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Rok 1918 na teatralnej prowincji. Kielce
Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2018-12-12 DOI: 10.24917/20811853.18.7
Paulina Drozdowska
{"title":"Rok 1918 na teatralnej prowincji. Kielce","authors":"Paulina Drozdowska","doi":"10.24917/20811853.18.7","DOIUrl":"https://doi.org/10.24917/20811853.18.7","url":null,"abstract":"The article describes cultural life in Kielce at the threshold of independence. The local theatre played a prominent role at that time, since it was the only professional scene on which the Regency Council’s manifest was read. After this event the institution had its name changed into the Polish Theatre. The directors in those days were struggling with financial and logistical problems, lack of permanent crew, and even the outbreak of typhus. The history of the theater is described in the context of provincial, poor and clerical town, in which the intelligentsia accounted for a small percentage of the population. The audience wanted some entertainment both from the theatre and the expanding world of the cinema. Therefore, the creators were trying to meet those expectations through productions based on comedy and operetta. The local amateur theatre was the only group involved in politics, staging several patriotic plays. The conclusions of the article are based on the materials published in ”Gazeta Kielecka”, a local newspaper of that time, and collections available in the branch of National Archive in Kielce (unfortunately, no documents have been preserved in Żeromski Theater), as well as the research done by regional historians. Year 1918 turned out to be just a glimpse in the long process of changing the mentality of local community. It was just the first step to rebuild its national identity.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"69 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72389686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
W kręgu Tadeusza Kudlińskiego: Wiesław Gorecki
Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2018-12-12 DOI: 10.24917/20811853.18.16
Michał Zdunik
{"title":"W kręgu Tadeusza Kudlińskiego: Wiesław Gorecki","authors":"Michał Zdunik","doi":"10.24917/20811853.18.16","DOIUrl":"https://doi.org/10.24917/20811853.18.16","url":null,"abstract":"Three one-act plays – The Elevator, The Rebellion and The Freud – written by Wiesław Gorecki are analysed in the paper. These plays were premiered in 1934 by a theatre group Mikroscena, founded by Tadeusz Kudliński. In my opinion, Wiesław Gorecki’s dramas are examples of modern aesthetics (as defined by Richard Sheppard). We can read these works as a poetic drama (The Elevator), the Ibsenesque psychological theatre (The Fraud) and a game with scenic illusion in the style of Pirandello (The Rebellion). Finally, I created a new term for Goreckis’ plays: “miniature, light and bourgeois modernism”.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"137 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78196814","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Wojenna turystyka Tadeusza Kudlińskiego
Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2018-12-12 DOI: 10.24917/20811853.18.13
Mateusz Rozmus
{"title":"Wojenna turystyka Tadeusza Kudlińskiego","authors":"Mateusz Rozmus","doi":"10.24917/20811853.18.13","DOIUrl":"https://doi.org/10.24917/20811853.18.13","url":null,"abstract":"Can a soldier be a tourist? Can we say that touristic experiences are possible during the war from the anthropological point of view? In this article I tried to find the answers to those questions, using Smak Świata by Tadeusz Kudliński. A soldier, but also a typical tourist, hungry for new experiences, was only accidentally placed in the middle of the war by history. The Tourist Gaze by John Urry and The Image: A Guide to Pseudo-Events in America by Daniel Boorstin were very useful during my research and helped to create a new view of Smak Świata novel.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90049777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Militarne reprezentacje w prozie Tadeusza Kudlińskiego
Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2018-12-12 DOI: 10.24917/20811853.18.12
J. Rozmus
{"title":"Militarne reprezentacje w prozie Tadeusza Kudlińskiego","authors":"J. Rozmus","doi":"10.24917/20811853.18.12","DOIUrl":"https://doi.org/10.24917/20811853.18.12","url":null,"abstract":"The view of Europe betweeen 19th and 20th centuries was shaped mainly by militarism. It is confirmed by the works of Michael Howard, Ian F.W. Beckett, Martin van Creveld, and also material culture, which is the heritage of those times. Architecture, technology, as well assculptures and paintings created shortly before the First World War are an illustration of how Polish literature reacted to the conflict of 1914–1918. In Tadeusz Kudliński’s novel Smak świata, where the main character is an officer of the Austro-Hungarian artillery, the world is dominated by machines: railway, telephone etc. According to Bjonar Olsen, those things represent material culture in the view of Tim Dant, allowing the main character to keep his identity. The collection of essays Młodości mej stolica. Wspomnienia krakowianina między wojnami provide the reader with a historical view of the war in the Carpathian Mountains and on the Italian front.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"108 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87573855","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
„Przemówił dziad do obrazu” – historia pewnej polemiki
Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2018-12-12 DOI: 10.24917/20811853.18.9
M. Sadlik
{"title":"„Przemówił dziad do obrazu” – historia pewnej polemiki","authors":"M. Sadlik","doi":"10.24917/20811853.18.9","DOIUrl":"https://doi.org/10.24917/20811853.18.9","url":null,"abstract":"The following paper is a recollection of a series of articles by Tadeusz Kudliński, published in ”Ilustrowany Kurier Codzienny” (1936–37). “Teatralne mielizny” were very popular with readers, especially young playwrights, supported by the critic. The articles written by the Cracow „teatrał” (theatre man) aroused a heated discussion in the press, and the initiative to create Studio 39 can be regarded as its aftermath. Contrary to previous assurances concerning the final conclusion of the ”sandback” dispute, Kudliński took up the topic again nine months after the publication of the last part of the series, and his text “Przemówił dziad do obrazu” provoked the response by Tadeusz Boy-Żeleński. Thus, the whole discussion on the articles, as well as the theatre initiative brought to life by their soul, ends with three polemical texts, published in press, whose main character has, unexpectedly, become the hero of an old Polish proverb.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78835067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tadeusza Kudlińskiego lektura Biblii, czyli "Gniew o Soszannę"
Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2018-12-12 DOI: 10.24917/20811853.18.10
M. Olszewska
{"title":"Tadeusza Kudlińskiego lektura Biblii, czyli \"Gniew o Soszannę\"","authors":"M. Olszewska","doi":"10.24917/20811853.18.10","DOIUrl":"https://doi.org/10.24917/20811853.18.10","url":null,"abstract":"The novel Gniew o Soszannę was wriitten in the period 1947–1962. It came out in 1963. The writer had some difficult war and postwar experiences. First, he was repressed by the Nazis and then by the Stalinist authorities. These experiences became a source of the novel from the days of the former Israel. The story is based on the episode from the Bible, Jeph’s History. He made an unheard of Yahweh’s oath and he had to sacrifice his own daughter. However, Kudliński’s novel goes beyond the colorful of the biblical story, it carries deeper reflections on human life and relationships with Yahweh. It is also a settlement with totalitarianism. From the formal point of view, it is an apocryphal narration based on Kudlinski’s principle of «symultaneity», thus realizing the ‘three-times principle’ of spatial composition. The character becomes a collective hero. Kudliński’s work fits into the search for a modern novel form in Polish literature of the twentieth century.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"9 1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91096024","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Za kulisami sądu. Ugo Betti, "Trąd w pałacu sprawiedliwości" ("Corruzione al Palazzo di Giustizia")
Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2018-10-12 DOI: 10.24917/20811853.17.14
K. Latawiec
{"title":"Za kulisami sądu. Ugo Betti, \"Trąd w pałacu sprawiedliwości\" (\"Corruzione al Palazzo di Giustizia\")","authors":"K. Latawiec","doi":"10.24917/20811853.17.14","DOIUrl":"https://doi.org/10.24917/20811853.17.14","url":null,"abstract":"Behind the scenes of Court. Ugo Betti, Corruzione al Palazzo di GiustiziaAbstractThe article concerns the Polish reception of Ugo Betti’s drama Corruzione al Palazzo di Giustizia.It presents the comparison of the two performances: the theatrical one, directed by MariaWiercińska (1958), and the television one, directed by Gustaw Holoubek (1970). The firstspectacle was determined by the political context in post-Stalinist times, the second wasconcentrated on moral conflicts and personal attitudes. Both performances searched for ananswer to the question about the meaning of justice.Keywords: Ugo Betti, Polish theatre, reception, television performance, justice","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"20 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79895425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pirandello jako widz zawodowy
Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2018-10-12 DOI: 10.24917/20811853.17.11
K. Woźniak
{"title":"Pirandello jako widz zawodowy","authors":"K. Woźniak","doi":"10.24917/20811853.17.11","DOIUrl":"https://doi.org/10.24917/20811853.17.11","url":null,"abstract":"Pirandello as professional spectatorAbstractLuigio Pirandello’s drama were unfailingly popular with Polish directors between the beginningof the 1960s until the 1970s. Native creators have undertaken dramas from differentperiods of the Nobelist’s output and covering various topics – bourgeois comedy to metatheatricalworks. Most probably those do not include all that were staged then.It appears that an increased interest in the author is to be connected with the 25th anniversaryof his death, as is suggested by Mieczysław Brahmer in the 1961 Tak jest, jak się państwu zdaje(directed by Zofia Wiercińska).The fact that both then and now critics and researchers in the majority of cases assumed, notnecessarily consciously, they are writing about an artist that is mainly a writer and only thena critic of stage productions of his dramas and a stage producer for his own texts is significant.As a consequence they focused mainly on deconstructing the “pirandellism” condemned byBrahmer, in particular on its canonical interpretation by Adrian Tilgher. Therefore, the followingquestion comes to mind: what kind of interpretations are possible when Pirandello’sworks (especially the first part of the so-called trilogy of “theatre in a theatre” which consistsof Six Characters in Search of an Author, Each In His Own Way and Tonight We Improvise) areconsidered from the perspective of purpose, that is individual theatrical activity of Pirandelloas a co-founder, principal and stage producer of Teatro D’Arte in Rome (in operation between1924 and 1928). The present article attempts at showing the possible direction of a search foran answer to said question with the starting point being the 1962 production of Sześć postaciscenicznych w poszukiwaniu autora (Six Characters in Search of an Author) directed by MariaWiercińska in Stefan Jaracz Theatre in Łódź.Keywords: Pirandello in Poland, Maria Wiercińska, first theatre directors in Italy","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91148188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Modele świadectwa: "prze-pisywanie literatury Holokaustu"
Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2018-10-12 DOI: 10.24917/20811853.17.23
Joanna Nazimek
{"title":"Modele świadectwa: \"prze-pisywanie literatury Holokaustu\"","authors":"Joanna Nazimek","doi":"10.24917/20811853.17.23","DOIUrl":"https://doi.org/10.24917/20811853.17.23","url":null,"abstract":"Models of testimony: “re-writing the Holocaust literature”AbstractThe article is a critical discussion of Pawel Wolski’s treatise titled Tadeusz Borowski – PrimoLevi. Prze-pisywanie literatury Holocaustu (Warsaw 2013). It is setting out selected aspects oftraversing of the researcher from Szczecin by considering the status of testimony literature.Also there is an emphasis put on the phenomenon of profiling using forms of utterancesin Holocaust discourse. The article shows two distinct strategies (analyzed by Wolski) ofautomodeling of writers’ own utterances: “towards” (Tadeusz Borowski) and “accordingto” (Primo Levi) preferred model of testimony shaped under the influence of contemporarypublic debate.Keywords: Tadeusz Borowski, Primo Levi, testimonial literature, Holocaust discourse","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90082269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Kontakty Pietra Bemba z Polakami
Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria Pub Date : 2018-10-12 DOI: 10.24917/20811853.17.2
D. Kowalczyk
{"title":"Kontakty Pietra Bemba z Polakami","authors":"D. Kowalczyk","doi":"10.24917/20811853.17.2","DOIUrl":"https://doi.org/10.24917/20811853.17.2","url":null,"abstract":"The article presents the relationship between one of the main representatives of Italianhumanism – Pietro Bembo – with Poles. The most important aspect was his friendship withKlemens Janicki who studied in Padua in 1538–1540. His works are a testimony of contactshe had established when in Italy. Bembo was mentioned in Janicki’s works (Variae Elegiae IX,Epigrammata LII). Another element connecting the Italian with Poles were congratulatoryletters on his cardinal appointment. The newly-appointed cardinal was congratulated by kingSigismund the Old via enigmatic figures of Jan Wincenty Dulcis de Lasco and Piotr Kmita.A trace of Bembo’s contact with Poles is also the formal correspondence of his while being thesecretary of Pope Leo X.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"60 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73819459","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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