{"title":"西班牙早期浪漫主义三部作品中的哥特式元素","authors":"José Manuel Correoso Rodenas, M. Aragón","doi":"10.4067/s0719-51762021000100310","DOIUrl":null,"url":null,"abstract":"Abstract: \nThe awakening of Gothic in literature in 1764 marked a milestone in the development of \nthe Western literary canon. The inclusion of the supernatural and the horrific provoked the \nend of the reign of Enlightenment and opened the door for Romanticism. In Spain it took a \nwhile longer for the new literary trend to flourish. However, a group of writers who had \npublished during the last decades of the eighteenth century started to include gothic \nelements in their works, creating Enlightenment-Gothic hybrids. Some of these authors \nwere Gaspar Melchor de Jovellanos, Jose Cadalso and Juan Melendez Valdes. Their El \ndelincuente honrado, Noches lugubres, and “A Jovino, el melancolico,” respectively prove \nthat gothic and sublime aesthetics also affected Spanish belles lettres. \n \n Resumen: \nEl surgimiento de la literatura gotica en 1764 supuso un hito en el desarrollo del canon \nliterario occidental. La inclusion de lo sobrenatural y lo terrorifico provoco el final del \nreinado de la Ilustracion y allano el camino al Romanticismo. En Espana, su florecimiento \nse haria esperar algo mas. Sin embargo, un grupo de escritores que habian venido \npublicando desde las ultimas decadas del siglo XVIII comenzaron a incluir elementos \ngoticos en sus obras, creando hibridos entre el espiritu ilustrado y la literatura gotica. \nAlgunos de esos autores fueron Gaspar Melchor de Jovellanos, Jose Cadalso y Juan \nMelendez Valdes. Sus El delincuente honrado, Noches lugubres y “A Jovino, el \nmelancolico”, respectivamente, prueban que las esteticas gotica y sublime ya se habian \nintegrado en las belles lettres espanolas.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"GOTHIC ELEMENTS IN THREE WORKS OF EARLY SPANISH ROMANTICISM\",\"authors\":\"José Manuel Correoso Rodenas, M. Aragón\",\"doi\":\"10.4067/s0719-51762021000100310\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract: \\nThe awakening of Gothic in literature in 1764 marked a milestone in the development of \\nthe Western literary canon. The inclusion of the supernatural and the horrific provoked the \\nend of the reign of Enlightenment and opened the door for Romanticism. In Spain it took a \\nwhile longer for the new literary trend to flourish. However, a group of writers who had \\npublished during the last decades of the eighteenth century started to include gothic \\nelements in their works, creating Enlightenment-Gothic hybrids. Some of these authors \\nwere Gaspar Melchor de Jovellanos, Jose Cadalso and Juan Melendez Valdes. Their El \\ndelincuente honrado, Noches lugubres, and “A Jovino, el melancolico,” respectively prove \\nthat gothic and sublime aesthetics also affected Spanish belles lettres. \\n \\n Resumen: \\nEl surgimiento de la literatura gotica en 1764 supuso un hito en el desarrollo del canon \\nliterario occidental. La inclusion de lo sobrenatural y lo terrorifico provoco el final del \\nreinado de la Ilustracion y allano el camino al Romanticismo. En Espana, su florecimiento \\nse haria esperar algo mas. Sin embargo, un grupo de escritores que habian venido \\npublicando desde las ultimas decadas del siglo XVIII comenzaron a incluir elementos \\ngoticos en sus obras, creando hibridos entre el espiritu ilustrado y la literatura gotica. \\nAlgunos de esos autores fueron Gaspar Melchor de Jovellanos, Jose Cadalso y Juan \\nMelendez Valdes. Sus El delincuente honrado, Noches lugubres y “A Jovino, el \\nmelancolico”, respectivamente, prueban que las esteticas gotica y sublime ya se habian \\nintegrado en las belles lettres espanolas.\",\"PeriodicalId\":36445,\"journal\":{\"name\":\"Nueva Revista del Pacifico\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nueva Revista del Pacifico\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4067/s0719-51762021000100310\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nueva Revista del Pacifico","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4067/s0719-51762021000100310","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
摘要:1764年哥特式在文学中的觉醒标志着西方文学经典发展的里程碑。超自然和可怕的包容导致了启蒙统治的结束,为浪漫主义打开了大门。在西班牙,新文学的蓬勃发展需要更长的时间。然而,在18世纪的最后几十年里出版的一群作家开始在他们的作品中加入哥特式元素,创造了启蒙-哥特式混合体。其中一些作者是Gaspar Melchor de Jovellanos、Jose Cadalso和Juan Melendez Valdes。他们的诚实罪犯《悲伤的夜晚》和《忧郁的乔维诺》分别证明,哥特式和崇高的美学也影响了西班牙的美丽文学。摘要:1764年哥特式文学的出现是西方文学经典发展的里程碑。超自然和恐怖的融合导致了插图统治的结束,并为浪漫主义铺平了道路。在西班牙,它的开花会让人期待更多。然而,自18世纪最后几十年以来一直在出版的一群作家开始在他们的作品中加入哥特式元素,在启蒙精神和哥特式文学之间创造了混合体。其中一些作者是Gaspar Melchor de Jovellanos、Jose Cadalso和Juan Melendez Valdes。他的《诚实的罪犯》、《悲伤的夜晚》和《忧郁的A Jovino》分别证明了哥特式和崇高的美学已经融入了美丽的西班牙文学中。
GOTHIC ELEMENTS IN THREE WORKS OF EARLY SPANISH ROMANTICISM
Abstract:
The awakening of Gothic in literature in 1764 marked a milestone in the development of
the Western literary canon. The inclusion of the supernatural and the horrific provoked the
end of the reign of Enlightenment and opened the door for Romanticism. In Spain it took a
while longer for the new literary trend to flourish. However, a group of writers who had
published during the last decades of the eighteenth century started to include gothic
elements in their works, creating Enlightenment-Gothic hybrids. Some of these authors
were Gaspar Melchor de Jovellanos, Jose Cadalso and Juan Melendez Valdes. Their El
delincuente honrado, Noches lugubres, and “A Jovino, el melancolico,” respectively prove
that gothic and sublime aesthetics also affected Spanish belles lettres.
Resumen:
El surgimiento de la literatura gotica en 1764 supuso un hito en el desarrollo del canon
literario occidental. La inclusion de lo sobrenatural y lo terrorifico provoco el final del
reinado de la Ilustracion y allano el camino al Romanticismo. En Espana, su florecimiento
se haria esperar algo mas. Sin embargo, un grupo de escritores que habian venido
publicando desde las ultimas decadas del siglo XVIII comenzaron a incluir elementos
goticos en sus obras, creando hibridos entre el espiritu ilustrado y la literatura gotica.
Algunos de esos autores fueron Gaspar Melchor de Jovellanos, Jose Cadalso y Juan
Melendez Valdes. Sus El delincuente honrado, Noches lugubres y “A Jovino, el
melancolico”, respectivamente, prueban que las esteticas gotica y sublime ya se habian
integrado en las belles lettres espanolas.