“美国诗人总是在寻求上帝,但他并不总是找到上帝”——乔治·西尔维斯特·维雷克的演讲《美国是诗人的土地》(1911)

Q4 Arts and Humanities
Vasilii E. Molodiakov
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引用次数: 0

摘要

美国诗歌文艺复兴的开端被认为是1912年:意象派、《诗歌》杂志、新一代诗人——埃兹拉·庞德、T.S.艾略特、埃德娜·圣文森特·米莱等。这一现象一直吸引着文学评论家的关注,而美国诗歌前二十年的发展却被读者和学者所遗忘。然而,如果认为惠特曼去世后,庞德和艾略特出道之前,美国没有值得注意的诗人和诗歌,那就错了。美国诗人自己是如何评价“当前时刻”的?George Viereck 1911年在柏林大学所做的题为“美国是诗人的国度”的演讲可以提供一个思路。杰出的诗人、评论家和编辑乔治·西尔维斯特·维雷克(1884-1962)在谈到“宗教和诗歌居住的未被发现的、深奥的美国”时,将美国诗人分为四类。第一个是惠特曼的继承人,本土主义者和民主主义者,歌颂劳动和同志情谊的歌手,比如贺拉斯·特劳贝尔和埃德温·马卡姆。其次是坡的继承人,贵族和美学家,风格大师,比如乔治·桑塔亚那和威廉·沃恩·穆迪。第三个群体包括朗费罗的继承人,传统和保守作家,如亨利·范·戴克和理查德·沃森·吉尔德。最后一种是“抒情的叛逆者”,结合了坡和惠特曼以及斯威本和波德莱尔的遗产。维雷克把他自己和大多数年轻诗人从选集《年轻的合唱团》(1910)中纳入第四组。这篇论文包含了Viereck的英文演讲的完整俄语翻译。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“The American Poet is Always a Seeker after God, but He does not Always Find God”: George Sylvester Viereck’s Lecture “America as a Land of Poets” (1911)
The beginning of the American Poetic Renaissance is considered to be 1912: the Imagists, Poetry magazine, the new generation of poets — Ezra Pound, T.S. Eliot, Edna St. Vincent Millay, etc. This phenomenon keeps attracting a lot of attention of literary critics, meanwhile the previous two decades of American poetry fell out of sight of both readers and scholars. However it would be wrong to assume that there were no noteworthy poets and poems in America after Whitman’s death and before the debuts of Pound and Eliot. How did the American poets themselves evaluate “the current moment”? George Viereck’s lecture “America as a Land of Poets” delivered in 1911 at the University of Berlin can give an idea. George Sylvester Viereck (1884–1962), an outstanding poet, critic and editor, speaking of the “undiscovered, esoteric America, where religion and poetry dwell,” divided American poets into four groups. In the first one there are Whitman's heirs, nativists and democrats, singers of labor and comradeship, like Horace Traubel and Edwin Markham. Next, there are heirs of Poe, aristocrats and esthetes, masters of style, like George Santayana and William Vaughn Moody. The third group unites heirs of Longfellow, traditional and conservative authors, like Henry Van Dyke and Richard Watson Gilder. Finally, there are “lyrical rebels,” combining the legacy of Poe and Whitman and that of Swinburne and Baudelaire. Vireck included himself and the majority of young poets from the anthology The Younger Choir (1910) to the fourth group. This paper includes the full Russian translation of the lecture in Viereck’s English presentation.
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