The Culturology Ideas最新文献_第3页

Maryna Denysenko-Sapmaz’s aesthetics in the cultural creation processes of Ukraine at the turn of the XX–XXI centuries Maryna Denysenko-Sapmaz在20 - 21世纪之交乌克兰文化创造过程中的美学

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-22-2022-2.92-101

O. Berehova

{"title":"Maryna Denysenko-Sapmaz’s aesthetics in the cultural creation processes of Ukraine at the turn of the XX–XXI centuries","authors":"O. Berehova","doi":"10.37627/2311-9489-22-2022-2.92-101","DOIUrl":"https://doi.org/10.37627/2311-9489-22-2022-2.92-101","url":null,"abstract":"For the first time in Ukrainian musicology, an attempt was made at a creative portrait of the composer Maryna Denysenko-Sapmaz, the main stages of formation of her creative personality were outlined, a panoramic review of significant works in her creative biography was offered. Analytical observations allowed generalizations about the orientations of her musical aesthetics, including the postmodern worldview, the tendency to combine neo-styles, openness to technological experiments and avant-garde research in various composition techniques, synthesizing the principles of European and Eastern musical thinking, using new performing techniques. instruments and voices, paying great attention to the spatial qualities of timbre and sound. A special feature of M. Denysenko-Sapmaz's aesthetics is the presence of the Ukrainian national element in her works in various aspects from direct citation of folk music epic, author's adaptations of Ukrainian carols and Christmas songs in the early period to more indirect forms of work with folklore material in the mature period of creativity such as stylization, input of specific Ukrainian instruments to the score, special lyrical intonation which originated in Ukrainian songs.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132218024","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Theoretical Potential of the R. G. Collingwood’s Principles of Arts: the Experience of Modern Interpretation 柯林伍德《艺术原理》的理论潜力:现代诠释的经验

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-16-2019-2.72-80

M. Ternova

{"title":"The Theoretical Potential of the R. G. Collingwood’s Principles of Arts: the Experience of Modern Interpretation","authors":"M. Ternova","doi":"10.37627/2311-9489-16-2019-2.72-80","DOIUrl":"https://doi.org/10.37627/2311-9489-16-2019-2.72-80","url":null,"abstract":"The article, based on R. G. Collingwood’s monograph Principles of Art (1938), reconstructs the theoretical space of the English humanities of the time. It shows that in his work, R. G. Collingwood, a well-known English neo-Hegelian philosopher and historian of science, substantiated the aesthetic-psychological concept of art, which proved to be in line with modern philosophical and aesthetic-psychological search for scientists. The article highlights the most promising clauses on the psychological essence of art, which should be considered in the logic of attribution of modern theoretical models, and offers the author’s interpretation of Collingwood’s ideas, in the context of which the emphasis is placed on the role of English theorists in the development of interdisciplinarity as one of the cornerstones of cultural analysis. The research emphasizes the importance of historical and cultural traditions and actualizes their potential during the period of avant-garde formation. Concidering the theoretical ideas of R. G. Collingwood, the following aesthetic art problems are conceptualized: “psychic expression”, “sensuality” and “multiplicity of aesthetics”.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132122905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cultural Processes of “Time of Perestroika and Glasnost” “改革开放时代”的文化进程

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-15-2019-1.113-125

Serhii Bezklubenko

{"title":"Cultural Processes of “Time of Perestroika and Glasnost”","authors":"Serhii Bezklubenko","doi":"10.37627/2311-9489-15-2019-1.113-125","DOIUrl":"https://doi.org/10.37627/2311-9489-15-2019-1.113-125","url":null,"abstract":"This article analyses artistic phenomena in the period of «perestroika and glasnost» (1985–1999) and reveals the question of the main problems in that historical period.\u0000In the period of «perestroika and glasnost» in the cultural industry, the process of «information saturation» acquired the character of filling in «white spots». The forbidden and forgotten works, «works from the box», start mass-publishing, «films from the shelf» come to film distribution, numerous «books from a special fund» return to library subscriptions. Works that previously appeared only in samizdat are reprinted, phenomena recognized by the Soviet regime as «undesirable», «alien», or even «hostile» are returned to art – from both the ideological and purely artistic sides.\u0000The fall of the Iron Curtain played a major role in the rapid disintegration of the official quasi-communist ideology. Information - the most devastating weapon - destroyed the «wall», which passed through the feelings and opinions of people.\u0000Information on the real state of things outside the USSR «leaked out» through various channels. Previously blocked truthful information gushed out in full flow both from external and internal sources quickly acquiring the size of the «critical mass», starting an uncontrollable «chain reaction», which led to «information explosion».\u0000This «explosion» transformed - not to say deformed - the public consciousness, people acquired the opportunity to know everything about themselves and their history, and the process of «information saturation» began in the culture and art industry.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123020555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Regional features of protection of cultural heritage objects in the conditions of new challenges of modernity 地域特色文物保护在现代性条件下面临新的挑战

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-22-2022-2.148-157

M. Mishchenko

{"title":"Regional features of protection of cultural heritage objects in the conditions of new challenges of modernity","authors":"M. Mishchenko","doi":"10.37627/2311-9489-22-2022-2.148-157","DOIUrl":"https://doi.org/10.37627/2311-9489-22-2022-2.148-157","url":null,"abstract":"The aim of this paper is to analyze the regional features of protection of objects of cultural heritage of different regions of Ukraine in the conditions of new challenges of modernity, in particular in view of russian military invasion of the territory of our state.\u0000Methodology. The author uses as a methodological basis of this study the principles and methods of the cultural approach to the analysis of numerous publications, practical experience and norms of national legislation on the protection of cultural heritage.\u0000Results. It is determined that in most of the analyzed areas the quantitative indicator of monuments belongs to those factors that influence the implementation and variable component of the set of measures for the protection of cultural heritage of specific regions. At the same time, a significant number of monuments is not a guarantee of effective implementation of these measures by local authorities and the appropriate level of development of the monument protection sphere.\u0000It is necessary to investigate more thoroughly initiatives of foreign partners on digitizing of objects of cultural heritage of Ukraine. As the adopted activity is connected not only to mechanical preservation of information about them, it can assist further renewal of the monuments, which might be damaged in the conditions of war.\u0000Novelty. The guard of objects of cultural heritage of our state in the conditions of military intervention fully depends on a base criterion — that, what region they are in — conditionally \"safe\" or on territories, that temporally are not being controlled by Ukrainian government, and also whether there is the real possibility to take urgent guard measures. Therefore one of the effective methods of guard of monuments is “physical” protection in the localities where for this purpose there are necessary facilities.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127962241","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Formation of Creative and Professional Dialogue of the Avant-gardists of the World: Interpretational Model by Bengt Jangfeldt 世界先锋派创作与专业对话的形成:Bengt Jangfeldt的解释模式

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-15-2019-1.105-112

Svitlana Kholodynska

{"title":"Formation of Creative and Professional Dialogue of the Avant-gardists of the World: Interpretational Model by Bengt Jangfeldt","authors":"Svitlana Kholodynska","doi":"10.37627/2311-9489-15-2019-1.105-112","DOIUrl":"https://doi.org/10.37627/2311-9489-15-2019-1.105-112","url":null,"abstract":"The article analyses fundamental study Stake is Life by the profound Swedish writer, scholar of Slavistics and translator of Russian poetry of the first half of the 20th century Bengt Jangfeldt in which the main attention focuses on the personality of V. Mayakovsky and his milieu. The article shows how the Swedish scholar proposed personal view of the role and place of futurism within the logics of Russian avant-garde establishment and development. Timeliness of study B. Jangfeldt’s viewpoint is motivated by the fact that the material he used in his work is of relevance to the history of Ukrainian futurism. Methodology of the study is stipulated by the specific character of the article theme and based on historical and chronological methods, as well as on the personalization principle as structural element of biography methodology. The study aims to introduce existing research space to a wide circle of both scholars and readers who are keen on theoretical understanding of avant-garde. The novelty of the study lies in a broad representation of scholars’ interpretational model concerning the place and the role of futurism in the logic within establishing and development of Russian avant-garde compared to out-of-dated and traditional approaches to Russian futurism. Actual importance of the study lies in analyzing creative and professional dialogue formation between European and Russian and Ukrainian avant-garde. Conclusions. It is noted that timing of appealing to B. Jangfeldt’s view is provoked by the fact that the material researched by the author is relevant to Ukrainian futurism history.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"114 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117082769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The originality of national identity in the creativity of the Dniprova Chaika (from past to present) 第聂普罗瓦柴卡(Dniprova Chaika)创作中的民族认同原创性(从过去到现在)

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-21-2022-1.102-112

Iryna Rudnyk

{"title":"The originality of national identity in the creativity of the Dniprova Chaika (from past to present)","authors":"Iryna Rudnyk","doi":"10.37627/2311-9489-21-2022-1.102-112","DOIUrl":"https://doi.org/10.37627/2311-9489-21-2022-1.102-112","url":null,"abstract":"The article reveals the essence of national identity in the work of the Dniprova Chaika, as well as the reasons and factors under the influence of which the basic components of the national identity of the writer were fored. This study aims to reveal the author's position on the awareness of national and ethnic affiliation, attitude to the history and culture of their national and ethnic community, patriotic feelings and patriotic self-consciousness. Priority values, views, beliefs of the writer are demonstrated in various fields of activity such as cultural, artistic, socio-political and literary, which contributed to a comprehensive coverage of the problem.\u0000The analysis of the author's diverse genre heritage is carried out in line with the creation of the national specifics of Ukrainian literature of the late XIX — early XX centuries. The attention is focused on identifying the most characteristic features of the Ukrainian ethnos: mentality, national character, ethnopsychological features. The influence of folklore on the literary heritage of the writer, which is one of the key features of the cultural identity of Ukrainians, is analyzed. The systematic comparative analysis of works made it possible to identify national-specific features that determine the national identity of Ukrainian literature, as well the works of Dniprova Chaika in particular.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126115210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Twentieth-сentury modern art: evolution and main trends 二十世纪现代艺术:演变与主要趋势

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-23-2023-1.95-100

引用次数: 0

European Year of Cultural Heritage in Ukraine: Culturological Analysis of Tendencies 乌克兰欧洲文化遗产年:趋势的文化学分析

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-15-2019-1.136-143

Alla Doroha

{"title":"European Year of Cultural Heritage in Ukraine: Culturological Analysis of Tendencies","authors":"Alla Doroha","doi":"10.37627/2311-9489-15-2019-1.136-143","DOIUrl":"https://doi.org/10.37627/2311-9489-15-2019-1.136-143","url":null,"abstract":"Based on cultural methodological tools, the trends of the European Year of Cultural Heritage in Ukraine were analysed. The main attention is paid to the problems of improving the legal mechanisms for the protection of cultural heritage, the activities of public organizations for the protection of the national cultural heritage, the cooperation of state and non-governmental organizations of Ukraine with UNESCO, the Council of Europe and the EU in the field of preservation and popularization of cultural heritage.\u0000The relevance of the chosen theme determines the need to analyse cultural heritage issues. An emphasis was placed on analysing the formation and evolution of traditions, customs, norms, values in the context of everyday life history.\u0000The proclamation of 2018 as the European and Ukrainian Year of Cultural Heritage contributed to intensifying interest to the problems of preservation and further development of all types of national cultural heritage, the adoption of extremely important decisions, and the improvement of the relevant legislation.\u0000The year witnessed the maturity of the segment of civil society in Ukraine that cares for cultural heritage. Provided the state and civil society act in the format of mutual support, it is possible to provide a clear policy on this issue at the governmental, regional and local levels. Therefore, the main goal of the further movement is to achieve the unity of state bodies, public organizations, the scientific community and the private sector in preserving all kinds of cultural heritage and protecting the cultural sovereignty of Ukraine.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123220804","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The Multidimensionality of the Symbolic Universe of Roman Romanyshyn 罗马罗曼尼辛符号宇宙的多维性

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-16-2019-2.128-135

S. Stoian

{"title":"The Multidimensionality of the Symbolic Universe of Roman Romanyshyn","authors":"S. Stoian","doi":"10.37627/2311-9489-16-2019-2.128-135","DOIUrl":"https://doi.org/10.37627/2311-9489-16-2019-2.128-135","url":null,"abstract":"The article presents an analysis of the symbolic contexts of the creativity of Lviv artist Roman Romanyshyn, whose works are distinguished not only by filigree execution technique and innovativeness but also by multilayered symbolic meanings, which in the space of his personal exhibition have become a deep and consistent visual story. The artist uses symbolic codes at a subconscious level, not by a pre-conceived concept, which is the most consistent with the nature of symbolic masterpieces, creating and decoding of which one cannot accomplish solely by reason. The author turns to geometric symbolizations using, for example, the image of a large-scale triangle consisting, in its turn, of numerous triangular etching puzzles with symbolic images to visualize the idea of the social hierarchy. Furthermore, following the escalating graphic experiments of M. C. Escher, the artist creates a Magic Cube and many other filigree etchings that appear before the eyes of the viewer as symbolic labyrinths, which encode numerous codes, thanks to which each of us, depending on the individual content of one’s inner world, can build peculiar symbolic-associative chains, acting as co-creator of multilayered works of the author.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131584210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Evolution of the artist's profession as an important factor in the art market development (from Antiquity to the Renaissance) 艺术家职业的演变是艺术市场发展的重要因素(从古代到文艺复兴)

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-21-2022-1.113-127

Nadiia Pavlichenko

{"title":"Evolution of the artist's profession as an important factor in the art market development (from Antiquity to the Renaissance)","authors":"Nadiia Pavlichenko","doi":"10.37627/2311-9489-21-2022-1.113-127","DOIUrl":"https://doi.org/10.37627/2311-9489-21-2022-1.113-127","url":null,"abstract":"The article describes artistic creativity as a professional activity and as an important factor in the art market development. It attempts to follow the evolution of the profession from craft to intellectual creativity in the period from Antiquity to the Renaissance. Thinking of art as a production process enables the important points that had a great impact on it to be highlighted: the role of the customer, the perception of artistic creativity by society, the self-awareness of artists, the organization of labor, etc. During Antiquity, the fine arts were perceived as technical ones arising from the mental activity of man and embodied in his work, so they were evaluated by the same criteria as other applied crafts. Throughout the Middle Ages, the church was the main customer of an art product, and fine arts were used as an improvised means of religious didactics. Scholastic authors perceived \"mechanical\" arts as lower ones, as noted. A significant rethinking of fine arts and the person creating it had been taking place during the 12th–14th centuries with the advent of the private customer. Recognition of fine arts as intellectual work has also significantly changed the working conditions of artists, the evaluation and perception of the artistic product, contributed to the further development of the art market.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125458967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0