Militarne reprezentacje w prozie Tadeusza Kudlińskiego

J. Rozmus
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引用次数: 0

Abstract

The view of Europe betweeen 19th and 20th centuries was shaped mainly by militarism. It is confirmed by the works of Michael Howard, Ian F.W. Beckett, Martin van Creveld, and also material culture, which is the heritage of those times. Architecture, technology, as well assculptures and paintings created shortly before the First World War are an illustration of how Polish literature reacted to the conflict of 1914–1918. In Tadeusz Kudliński’s novel Smak świata, where the main character is an officer of the Austro-Hungarian artillery, the world is dominated by machines: railway, telephone etc. According to Bjonar Olsen, those things represent material culture in the view of Tim Dant, allowing the main character to keep his identity. The collection of essays Młodości mej stolica. Wspomnienia krakowianina między wojnami provide the reader with a historical view of the war in the Carpathian Mountains and on the Italian front.
19至20世纪的欧洲观主要是由军国主义塑造的。Michael Howard, Ian F.W. Beckett, Martin van Creveld的作品以及作为那个时代遗产的物质文化都证实了这一点。第一次世界大战前不久创作的建筑、技术,以及雕塑和绘画,都是波兰文学对1914-1918年冲突的反应。在Tadeusz Kudliński的小说《Smak świata》中,主人公是奥匈帝国炮兵的一名军官,世界被机器主宰:铁路、电话等。根据比约纳·奥尔森的说法,这些东西代表了蒂姆·唐太斯眼中的物质文化,让主角保持了自己的身份。文集Młodości mej stolica。Wspomnienia krakowianina między wojnami为读者提供了喀尔巴阡山脉和意大利前线战争的历史视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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