, allows us to conclude about the space and social environment for the “counterrevolutionary” work.
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