Literatura dvukh Amerik最新文献_第3页

Poetry & Science: Intransitive Writing Of Denis Roche and John Ashbery 诗歌与科学:丹尼斯·罗奇和约翰·阿什贝里的不及物写作

Literatura dvukh Amerik Pub Date : 2022-01-01 DOI: 10.22455/2541-7894-2022-12-143-157

Ekaterina M. Belavina

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引用次数: 0

Myth and Melos in Four Quartets by T.S. Eliot 艾略特《四个四重奏中的神话和米洛斯》

Literatura dvukh Amerik Pub Date : 2022-01-01 DOI: 10.22455/2541-7894-2022-13-177-206

Temur Kobakhidze

{"title":"Myth and Melos in Four Quartets by T.S. Eliot","authors":"Temur Kobakhidze","doi":"10.22455/2541-7894-2022-13-177-206","DOIUrl":"https://doi.org/10.22455/2541-7894-2022-13-177-206","url":null,"abstract":"The paper is dedicated to the poem by T.S. Eliot Four Quartets (1943), it examines its artistic specificity, its poetic and musical peculiarities with their complex symbolic subtext and a whole layer of meanings. The organizing principle of the Four Quartets is the synthesis of myth and melos. The poem contains features “borrowed” from music so that the “musical energy” (melos) that is not yet a melody finds a specific poetic embodiment. Built on the principles of musical poetics, Eliot's poem contains various artistic images that alternate and combine according to the principle of the development of musical themes (like Wagner's leitmotifs) and their meaning does not remain the same, but is changing. Another similarity between the poem and a musical work is its timeless character: a full perception of the musical integrity of Four Quartets is achieved after repeated reading of the text, simultaneous experience of what has already been read and what has yet to be read — and this is like listening to a symphony, the desire to perceive it in its entirety, beyond time. The myth, in contrast to the quite specific mythologems of The Waste Land, in Four Quartets and its melodiousness, does not have any subject or plot even in its infancy and is rather represented by abstract, general ideas and archetypes. The article analyzes the archetypes and elementary symbols of Four Quartets (circle, square, quaternity, intersecting lines, etc.) and reveals their significance. The paper demonstrates that the imagery of Four Quartets is also based on Eliot's personal impressions, which merge with many “intellectual” associations and, refracting in the mythopoetic structure of the poem, turn into general, universal symbols.","PeriodicalId":34458,"journal":{"name":"Literatura dvukh Amerik","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68679789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Assemblage Point: Uncle Tom’s Cabin and the American Racial / Cultural Identity Model 集合点:《汤姆叔叔的小屋》与美国种族/文化认同模式

Literatura dvukh Amerik Pub Date : 2022-01-01 DOI: 10.22455/2541-7894-2022-13-315-366

O. Panova

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引用次数: 0

Context of the Text: Paratextuality of Joel Barlow’s Poems 文本语境:巴洛诗歌的意蕴性

Literatura dvukh Amerik Pub Date : 2022-01-01 DOI: 10.22455/2541-7894-2022-12-175-197

Elena M. Apenko

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引用次数: 0

“The American Poet is Always a Seeker after God, but He does not Always Find God”: George Sylvester Viereck’s Lecture “America as a Land of Poets” (1911) “美国诗人总是在寻求上帝，但他并不总是找到上帝”——乔治·西尔维斯特·维雷克的演讲《美国是诗人的土地》(1911)

Literatura dvukh Amerik Pub Date : 2022-01-01 DOI: 10.22455/2541-7894-2022-12-213-235

Vasilii E. Molodiakov

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引用次数: 0

Language-Centered Poetry in the USA and in Russia: Trajectories of Interaction 以语言为中心的诗歌在美国和俄罗斯:互动轨迹

Literatura dvukh Amerik Pub Date : 2022-01-01 DOI: 10.22455/2541-7894-2022-12-66-101

V. Feshchenko

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引用次数: 0

“Not a Single Epithet, Metaphor, or a Desire to Be Reflected In a Symbolic Mirror”: A Whitmanesque Echo in Igor’ Terent’yev’s Poetry “不是一个单独的绰号，隐喻，或在象征的镜子中反映的愿望”:伊戈尔特伦特耶夫诗歌中的惠特曼式回声

Literatura dvukh Amerik Pub Date : 2022-01-01 DOI: 10.22455/2541-7894-2022-12-37-50

Anna V. Shvets

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引用次数: 0

Mutual Adaptation as a Guarantee of the Future: Octavia Butler’s Works 相互适应是未来的保证:奥克塔维亚·巴特勒的作品

Literatura dvukh Amerik Pub Date : 2022-01-01 DOI: 10.22455/2541-7894-2022-13-295-313

Artem A. Zubov

{"title":"Mutual Adaptation as a Guarantee of the Future: Octavia Butler’s Works","authors":"Artem A. Zubov","doi":"10.22455/2541-7894-2022-13-295-313","DOIUrl":"https://doi.org/10.22455/2541-7894-2022-13-295-313","url":null,"abstract":"The article investigates works by Octavia E. Butler (1947 –2006), an African-American writer who had a significant impact on the development of science fiction in the USA and the world. The paper provides an overview of Butler’s works and reveals the relationship between the problems and language / style of her prose, the latter being determined by the former. The first part of the paper examines the main topics of Butler’s works and focuses on the problem of survival. Being a disappearing minority, Butler’s heroines are usually isolated from others and, consequently, in order to survive they have to adapt to the circumstances, since resistance is impossible. However, for Butler the survival of an individual is less important than the preservation of the humankind. For Butler’s heroines it is the reproduction of the genetic and/or cultural memory of mankind that make the future possible and guarantee the survival. In the second part of the paper Butler’s works are analyzed in the context of Afrofuturism and it is pointed out that although Butler has much in common with other representatives of this movement, she deals with the projects for building an ideal society in a different way: Butler is skeptical about utopia as a project of a conflict-free society. The final part of the paper examines Butler’s language and style, noting that for her language serves as an impersonal, objective tool of analysis of human behavior. A special attention is paid to Butler’s latest novel Fledgling (2005), in which language serves both as a tool for expression and a topical issue.","PeriodicalId":34458,"journal":{"name":"Literatura dvukh Amerik","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68680188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

At the Origins of Russian Latin American Studies. Lev Samoilovich Ospovat — on the Centenary of His Birth. Lev Ospovat. As I Remember 俄罗斯拉丁美洲研究的起源。列夫·萨莫伊洛维奇·奥斯波瓦特——纪念他诞辰一百周年。列弗Ospovat。如我所知

Literatura dvukh Amerik Pub Date : 2022-01-01 DOI: 10.22455/2541-7894-2022-13-383-399

A. Kofman

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引用次数: 0

Myth and European Poetic Thinking in 1920 –1940s (Considering the Methodological Aspect) 神话与1920—1940年代的欧洲诗歌思维(方法论方面的思考)

Literatura dvukh Amerik Pub Date : 2022-01-01 DOI: 10.22455/2541-7894-2022-13-148-176

Temur Kobakhidze

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引用次数: 0