Kudliński i Osterwa. Sprawa "Hamleta"

Anna Sobiecka
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引用次数: 0

Abstract

This paper is dedicated to the theatrical novel by Tadeusz Kudliński, Świętokradca (1947), in which a fictional dialogue between the author of the novel and the performance concept of Shakespeare’s Hamlet by Juliusz Osterwa is being held. Analysis of the novel, in which a metatextual frame is included as well, is confronted with earlier considerations of Wanda Świątkowska, who had conducted a close analysis of Juliusz Osterwa’s Hamlet, considering his personal and professional relationship with Tadeusz Kudliński, too. The novel Świętokradca, released in the year of Osterwa’s death, not only provides another interpretation of Hamlet, but also makes an attempt to combine both Kudliński’s and Osterwa’s concepts.
本文以Tadeusz的戏剧小说Kudliński, Świętokradca(1947)为研究对象,在这部小说中,作者与尤利乌斯·奥斯特瓦的莎士比亚戏剧《哈姆雷特》的表演理念进行了一场虚构的对话。对这部包含了元文本框架的小说的分析,面临着Wanda Świątkowska早先的思考,他对Juliusz Osterwa的哈姆雷特进行了仔细的分析,也考虑了他与Tadeusz的个人和职业关系Kudliński。在奥斯特瓦去世的那一年出版的小说Świętokradca不仅提供了对哈姆雷特的另一种解释,而且试图将Kudliński和奥斯特瓦的概念结合起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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