{"title":"FORA DA ESTANTE: QUESTÕES DE ARQUIVO E DE PRESERVAÇÃO DA LITERATURA DIGITAL","authors":"R. C. Rocha","doi":"10.4067/s0719-51762021000100290","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100290","url":null,"abstract":"Resumo: \u0000Este artigo dedica-se a refletir a respeito do arquivo e da preservacao da literatura digital. \u0000Para isso, percorre discussoes relativas ao estatuto da efemeridade da cultura digital e de \u0000como ele se confronta com as especificidades do literario, que coloca em xeque iniciativas \u0000como a manutencao, a emulacao, a adaptacao e a recriacao de obras, estrategias \u0000museograficas voltadas a producao artistica em midia variavel. Como conclusao, propoe a \u0000ideia de “anarquivo”, conceito mais condizente com as caracteristicas da arte e da literatura \u0000do tempo presente. As reflexoes aqui apresentadas sao resultado do desenvolvimento do \u0000Projeto de Pesquisa (CNPq) “Repositorio da Literatura Digital Brasileira”. \u0000 \u0000 Resumen: \u0000Este articulo propone reflexiones sobre el archivamiento y la preservacion de la literatura \u0000digital. Para eso, hace un recorrido por las discusiones relacionadas al estatuto de la \u0000fugacidad de la cultura digital y la manera como el se confronta con las especificidades del \u0000literario, que pone en jaque iniciativas como la manutencion, la emulacion, la adaptacion y \u0000la recreacion, estrategias museograficas utilizadas por la produccion artistica hecha en \u0000midias variables. Al fin, propone la idea de “anarchivo”, concepto mas proximo de las \u0000caracteristicas del arte y de la literatura de nuestro tiempo. Las reflexiones aca presentadas \u0000son resultado del desarrollo del proyecto de investigacion subsidiado por CNPq (Consejo \u0000Nacional de Investigacion) “Repositorio da Literatura Digital Brasileira”. \u0000 \u0000 Abstract: \u0000This article is dedicated to reflect on the archive and the preservation of digital literature. \u0000For this, it goes through discussions related to the status of the ephemerality of digital \u0000culture and how it confronts the specifics of the literary, which puts in check initiatives \u0000such as the maintenance, emulation, adaptation and recreation of works, museographic \u0000strategies aimed at production artistic in variable media. As a conclusion, he proposes the \u0000idea of “anarchist”, a concept more consistent with the characteristics of art and literature \u0000of the present time. The reflections presented here are the result of the development of the \u0000Research Project (CNPq) \"Repositorio da Literatura Brasileira Brasileira\".","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46138989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"VALPARAÍSO, O LA LOCA GEOGRAFÍA DEL DESEO: INFANCIA QUEER Y CRUISING HOMOSEXUAL EN QUINCE POEMAS DIRECTOS (1936) DE BENJAMÍN SUBERCASEAUX","authors":"Ignacio Sánchez Osores","doi":"10.4067/s0719-51762021000100090","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100090","url":null,"abstract":"Resumen: \u0000En este articulo se analiza Quince poemas directos (1936) de Benjamin Subercaseaux, acaso el primer poemario homoerotico de la poesia chilena. En particular, se propone que el poeta incorpora dos figuras clave en el imaginario queer local: el cruisser -hermano errado del flâneur- y el nino homosexual. Dado lo anterior, se indaga en como estas figuraciones polemizan directamente con el imaginario heteropatriarcal del Frente Popular en tanto promotor de una masculinidad hegemonica y una politica reproductiva de la nacion que excluyen a las subjetividades sexo-disidentes. \u0000 \u0000 Abstract: \u0000This article analyzes Quince poemas directos (1936) by Benjamin Subercaseaux, perhaps the first homoerotic collection of poetry in Chilean poetry. In particular, it is proposed that the poet incorporates two key figures in the local queer imaginary: the cruisser - flâneur’s wrong brother- and the homosexual child. Given the above, it is investigated how these figurations directly polemicize with the heteropatriarchal imaginary of the Frente Ppopular as promoter of a hegemonic masculinity and a reproductive policy of the nation that exclude sex-dissident subjectivities.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45048450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
M. Marinho, Rocío Arasy Chamorro Jara, A. Rodríguez
{"title":"PAISAJES HUMANOS LATINOAMERICANOS: CULTURA, TABÚES Y EROTISMO EN “ROMANCE A SAN PEDRO”, UN POEMA SACRO, BURLESCO Y APÓSTATA DE SOR JUANA INÉS DE LA CRUZ","authors":"M. Marinho, Rocío Arasy Chamorro Jara, A. Rodríguez","doi":"10.4067/s0719-51762021000100005","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100005","url":null,"abstract":"Resumen \u0000Sor Juana Ines de la Cruz (Mexico, 1648-1695) es autora de una vasta obra literaria \u0000enmarcada por una fuerte ambiguedad y amplia polisemia. En el presente ensayo, se \u0000propone la relectura de uno de sus poemas cualificados como sacros por la critica \u0000especializada (Olimon, Sabat de Rivers). Se parte de la constatacion de que el texto se \u0000estructura sobre un campo lexical en el que se aglutinan innumerables terminos que remiten \u0000al erotismo y a la sexualidad masculina. Con base en las herramientas interpretativas \u0000propias de la hermeneutica, lo que incluye la estilistica y aparatos de la filologia, \u0000proponemos dos versiones parafrasticas al poema, con el fin de explotar la ambiguedad de \u0000sentidos que enmarca la obra de la monja anticipadamente feminista, la cual fue condenada \u0000por la Inquisicion a la renuncia forzada a sus derechos humanos sobre la Grande Poesia. \u0000 \u0000 Abstract: \u0000Sor Juana Ines de la Cruz (Mexico, 1648-1695) is the author of a large literary work framed \u0000within a strong ambiguity and a broad polysemy. This essay is aimed to bring forth a \u0000rereading upon one of her poems once qualified as sacred works by some specialized critics \u0000(Olimon, Sabat de Rivers). We start from the evidence that the text is structured upon a \u0000lexical field in which innumerable terms that refer to eroticism and male sexuality are \u0000interwoven. Based on analytical tools related to hermeneutics, which include philologycal \u0000apparatus and stylistics tools, we propose two paraphrastic versions for the poem, in order to exploit the ambiguity of meanings that frames the work of that anticipatedly feminist \u0000nun, which was condemned by the Inquisition to a mandatory abdication of her human \u0000rights to the Great Poetry.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42171907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"MADRE ÍNTIMA: GESTACIÓN DE LA MADRE POÉTICA. ASPECTOS POLÍTICOS EN LA CONSTRUCCIÓN DE UNA SUBJETIVIDAD MATERNA EN LAS OBRAS POÉTICAS CANTORAL Y ONIROMANCIA DE WINÉTT DE ROKHA","authors":"Julissa Fernández Villagra","doi":"10.4067/s0719-51762021000100336","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100336","url":null,"abstract":"This article proposes that the poetic representation of motherhood identified in Winétt de Rokha's Cantoral (1936) and Oniromancia (1943) has a political character as it is enunciated from a maternal subjectivity that is not aligned with patriarchalising cultural imperatives of the maternal role. This will be demonstrated through a propositional reading that includes theoretical categories from feminist criticism, gender and literary theory, as well as contextual, socio-cultural and political aspects.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45551510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"PERROS DEL “PARAÍSO”: EL IMAGINARIO DE UNA CIUDADANÍA QUILTRA EN LA NARRATIVA DE VALPARAÍSO","authors":"Oscar Rosales Neira","doi":"10.4067/s0719-51762021000100385","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100385","url":null,"abstract":": This article analyzes the symbolic implications of the figure of the dog in the literature of Valparaíso. From a perspective which makes textual referents dialogue that account for the antecedents and current situation of the canine imagery in the port city, this presence is interpreted from the becoming-animal proposed by Deleuze and Guattari and other theoretical contributions that are part of what has been called the \"Animal Turn\" of contemporary thought. The installation of the imaginary of a \"quiltro citizenship\" is proposed, which relates to the construction, from local literature, of a subject who comes into contact with the so-called animal zone to insert itself into the symbolic dispute of the territory, critically exposing what the hegemonic administrative discourse omits and / or excludes in the process of imposing and homogenizing identity paradigms that the city-image must reflect and reproduce.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46264383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ESBOÇO DE UMA VOZ LATERAL: BREVES APONTAMENTOS SOBRE A ESCRITA PORTUGUESA E AS GUERRAS DE DESMEMBRAMENTO DA JUGOSLÁVIA NO FINAL DO SÉCULO XX","authors":"Francisco Nazareth","doi":"10.4067/s0719-51762021000100428","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100428","url":null,"abstract":"Resumo: \u0000Este trabalho propoe um estudo com desenvolvimento posterior sobre os escritores portugueses que refletiram acerca das guerras de dissolucao da ultima Jugoslavia, no final do seculo XX. Para tal, ele parte do meu proprio posicionamento enquanto alguem que viveu nos Balcas durante 11 anos e que tem alguma experiencia do lugar. A minha convivencia com as pessoas e as minhas viagens pela peninsula colocaram me numa posicao privilegiada (o que nao quer dizer melhor) para poder refletir sobre esse espaco e os seus tempos, tendo em conta as proprias idiossincrasias dentro das quais se situa a minha perspetiva. \u0000 \u0000 Abstract: \u0000This work proposes a study with a subsequent development about Portuguese writers who reflected upon the Yugoslav Wars of destruction that happened at the end of the Twentieth Century. For that, it takes as its point of departure precisely my positioning as someone who lived in the Balkans for eleven years and has some experience of the place. My coexistence with the local peoples and my travels throughout the peninsula placed me in a privileged position (which is by no means the best) to be able to think about that space and its own times, taking also into account the idiosyncratic nature that obviously brands every perspective. \u0000 \u0000 Resumen: \u0000Con el presente trabajo se propone un estudio, con posterior desarrollo, sobre los escritores portugueses que reflexionaron sobre las guerras de desintegracion de la ultima Yugoslavia, a finales del siglo XX. Para ello, se parte con mi propia perspectiva como alguien que vivio en los Balcanes durante 11 anos y que tiene cierta experiencia del lugar. Mi interaccion con la gente y mis viajes por la peninsula me colocaron en una posicion privilegiada (no superior) para poder reflexionar sobre ese espacio y sus circunstancias; esto, teniendo en cuenta las propias idiosincrasias desde las que se proyecta mi punto de vista.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48144511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"EL QUIJOTE A TRAVÉS DE SUS ILUSTRACIONES. INTERPRETACIONES GRÁFICAS DEL CAPÍTULO II: 17 \"LA FELICEMENTE ACABADA AVENTURA DE LOS LEONES\"","authors":"Gema Martínez Ruiz","doi":"10.4067/s0719-51762021000100459","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100459","url":null,"abstract":"Resumen: \u0000El valor visual de El Quijote ha sido sumamente valioso a lo largo de los anos, siendo una de las obras mas ilustradas de la historia de la literatura espanola y universal. La cantidad de artistas, pintores, dibujantes y grabadores que se han encargado de trasladar el texto cervantino a la imagen es mas que nutrida, y esto se debe, en gran parte, a la capacidad de Miguel de Cervantes de transmitir imagenes concisas de los personajes, ambientes y escenarios de su obra magna a traves del uso de la palabra. En este trabajo se pretenden estudiar las lecturas visuales, de una serie de autores seleccionados, de un capitulo concreto (el XVII, de la segunda parte) de El Quijote: \"De donde se declaro el ultimo punto y estremo adonde llego y pudo llegar el inaudito animo de don Quijote con la felicemente acabada aventura de los leones\". \u0000 \u0000 \u0000 Abstract: \u0000The visual value of don Quixote has been highly remarkable through the times, as it is one of the most illustrated novels in the history of Literature. The number of artists, painters, drawers, and engravers that have been in charge of translating the Cervantine text to pictures is more than nurtured, and this is due to Miguel de Cervantes' great ability for transmitting concise pictures of the characters, sceneries, and atmospheres of his masterpiece, using the written word. The main goal of this research is to analyze and study the visual interpretations, given by a selected set of authors, of a specific chapter of novel: \" Where is Shown the Furthest and Highest Point which the Unexampled Courage of Don Quixote Reached or could reach; Together with the Happily achieved Adventure of the Lions\"","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48544430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"GOTHIC ELEMENTS IN THREE WORKS OF EARLY SPANISH ROMANTICISM","authors":"José Manuel Correoso Rodenas, M. Aragón","doi":"10.4067/s0719-51762021000100310","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100310","url":null,"abstract":"Abstract: \u0000The awakening of Gothic in literature in 1764 marked a milestone in the development of \u0000the Western literary canon. The inclusion of the supernatural and the horrific provoked the \u0000end of the reign of Enlightenment and opened the door for Romanticism. In Spain it took a \u0000while longer for the new literary trend to flourish. However, a group of writers who had \u0000published during the last decades of the eighteenth century started to include gothic \u0000elements in their works, creating Enlightenment-Gothic hybrids. Some of these authors \u0000were Gaspar Melchor de Jovellanos, Jose Cadalso and Juan Melendez Valdes. Their El \u0000delincuente honrado, Noches lugubres, and “A Jovino, el melancolico,” respectively prove \u0000that gothic and sublime aesthetics also affected Spanish belles lettres. \u0000 \u0000 Resumen: \u0000El surgimiento de la literatura gotica en 1764 supuso un hito en el desarrollo del canon \u0000literario occidental. La inclusion de lo sobrenatural y lo terrorifico provoco el final del \u0000reinado de la Ilustracion y allano el camino al Romanticismo. En Espana, su florecimiento \u0000se haria esperar algo mas. Sin embargo, un grupo de escritores que habian venido \u0000publicando desde las ultimas decadas del siglo XVIII comenzaron a incluir elementos \u0000goticos en sus obras, creando hibridos entre el espiritu ilustrado y la literatura gotica. \u0000Algunos de esos autores fueron Gaspar Melchor de Jovellanos, Jose Cadalso y Juan \u0000Melendez Valdes. Sus El delincuente honrado, Noches lugubres y “A Jovino, el \u0000melancolico”, respectivamente, prueban que las esteticas gotica y sublime ya se habian \u0000integrado en las belles lettres espanolas.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46628126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"EL AFECTO EN RELATOS DE DOLOR CRÓNICO EN COMENTARIOS DE FACEBOOK DE MUJERES CHILENAS","authors":"Mariana Pascual, Natalia Díaz Alegría","doi":"10.4067/s0719-51762021000100047","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100047","url":null,"abstract":"From a discourse studies perspective, this research examines from an interpersonal standpoint the affect that Chilean women with chronic pain construct in their narratives describing their experiences with endometriosis. A total of 7230 Facebook comments published over a period of four years on three Chilean webpages on endometriosis were analyzed. The data were classified in terms of affect type, following the System of Appraisal (Martin English; Martin and White). Then, these items were related to the appraised entities so as to identify patterns of use. A clear predominance of values of un/happiness (sadness) and dis/satisfaction (pleasure and discontent) was observed. Sadness was significantly related to pain, to the condition per se, and to surgical treatments. Having observed a strong predominance of sadness, this fact should be considered when designing patient-centered health actions.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42623837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"POESÍA Y MUNDO (EN) COMÚN: VOCES POÉTICAS DE LA REVUELTA","authors":"Biviana Hernández","doi":"10.4067/s0719-51762021000100119","DOIUrl":"https://doi.org/10.4067/s0719-51762021000100119","url":null,"abstract":"Resumen: \u0000Desde la pregunta por como operan, en clave social y de genero, los lenguajes de la poesia y la protesta, y que funcion desempena en el espacio publico el caracter desapropiativo de sus practicas, este trabajo ahonda en la produccion colectiva de una serie de escrituras ciudadanas que, en el marco del “estallido social”, expresan su deseo por una nueva \u0000constitucion para Chile. En especifico, se centra en el volumen (re)constitucion poetica desde los aportes que hacen las escritoras Daniela Catrileo, Begona Ugalde y Elvira \u0000Hernandez, quienes junto con adherir a la demanda publica desarrollan una mirada critica del modelo de mercado y la autoria a partir del regimen estetico de las producciones \u0000simbolicas contemporaneas que, en colectivo, discuten y disputan su derecho a la palabra. \u0000 \u0000 Abstract: \u0000From the question of how the languages of poetry and protest operate, in a social and gender perspective, and what role the non-appropriation of their practices plays in the \u0000public space, this work delves into the collective production of a series of writings citizens who, within the framework of the “estallido social”, express their desire for a new \u0000Constitution for Chile. Specifically, it focuses on the (re)constitucion poetica’ volume from the contributions made by the writers Daniela Catrileo, Begona Ugalde and Elvira \u0000Hernandez, who, along with adhering to the public demand, develop a critical view of the market model and authorship from the aesthetic regime of contemporary symbolic \u0000productions that collectively discuss and dispute their right to speak.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49591698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}