{"title":"The 28th EPIC: International Poundian Forum in Salamanca","authors":"K. Ibragimova","doi":"10.22455/2541-7894-2019-7-490-497","DOIUrl":"https://doi.org/10.22455/2541-7894-2019-7-490-497","url":null,"abstract":"","PeriodicalId":34458,"journal":{"name":"Literatura dvukh Amerik","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48253968","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"T.S. Eliot and Ezra Pound: To the History of Creative Contacts","authors":"V. M. Tolmatchoff","doi":"10.22455/2541-7894-2019-7-248-321","DOIUrl":"https://doi.org/10.22455/2541-7894-2019-7-248-321","url":null,"abstract":"","PeriodicalId":34458,"journal":{"name":"Literatura dvukh Amerik","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46873001","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"The Cantos of Ezra Pound\": The Cantos Project","authors":"R. Preda","doi":"10.22455/2541-7894-2019-7-474-488","DOIUrl":"https://doi.org/10.22455/2541-7894-2019-7-474-488","url":null,"abstract":"This article evaluates the theoretical and historical underpinnings underlying the design of The Cantos Project, a digital research environment dedicated to The Cantos of Ezra Pound. It critiques annotation as conceived in print culture and investigates possibilities offered by the digital medium to correct its shortcomings, abuses and limitations. The electronic medium cannot change the aggressive stance of annotators towards the poem they gloss but can considerably alleviate its intrusive aspect by strategies of website management. Readers are thus empowered to make use of the critical apparatus on the website to the extent they need, without being overwhelmed, or even disturbed. The editor of The Cantos Project, Roxana Preda, has learned from the reception history of her predecessor, Carroll F. Terrell: the article spells out her conclusions, which are not only operating in her current annotation of The Cantos but give suggestions relevant for a general theory of annotation in the digital age.","PeriodicalId":34458,"journal":{"name":"Literatura dvukh Amerik","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46362025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Resisting Apollo: The Legacy of Ezra Pound in Late 20th Century American Poetry","authors":"John Gery","doi":"10.22455/2541-7894-2019-7-225-247","DOIUrl":"https://doi.org/10.22455/2541-7894-2019-7-225-247","url":null,"abstract":"While Ezra Pound is still widely repudiated in the U.S. for his wartime associations with Mussolini and his anti-Semitic statements, he is nonetheless recognized there and throughout the world as a groundbreaking modernist literary figure. Why this divided attitude? Of course, there is no dearth of interest in Pound inside and outside the U.S. Yet the most telling proof of his legacy is evident in his continuing influence on contemporary American poets. This essay offers an overview of Pound’s deep yet varied impact on a broad range of later poets, especially among those at the turn of the twenty-first century, despite that these same poets tend to resist Pound as an influence and, often, do not to admit to any association with each other. While Pound’s influence manifests itself in highly varied ways – for example, from the classical pose of Robert Pinsky to the ludic wordplay of Charles Bernstein, and from the untethered experimentation of Rachel Blau DuPlessis to the post-Imagist poetics of Marilyn Chin – the abiding characteristic that binds these and other American poets to Pound is their poetics of resistance, itself a trait intrinsic to American poetry from its beginnings. This essay considers Pound less for his political affinities than for his quintessentially American sensibility – revealed, as his diverse successors demonstrate, in the breadth of his innovations, his resistance to constraints on the imagination, and his fidelity to the word.","PeriodicalId":34458,"journal":{"name":"Literatura dvukh Amerik","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46865959","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Poundians on the Trail of El Cid","authors":"A. Araújo","doi":"10.22455/2541-7894-2019-7-498-504","DOIUrl":"https://doi.org/10.22455/2541-7894-2019-7-498-504","url":null,"abstract":"","PeriodicalId":34458,"journal":{"name":"Literatura dvukh Amerik","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45256002","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Re/Membering Place: Ideogrammic Memory in Ezra Pound’s \"The Cantos\"","authors":"P. Guerrero","doi":"10.22455/2541-7894-2019-7-360-376","DOIUrl":"https://doi.org/10.22455/2541-7894-2019-7-360-376","url":null,"abstract":"In the aftermath of twentieth-century wars writing was, perhaps, one of the very few means available to work through horror and misery. Because of its ability to configure imagined spaces, literature became a way out of reality as much as a door into its deepest waters. In writing, authors managed to dissect terror from the safety of imagination. They also contrived to replace ruins and wreckage with hope for the future and possibility. This is particularly true of poetry. In their retrieval of fragments of the past, poets like Ezra Pound, elicited an emotional response to what seemed an impossible situation; sought an answer and a form of representation to the illegibility of a discourse also shattered by war. Their poetry offered a way out of mourning and desperation; opened paths to social reconstruction. It could be said, thence, that, as a leading proponent of this type of modernist poetry, in his Cantos Pound develops a literary language that, despite being undoubtedly influenced by previous tradition – particularly by Fenollosa’s ideogram, produces a new understanding of memory and history. Pound elaborates a language that helps humanity overcome the boundaries of the written word that had potentially lost meaning, logic and sequence. He perceives historical deeds as experiences that can (and should) be retrieved in poetry and deems writing an act of memory. Pound’s fragment retrieval is both metaphorical and literal, seeking to recover hopeful instances of the past as he searches for the unifying constituent of diverse elements. This article examines the interaction of images and words as Pound’s new theory of the poetic image, through which the poet favors natural associations and tries to restore historical pasts. In the midst of outright destruction, Pound’s Cantos are said to construct landscapes that break linear chronologies to find the common threat of the present and the past. In so doing, he fills a shattered reality back with hope and light.","PeriodicalId":34458,"journal":{"name":"Literatura dvukh Amerik","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49622298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Translation as Interpretation: Ezra Pound and Old English Poetry","authors":"K. Ibragimova","doi":"10.22455/2541-7894-2019-7-322-338","DOIUrl":"https://doi.org/10.22455/2541-7894-2019-7-322-338","url":null,"abstract":"","PeriodicalId":34458,"journal":{"name":"Literatura dvukh Amerik","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45154674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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