Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria最新文献_第9页

Oblicza Wolanda. Literackie studium postaci

Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2020-12-20 DOI: 10.24917/20811853.20.24

Igor Przebinda

引用次数: 0

Potencjał błędu. „Bat Country on LCD” Leszka Onaka w mash‑upowym dialogu z „Trenem I” Jana Kochanowskiego

Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2020-12-20 DOI: 10.24917/20811853.20.15

Bogusława Bodzioch-Bryła, Dariusz Rott

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„Oto znika jednostka, zatraca się i budzi całość, wielkość i potęga” (O pieśniach polskich Sokołów przed odzyskaniem niepodległości)

Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2018-12-12 DOI: 10.24917/20811853.18.4

M. Piotrowska

引用次数: 1

Dwa „łzawe” apele Marii Ilnickiej ("Do sióstr moich")

Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2018-12-12 DOI: 10.24917/20811853.18.3

Dorota Samborska-Kukuć

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O "Polskiej pieśni niepodległej" Jana Lorentowicza

Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2018-12-12 DOI: 10.24917/20811853.18.6

Renata Stachura-Lupa

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O dwu pieśniach kryzysu przysięgowego

Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2018-12-12 DOI: 10.24917/20811853.18.5

A. Skała

{"title":"O dwu pieśniach kryzysu przysięgowego","authors":"A. Skała","doi":"10.24917/20811853.18.5","DOIUrl":"https://doi.org/10.24917/20811853.18.5","url":null,"abstract":"The paper is dedicated to two soldiers’ songs from the second half of 1917, written in the atmosphere of rebellion of the Polish Legions against the Central Powers. The turning point in the history of Polish military units during the First World War, which was caused by the so-called Oath crisis, for the demilitarised and interned soldiers, was the time of fighting by means of word, rather than weapon. However, they manifested their pride and perseverance of the Polish soldier, using mockery. Occasional poetic works – Dziadowska pieśń żałobna o odwrocie legionów spod Warszawy and Santa Lucia – shaped the independence ethos on the basis of a solid foundation of folklore and literary tradition (using e.g. the convention of ‘a beggar’s song’ and ‘a news story’). Arrogance and an ironic attitude, expressed in songs, conceal the real tragic situation of the soldiers – who were deprived of the chance to serve the Nation for being disobedient towards the German army. Szczypiorno and Beniaminów – places to which they were interned – are elevated to the rank of symbols of defiance and contempt for the invaders and constitute a significant element of the legend surrounding Piłsudski’s Legions.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"45 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88307201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

„Młodości mej stolica”, czyli Kraków literacki i teatralny we wspomnieniach Tadeusza Kudlińskiego

Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2018-12-12 DOI: 10.24917/20811853.18.14

J. Dobrowolska

{"title":"„Młodości mej stolica”, czyli Kraków literacki i teatralny we wspomnieniach Tadeusza Kudlińskiego","authors":"J. Dobrowolska","doi":"10.24917/20811853.18.14","DOIUrl":"https://doi.org/10.24917/20811853.18.14","url":null,"abstract":"In my article I reconstructed the picture of literary and theatrical Cracow in the years 1918– 1939, represented in the memorials Młodości mej stolica. Pamiętnik krakowianina z okresu między wojnami (the extended edition, 1984), written by Tadeusz Kudliński. The author was an active participant of the cultural life of this city and a bystander of the great social and historical changes after Poland regained its independence in 1918. I tried to confront his subjective view of the important artistic events and processes in the interwar period with the objectivism of historical studies. Kudliński presented a complete and detailed image but, naturally, he paid more attention only to some facts, disregarding or briefly mentioning others. I wanted to understand the motivation behind thematic selection of the material. In the first part of this article, I analysed Kudliński’s „gallery of the portraits” of Cracovian writers and theatre people, paying special attention to the applied genre convention and description method. In the second part, I presented some individual elements of the literary Cracow panorama: professional organisation and institutionalisation of the literary life, the functioning of the publishing market, the development of local newspapers and periodicals, the financial situation of the writers and the meaning of tradition and avant-garde. In the third part, I reconstructed the image of the theatrical Cracow and the author’s views on the philosophy and aesthetics of the theatre. My main objective was to show the great documentary value of Kudliński’s memories – due to their factographic credibility and variety of content Młodości mej stolica can be a valuable source of knowledge about the history of Cracow.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84634948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Patent na piosenki. Wincentego Pola śpiew nie tylko z mogiły

Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2018-12-12 DOI: 10.24917/20811853.18.1

Małgorzata Łoboz

{"title":"Patent na piosenki. Wincentego Pola śpiew nie tylko z mogiły","authors":"Małgorzata Łoboz","doi":"10.24917/20811853.18.1","DOIUrl":"https://doi.org/10.24917/20811853.18.1","url":null,"abstract":"This paper is an attempt at interpreting Wincenty Pol’s poetry, popularised in the form songs. Like most Romantic writers, the author of Pieśń o ziemi naszej regarded music as a unique dis-cipline of asemantic art, i.e. the one which goes beyond popular means of communication and capturing reality in a much deeper way than linguistic articulation. He believed that music is capable of expressing the essence of irrational and abstract phenomena: idealism, spirituality and transcendence; but – as a Romantic writer – he was also aware that art should, above all, reflect emotions accompanying human existence: love, loneliness, closeness, separation, suffering, joy and tears - as an emotional reaction to being moved. Some of his poems were included in Polish culture thanks to compositions by Fryderyk Chopin (performed, among others, by Delfina Potocka), Ignacy Komorowski, Julian Kapliński, Bolesław Dembiński, Adam Mũnchheimer and other composers. The popularity of those songs is the evidence that both folklore inspirations and accompanying historical circumstances recorded them in the na-tional song-book. They represent a typical model of ‘Romantic thinking’ and prove that the ‘Lied’ genre is treated as a return to the origins of culture, thus being an excellent example of lyrical miniatures, which can be fully interpreted by means of vocal realisation.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"20 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85100414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Portret „teatrała”. Tadeusz Kudliński – krytyk...

Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2018-12-12 DOI: 10.24917/20811853.18.8

Ewa Łubieniewska

{"title":"Portret „teatrała”. Tadeusz Kudliński – krytyk...","authors":"Ewa Łubieniewska","doi":"10.24917/20811853.18.8","DOIUrl":"https://doi.org/10.24917/20811853.18.8","url":null,"abstract":"Tadeusz Kudliński remained in the memory of Cracovians, above all, as a theatre critic and the author of books dedicated to this topic, which have been republished many times. Serving the function of an educational mission, they combined a harmonious perspective of a historian, researcher, critic, polemicist and apologist, who was also a great story-teller. The role of a ‘theatre man’, which he assumed, also included contacts with amateur theatre, discussions with audience and cooperation with the Theatre Lovers Club. Views on art which had clashed in the preceding century, were clearly reflected in the monographs and collections of reviews written by the author, for whom the history of the theatre was, in fact, the history of drama. For years, Kudliński consistently carried out his ‘theatre lesson’. It revolved around numerous issues – from the description of various theatrical aesthetics, through the search for ‘a Polish style’ of performance, to the characterisation of experimental groups (e.g. Grotowski’s or student theatre). The critic placed experiment on the side of cultural life, on no account in the popular theatre, therefore, he criticised all Polish directors from the second half of the 20th century who staged ‘experimentally’, especially classics. Being a traditionalist and a supporter of theatrical illusion, he attacked Brecht’s model of epic performance, glorifying ”the process of actor transformation”, although he emphasised that it doesn’t have to ”concern only reality.” He provoked, irritated – and taught, which can be confirmed by the fact that his books about theatre are still widely read nowadays.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76269591","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Kudliński i Osterwa. Sprawa "Hamleta"

Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2018-12-12 DOI: 10.24917/20811853.18.11

Anna Sobiecka

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