“天堂”的狗:瓦尔帕莱索叙事中奎尔特拉公民的想象

Q2 Arts and Humanities
Oscar Rosales Neira
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引用次数: 0

摘要

:本文分析了瓦尔帕莱索文学中狗形象的象征意义。从文本指称对话的角度来解释港口城市犬只意象的前因和现状,从德勒兹和瓜塔里提出的“成为动物”以及当代思想“动物转向”的其他理论贡献来解释这种存在。提出了“被公民身份”的想象,这涉及到从当地文学中构建一个与所谓的动物区接触的主体,以将自己插入领土的象征性争端中,批判性地揭示了霸权行政话语在强加和同质化城市形象必须反映和再现的身份范式的过程中所遗漏和/或排斥的东西。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
PERROS DEL “PARAÍSO”: EL IMAGINARIO DE UNA CIUDADANÍA QUILTRA EN LA NARRATIVA DE VALPARAÍSO
: This article analyzes the symbolic implications of the figure of the dog in the literature of Valparaíso. From a perspective which makes textual referents dialogue that account for the antecedents and current situation of the canine imagery in the port city, this presence is interpreted from the becoming-animal proposed by Deleuze and Guattari and other theoretical contributions that are part of what has been called the "Animal Turn" of contemporary thought. The installation of the imaginary of a "quiltro citizenship" is proposed, which relates to the construction, from local literature, of a subject who comes into contact with the so-called animal zone to insert itself into the symbolic dispute of the territory, critically exposing what the hegemonic administrative discourse omits and / or excludes in the process of imposing and homogenizing identity paradigms that the city-image must reflect and reproduce.
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来源期刊
Nueva Revista del Pacifico
Nueva Revista del Pacifico Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
发文量
13
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