Arizona Journal of Hispanic Cultural Studies最新文献

{"title":"Un paseo por las ruinas: Javier Payeras, el flâneur de la posguerra","authors":"I. Sarmiento","doi":"10.1353/hcs.2019.0016","DOIUrl":"https://doi.org/10.1353/hcs.2019.0016","url":null,"abstract":"Resumen:El presente artículo analiza la metonimia entre ciudad y comunidad nacional en el marco de la posguerra guatemalteca. En primer lugar, se ofrece un breve recorrido por la historia de la capital guatemalteca con el fin de establecer la relevancia que esta posee en el proceso de construcción de nación. Posteriormente, se dedica la parte central del artículo al análisis de las novelas Ruido de fondo (2003) y Días amarillos (2009) del escritor guatemalteco Javier Payeras. En pocas palabras, se propone que Payeras expresa en su literatura la imagen de una ciudad caótica y en ruinas. Este espacio derruido y en descomposición funciona en su obra como una metáfora de la destrucción de la comunidad nacional en la época de la posguerra.Abstract:This article analyzes the metonymy between the city and the national community in postwar Guatemala. First, this paper offers an overview of the history of Guatemala City and explains how the city is used to represent the dreams of becoming a modern nation. Then, the core of the article is devoted to the analysis of Javier Payeras' Ruido de fondo (2003) and Días amarillos (2009). In brief words, this paper argues that the city is portrayed in Payera's fiction as a place in ruins and chaos. This desolated and decayed place works in his novels as a metaphor of the destruction of national community in postwar times.","PeriodicalId":366492,"journal":{"name":"Arizona Journal of Hispanic Cultural Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128296273","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Culturas de naturaleza y naturalezas-culturas: Hacia una redefinición de los estudios culturales desde el Antropoceno","authors":"Daniel Ares-López","doi":"10.1353/hcs.2019.0004","DOIUrl":"https://doi.org/10.1353/hcs.2019.0004","url":null,"abstract":"Resumen:Este artículo propone un nuevo marco conceptual para los estudios culturales que permita explicar las transformaciones históricas del siglo XX desde el presente del Antropoceno y a través de una comprensión materialista, performativa y relacional del mundo que supere caducas divisiones entre naturaleza y cultura. Este marco conceptual (inspirado por el giro ambiental y materialista en las humanidades y ciencias sociales) gravita en torno a dos conceptos: culturas de naturaleza y naturalezas-culturas. Estos conceptos sugieren la idea de que ciertos tipos de prácticas sociales (profesionales, de ocio, artísticas, etc.) generan no sólo formas distintivas de concebir, percibir y sentir el medioambiente y la vida alterhumana sino también formas diversas de inter-actuar y acoplarse con la vida y el mundo material. Las agrupaciones de prácticas que forman culturas de naturaleza y los diferentes ensamblajes socio-ambientales o entre-especies a que éstas dan lugar son algo ontológicamente inestable que bien produce las redes, flujos y jerarquías del capitalismo y la modernización o bien anida en los márgenes de éstas. Por ello, las culturas de naturaleza pueden ser dominantes o marginalizadas y evolucionan constantemente a través de solapamientos, fricciones o tensiones entre ellas que pueden derivar en conflictos éticos, políticos, legales, ambientales o epistemológicos.Abstract:This article proposes a new conceptual framework for cultural studies that allows explaining the historical transformations of the 20th century from the present of the Anthropocene and through a materialist, performative and relational understanding of the world that overcomes obsolete divisions between nature and culture. This conceptual framework (inspired by the environmental and materialist turn in the humanities and social sciences) gravitates around two concepts: cultures of nature and naturecultures. These concepts suggest the idea that certain types of social practices (professional, leisure, artistic, etc.) generate not only distinctive ways of conceiving, perceiving and feeling the environment and other-than-human life but also diverse ways of interacting and engaging with life and the material world. The groupings of practices that form cultures of nature and the different socio-environmental or inter-species assemblages that they give rise to are something ontologically unstable that either produces the networks, flows and hierarchies of capitalism and modernization or nests in the margins of these. In this way, cultures of nature can be dominant or marginalized and constantly evolve through overlaps, frictions or tensions between them that can lead to ethical, political, legal, environmental or epistemological conflicts.","PeriodicalId":366492,"journal":{"name":"Arizona Journal of Hispanic Cultural Studies","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132070813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"\"Todo lo que dicen los libros son puras mentiras:\" Rescuing the legacy of the Cristero Rebellion (1926-1929) through popular narratives","authors":"Edma Delgado Solórzano","doi":"10.1353/hcs.2019.0008","DOIUrl":"https://doi.org/10.1353/hcs.2019.0008","url":null,"abstract":"Resumen:Este trabajo analiza las cartas, historias de vida, testimonios, correspondencia, y propaganda impresa de los hombres y mujeres Católicos que tomaron las armas para resistir los intentos de secularizar a México durante la Rebelión Cristera (1926-1929). Estas narrativas orales y textos muestran que los participantes emplearon la retorica de la religión tradicional y la cultura popular—tales como tropos del honor, el martirio, la intercesión divina, y las cruzadas—para explicar los motivos de su alzamiento y para rechazar narrativas oficiales del conflicto que desestimaron los méritos de la revuelta y denigraron a los combatientes. Los valores culturales fomentados por estos discursos sirvieron no solo para justificar la guerra, sino también como la base ideológica para desarrollar un proyecto de identidad nacional Católico.Abstract:This paper examines the letters, life histories, testimonials, and correspondence, and print propaganda of Catholic men and women who took up arms to resist state-sponsored secularization efforts in Mexico during the Cristero Rebellion (1926-1929). These texts and oral narratives reveal that these participants relied on rhetoric from traditional religion and popular culture—tropes of honor, martyrdom, divine intercession, and crusade—to explain their uprising and to contest official narratives that discredited the merits of the revolt and disparaged the rebels. The cultural values promoted by these discourses served not only to justify the war, but also as the ideological foundation for a Catholic national identity project.","PeriodicalId":366492,"journal":{"name":"Arizona Journal of Hispanic Cultural Studies","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131214771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Image: Shadow in the sky; Gran desierto de altar","authors":"Keith Marroquin","doi":"10.1353/hcs.2019.0019","DOIUrl":"https://doi.org/10.1353/hcs.2019.0019","url":null,"abstract":"Resumen:Este ensayo sirve de introducción al número especial y contextualiza su contribución a los debates emergentes en el marco de las humanidades ambientales. El ensayo articula algunas propuestas para que los estudios culturales ibéricos incorporen dichos debates de manera crítica y contribuyan a superar la trampa cultural implícita en una inercia académica que ignora completamente su contexto biofísico. El presente ensayo argumenta que la cultura económica dominante tiene un efecto necrótico y des-futurizador y sugiere que, para encontrar soluciones apropiadas a la crisis civilizatoria en curso, es necesario cambiar radicalmente el paradigma cultural que predefine los problemas y limita las posibles soluciones.Abstract:This essay serves as an introduction to this special issue and contextualizes its contributions within the emerging debates in the environmental humanities. This essay articulates some proposals for the critical and fruitful incorporation of the aforementioned debates into Iberian cultural studies. Under contemporary circumstances, cultural studies could contribute to overcome the cultural trap that allows most cultural scholars to operate with an intellectual inertia that completely ignores our biophysical context. This essay claims that the dominant economic culture is necrotic and suggests the need for a radical rethinking of the normative cultural paradigm that predefines the problems and limits the possible solutions.","PeriodicalId":366492,"journal":{"name":"Arizona Journal of Hispanic Cultural Studies","volume":"47 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120867192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"\"Exaggerate the Light to Say the Darknesses Dispelled:\" Reducción and the Dominican Order in Antonio de Remesal's Historia general (1619)","authors":"Ignacio Carvajal Regidor","doi":"10.1353/hcs.2019.0007","DOIUrl":"https://doi.org/10.1353/hcs.2019.0007","url":null,"abstract":"Resumen:Este artículo analiza la Historia general de las Indias Occidentales y particular de la gobernación de Chiapa y Guatemala (1619). Al igual que otras crónicas del período colonial, esta trata la labor de los misioneros en la zona. Usando como punto de partida el concepto de reducción—los esfuerzos por parte del régimen español para categorizar y controlar el \"Nuevo Mundo\" y su gente—este artículo argumenta que la Historia de Remesal funciona como un mapeo textual de la provincia. Además de describirla, la crónica enfatiza el papel que desempeñaron los frailes dominicos en la colonización o \"pacificación\" de la región. Como dominico en Guatemala a principios del siglo diecisiete, Remesal fue testigo del reemplazo gradual de las órdenes mendicantes a favor del clero secular. Para demostrar que los dominicos fueron indispensables en las etapas iniciales de las misiones, Remesal crea una narrativa en la cual el heroísmo dominico se articula alrededor de dos ejes principales: el éxito en la incorporación de territorio y gente al control de la corona, y la conversión de las poblaciones indígenas al cristianismo.Abstract:This article carries out an analysis of Antonio de Remesal's Historia general de las Indias Occidentales y particular de la gobernación de Chiapa y Guatemala (1619). Like other chronicles in the early colonial period, it sought to record the missionary's labor in the area. By focusing on the concept of reducción—Spanish efforts to categorize and control the \"New World\" and its people—this article argues that the Historia functioned as a textual mapping of the province. In addition to describing it, the chronicle's principal preoccupation was to highlight the role that the Dominican friars played in the colonization or \"pacification\" of the region. As a Dominican in Guatemala at the turn of the seventeenth century, Remesal witnessed the gradual shift toward secular clergy (the orders) in the region. In order to prove that the Dominicans had been indispensable in the early stages of the missions, Remesal crafts a narrative in which Dominican heroism is articulated along two main themes: success in the incorporation of new territory and people into the Crown's control, and conversion of indigenous populations into Christianity.","PeriodicalId":366492,"journal":{"name":"Arizona Journal of Hispanic Cultural Studies","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130241527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Coda 2: The Trees Are Not What They Seem","authors":"John H. Trevathan","doi":"10.1353/hcs.2019.0018","DOIUrl":"https://doi.org/10.1353/hcs.2019.0018","url":null,"abstract":"Resumen:Esta coda pone el volumen en contacto con un conjunto de aproximaciones basadas en los campos emergentes de las humanidades ambientales. La cuestión de la oportunidad, por ejemplo, se convierte en una manera de analizar la concientización del colapso planetario, el sentimiento de la tardanza y el sentido de unas posibilidades alternativas en el futuro. ¿Cómo se puede mejorar la probabilidad de nuestra supervivencia colectiva mientras nos enfrentamos con una multiplicidad de emergencias socio-ecológicas? Eileen Crist y Donna Haraway plantean que una manera posible sería examinar de nuevo muchas presuposiciones con respecto a la naturaleza, el ambiente y el crecimiento económico.Abstract:This coda places the volume in dialogue with a set of approaches from the emerging fields of the environmental humanities. The issue of timeliness becomes a way to analyze contemporary awareness of planetary collapse, the feeling of tardiness and the sense of possible future alternatives. How can we improve the odds of our collective survival while we face such a multitude of socio-ecological emergencies? Following Eileen Crist, Donna Haraway and others, he proposes that one way is to closely examine many preconceived notions about nature, the environment and economic growth.","PeriodicalId":366492,"journal":{"name":"Arizona Journal of Hispanic Cultural Studies","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130243665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Solicitudes de amistad: el uso del álbum como red de sociabilidad y práctica de escritura femeninas","authors":"Vanesa Miseres","doi":"10.1353/HCS.2018.0002","DOIUrl":"https://doi.org/10.1353/HCS.2018.0002","url":null,"abstract":"Resumen:Este artículo analiza la existencia y circulación de los álbumes de amistad y álbumes de recortes en la cultura hispanoamericana del siglo XIX y comienzos del XX. Tras una reflexión sobre la naturaleza y orígenes heterogéneos de estos objetos culturales y su presencia en España y América Latina, mi trabajo se centrará en el uso particular que hace de los álbumes la peruana Aurora Cáceres (1877-1958). Escritora y viajera multifacética, hoy en día se conserva un álbum personal de Cáceres que abarca desde, aproximadamente, la década de 1890 hasta la del 1920, años en los que la escritora residió alternadamente entre Perú y varios países de Europa. Allí atesoró solicitudes de amistad de escritores, editores y educadoras sudamericanas y europeas, recortes de sus propios artículos publicados en revistas de diversos países, notas sociales de sus actividades en Francia y España, tarjetas, borradores de ensayos que publicaría más tarde, entre otros materiales que replican en el espacio del álbum su recorrido intelectual. Así, además de ser una clara muestra de la sociabilidad femenina del entre-siglos, Aurora Cáceres le otorga un valor adicional a su álbum. En este espacio en donde objetos efímeros y escrituras fragmentadas se reúnen y se ordenan libremente, la escritora descubre la posibilidad de construir una memoria personal para la posteridad que dé cuenta de su profesión, sus relaciones intelectuales y la repercusión de su trabajo en un contexto transnacional como el del Modernismo.Abstract:This article analyzes the existence and circulation of friendship albums and scrapbooks in 19th- and early 20th-century Hispanic and Hispanic-American cultures. After an examination of the heterogeneous nature and origins of these cultural objects in these regions, I study the particular use of the album format by Peruvian writer, activist, and traveler Aurora Cáceres (1877-1958). Her album covers from, approximately, the 1890s to the 1920s, the decades in which the author resided alternatively between Peru and many European countries. In her Álbum Personal, Cáceres kept a wide range of materials that replicate in its pages her intellectual career: written friendship requests from European and South American writers, editors, and educators, clippings of her own articles published in journals and magazines from different countries, articles on her social activities in France and Spain, cards, and hand-written drafts of essays she will publish later. Thus, besides being a clear demonstration of the female social networks at the turn of the century, Aurora Cáceres finds an additional value for her album. In this blank space in which ephemeral objects and fragmentary writings are reunited and randomly organized, the writer finds a possibility to build her own memories for posterity, memories that speak of her as a professional writer, echo her intellectual networks, and prove the impact of her literary and activist works in the transnational context of Moderni","PeriodicalId":366492,"journal":{"name":"Arizona Journal of Hispanic Cultural Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121017102","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Filosofía y culturas hispánicas: Nuevas perspectivas ed. by Nuria Morgado y Rolando Pérez (review)","authors":"A. S. Acevedo","doi":"10.1353/hcs.2018.0030","DOIUrl":"https://doi.org/10.1353/hcs.2018.0030","url":null,"abstract":"","PeriodicalId":366492,"journal":{"name":"Arizona Journal of Hispanic Cultural Studies","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131993164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El cine de horror en la era del Antropoceno: claves para entender el universo fílmico de Jaume Balagueró en cinco ensayos","authors":"Mónica Cantero-Exojo, Mónica Maria Van Liew","doi":"10.1353/HCS.2018.0014","DOIUrl":"https://doi.org/10.1353/HCS.2018.0014","url":null,"abstract":"Resumen:Lo desconocido, y en particular el cine de terror, reta nuestro pensamiento binario al situarnos en un plano donde tomar una decisión para racionalizar nuestra experiencia es prácticamente imposible. El zombi es ese tipo de monstruo que nos desafía en este dilema: no está vivo–no está muerto, y nos obliga a enfrentarnos con un monstruo en un estado de permanente repetición, sin avanzar para encontrar una solución a tal terrible situación. Una nueva conceptualización de la figura del zombi, o la perpetua repetición de una versión subhumana de nosotros mismos al estilo Warhol, llevó al éxito y al reconocimiento del director catalán Jaume Balagueró nacional e internacionalmente. El universo fílmico balagueriano tienen en común hacérselo pasar mal al espectador al mismo tiempo retar la dualidad entre el bien y el mal. Reconocer la calidad e innovación de las películas de Balagueró en el panorama del cine español e internacional del cine de terror es importante. Por eso, los cinco ensayos incluidos aquí investigan líneas narrativas, técnicas cinemáticas y métodos de circulación, traducción y mutación que retan las categorías tradicionales de contener dentro de lo nacional historias de reproducción, found footage y lo metatextual, todo lo cual enfatiza una edad viral/digital que traspasa fronteras.Abstract:The unknown and, in particular horror cinema, challenges our binary thinking by placing us in a position whereby rationalizing our experience is practically imposible. The zombie is the kind of monster that defies this dilema: it is neither alive nor dead, and it forces us to confront a monster in a state of permanent repetition without advancing towards a solution to such a horrible situation. A new conceptualization of the zombie trope, or the perpetual repetition of a subhuman version of ourselves along the lines of Warhol's concept of the same, has brought about the national and international success and recognition of the Catalan director, Jaume Balagueró. His filmic universe combines making the spectator suffer while simultaneously challenging the duality between good and evil. Recognizing the quality and innovation proposed by Balagueró's films within the panorama of Spanish cinema and international horror film is important. With this in mind, the five essays included here investigate narrative threads, cinematic techniques and means of circulation, translation and mutation that provoke categories of containment built into national histories of reproduction, found footage and the metatextual; all of which emphasize a viral/digital age that defies traditional borders.","PeriodicalId":366492,"journal":{"name":"Arizona Journal of Hispanic Cultural Studies","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123700728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Así se gentrifica un barrio madrileño: Street Artist PorFavor Maps Lavapiés in 2029","authors":"Catalina Iannone","doi":"10.1353/HCS.2018.0005","DOIUrl":"https://doi.org/10.1353/HCS.2018.0005","url":null,"abstract":"Abstract:A sense of crisis looms in Europe, due in part to an influx of migrants seeking asylum from North Africa and the Middle East. In Spain's urban centers, where these migratory currents converge, demographic change challenges deeply ingrained conceptions of identity and otherness. Concurrently, in parallel with neoliberal development initiatives, private and public interventions assimilate these spaces into \"acceptable\" grand narratives of twenty-first century national identity. This article addresses a satirical map of the Madrid's Lavapiés neighborhood in 2029 as depicted by street artist PorFavor. His presentation of this space as a dystopian amusement park highlights and contests the manner in which ethnicity is mobilized in the capitalist production of space. This portrayal of Lavapiés' identitarian dynamics, which takes the present struggle for a right to the city to the extreme in a near future, pays particular attention to the role of immigrant groups in these processes of urban change. The neighborhood is a contested geographical space over which people exercise ownership in different ways. Thus, thinking critically about issues related to ethnicity, representation, and the right to urban space in Lavapiés reflects broader questions of identity and citizenship in contemporary Spain.Resumen:Surge un ambiente de crisis en Europa debido en parte al flujo de migrantes del norte de África y el Medio Oriente buscando asilo. En los centros urbanos de España, donde estas corrientes migratorias se juntan, el cambio demográfico demanda una reconsideración de narrativas ideológicas sobre la identidad y la otredad. A la vez, y en paralelo con iniciativas neoliberales de desarrollo urbano, estos espacios se ven integrados en grandes narrativas \"aceptables\" de identidad nacional del siglo veintiuno a través de intervenciones privadas y públicas. Este artículo estudia un mapa satírico del barrio madrileño Lavapiés como el artista urbano PorFavor lo imagina en el año 2029. Su presentación de este espacio como un parque de atracciones distópico subraya y cuestiona la manera en que se moviliza la diferencia étnica en la producción capitalista del espacio. Esta presentación de las dinámicas identitarias de Lavapiés, que lleva al extremo la lucha actual por el derecho a la ciudad en un futuro próximo, presta atención particular al papel de los inmigrantes en estos procesos de cambio urbano. El barrio es un espacio geográfico sobre el cual la gente intenta revindicar de varias formas su dominio. Por lo tanto pensar críticamente sobre asuntos relacionados a la etnicidad, la representación y el derecho al espacio urbano en Lavapiés refleja otras amplias preguntas sobre la identidad y la ciudadanía en la España contemporánea.","PeriodicalId":366492,"journal":{"name":"Arizona Journal of Hispanic Cultural Studies","volume":"80 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123226894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}