The Culturology Ideas最新文献_第2页

Semantical dimension of an artwork: culturological approach 艺术作品的语义维度:文化方法

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-20-2021-2.35-43

Iryna Piatnytska-Pozdnyakova

引用次数: 0

Reproduction and communication of the text in current practices of urban spaces of the XXI century 二十一世纪城市空间实践中文本的再现与传播

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-21-2022-1.78-92

N. Babii

{"title":"Reproduction and communication of the text in current practices of urban spaces of the XXI century","authors":"N. Babii","doi":"10.37627/2311-9489-21-2022-1.78-92","DOIUrl":"https://doi.org/10.37627/2311-9489-21-2022-1.78-92","url":null,"abstract":"The aim of the work is to explore alternative ways of communication between poets and audience and methods for reproducing poetry through topical practices at the beginning of the XXI century. Accordingly, it aims to consider cultural and artistic experiments of the second decade of the 21st century developed on the basis of language as a symbolic sign and sound system; to identify the main directions of intermedial interaction, the degree of socio-cultural differentiation and variability of communicative agents. The author applies the method of intermedial analysis formed on the basis of post-structural and postmodern methodology as well as the systematic approach of the theory of communication. The synthesis procedure involves considering of the integral properties of synthetic practices that are not inherent to the constituent components. The study determines the intermedial ties in topical poetic practices of the 21st century.\u0000Plenty of communicative forms of presentation of poetic texts of the beginning of the 21st century reflect continuity with poetic practices of the 1990s but in the conditions of the screen culture of the hypermodern. New formations indicate the transition of literature from autonomy to mediality and intermediality, from authenticity to reproductivity, demonstrating transgression of borders between various spaces (real, virtual), artistic environments. Synthetic forms of topical practices such as performance, installation, flash mob, street art, show different directions of intermedial interaction in modern reproduction, attract a wide audience to cultural puncture, democratizing urban spaces.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116623073","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Sіghts of Hіstоrісаl and Culturаl Herіtаge of the Lvіv Regіоn as a Fасtоr of the Develоpment of Tоurіsm іn the Regіоn (on the Exаmple of Vіrtuаl Tоurs) 作为一个在regkorkorn中开发的vkorkorkorm的fkorkorr(以vkorkorkorurs为例)

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-15-2019-1.152-160

Hаlynа Vyshnevskа, Іnnа Krupа

引用次数: 0

Structural elements of an artistic work: creative and research innovations by R. J. Collingwood 艺术作品的结构要素:r.j.科林伍德的创造性和研究创新

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-23-2023-1.68-76

M. Ternova

{"title":"Structural elements of an artistic work: creative and research innovations by R. J. Collingwood","authors":"M. Ternova","doi":"10.37627/2311-9489-23-2023-1.68-76","DOIUrl":"https://doi.org/10.37627/2311-9489-23-2023-1.68-76","url":null,"abstract":"The article reconstructs the process of formation of the structural elements of an artistic work: mimesis – canon – style – image – form – artistic method, which in the logic of the historical and cultural movement of art have gained significant importance in relation to the process of reproduction of reality.\u0000The specificity of the gradual introduction of these structural elements into both theoretical and practical circulation is shown in accordance with the development and complication of creative tasks of each specific art form. The specified structural elements were later evaluated as fundamental components of art history, and in a practical aspect, they were implemented in the process of creating artistic works and gave them those outlines that met the requirements of a certain historical period.\u0000It is emphasized that the deformation of the outlined structural elements took place at the beginning of the 20th century, when numerous formalist trends began to take shape on European soil, the representatives of which consciously rejected either mimesis or image. It is noted that after the avant-gardes, the elements of the work of art were revised in the 70s of the 20th century by supporters of \"postmodern\" aesthetics.\u0000The main theoretical principles of the monograph \"Principles of Art\" (1938) by the famous English philosopher, historian of science and art critic Robin George Collingwood (1889–1943), who proposed his own vision of the structural elements of an artistic work, which we evaluate as \"creative and research innovations\", are analyzed. In this article it is emphasized that, acting as an opponent of the vast majority of avant-garde experiments, the scientist consistently recreated the progressive \"movement\" of mimesis, canon, image and form in the dynamics of the historical and cultural process, for various reasons ignoring \"style\" and \"artistic method\".","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"08 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131572411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Fair image of Ukraine against the background of war: extra-graffiti`s implementation 战争背景下的乌克兰公平形象:extra-graffiti的实现

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-22-2022-2.112-130

Olena Chervoniuk

{"title":"Fair image of Ukraine against the background of war: extra-graffiti`s implementation","authors":"Olena Chervoniuk","doi":"10.37627/2311-9489-22-2022-2.112-130","DOIUrl":"https://doi.org/10.37627/2311-9489-22-2022-2.112-130","url":null,"abstract":"The article examines trends in the development, transformation, spread/destruction of such an artistic movement in Ukraine as graffiti or street art on the walls \"before\" and \"after\", which, according to the author, opens a new understanding for the viewer through the implementation of visual via national identity. The protest against graffiti or street art is over, today it has brought new reflections — to the war: the urban space is filled with inscriptions, drawings with deep patriotic and philosophical connotations, nation-building and the idea of a world without evil. On the surviving walls of the Ukrainian urban space, one can sometimes distinguish the hand of a certain master — a recently classified writer. Today, graffiti can be interpreted as an independent communication channel of public space, a kind of \"subconscious\" of the city. The paintings/murals have a special meaning and an unusual philosophy: the surviving wall is saved lives. The cultural heritage of each nation is, first of all, its intellectual component, the human factor, so now there is a need to explore the reflection of this topic in the works of writers, muralists in modern, war-torn urban space. In our opinion, images on the walls of Ukrainian cities subjected to barbaric destruction, preserved/destroyed, as well as new creations \"under the bullets\" stand out from the general work of the street art gallery. It is this art that reflects the spirit and indomitability of the nation.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"210 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116516231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Use of Decorative Art Elements in the Works of Ukrainian Designers 乌克兰设计师作品中装饰艺术元素的运用

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-15-2019-1.177-184

Valentyna Bystriakova, A. Osadcha, Olesia Pilhuk

{"title":"The Use of Decorative Art Elements in the Works of Ukrainian Designers","authors":"Valentyna Bystriakova, A. Osadcha, Olesia Pilhuk","doi":"10.37627/2311-9489-15-2019-1.177-184","DOIUrl":"https://doi.org/10.37627/2311-9489-15-2019-1.177-184","url":null,"abstract":"The article assesses the role of elements of decorative art in domestic design. It allocates sources and interrelation of decorative art and design, considers separate definitions of a concept of design. It is established that basic characteristic which helps to separate design from decorative creativity is manual artwork inherent in decorative art. The article argues that generally the design and decorative art are interdependent, while being rather autonomous, providing particular examples from creative practice of the Ukrainian artists and designers. It also considers functioning of creative platforms of the National Museum of the Ukrainian folk decorative art and the Museum of Modern Art of Ukraine.\u0000It is unconditional that the role of design steadily increases in the modern world, and a similar trend will only gain strength. Designers of our country managed not only to accumulate the Ukrainian traditional, original art in modern art objects, but also to solve a problem of innovations in decorative art, to keep it as a valuable reference point of modern culture according to the level of social and technological development of society. The role of the National Museum of the Ukrainian folk decorative art and the Museum of Modern Art of Ukraine which act de facto as art spaces for creative exhibitions of designers and other artists of our country is considerable.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115450771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cinematographic Process as an Example of Collective Creativity: From Dialogism and Communication to Self-expression 作为集体创作范例的电影过程:从对话、交流到自我表达

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-16-2019-2.63-71

T. Kokhan

{"title":"Cinematographic Process as an Example of Collective Creativity: From Dialogism and Communication to Self-expression","authors":"T. Kokhan","doi":"10.37627/2311-9489-16-2019-2.63-71","DOIUrl":"https://doi.org/10.37627/2311-9489-16-2019-2.63-71","url":null,"abstract":"The article, based on the general outline of the problem of creativity, defines the specificity of the cinematographic process attributed as an example of a more complex type of collective creativity compared to the theater. It shows how the harmonious cooperation of the director with the screenwriter, cameraman, artist, actor made it possible to identify the potential of the script and “find” those aesthetic and artistic means that influenced the quality of the film. The article reproduces theoretical position of Ukrainian scientists, which in recent decades has significantly expanded the space for the study of collective creativity due to the emphasis on moral and psychological aspects. On the example of the Marcel Carne film crew, it illustrates how creative teams were formed in the practice of European cinema, the joint work of which was transformed into the creation of a number of bright cinema works. It emphasizes that the collective type of creativity is a structural element of the problem of “creativity”. On the one hand, it is multidimensional; on the other, it is the inter-scientific one, where philosophical, psychological, cultural, aesthetic, art history and ethical approaches naturally coexist. The process of realizing the idea of the film allows filmmakers to fruitfully use the potential of such fundamental principles of cultural analysis as “dialogism” and “communication”, stimulating “self-expression” of the personality.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122491843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Functional role of the cello in Handel's solo cantatas 汉德尔独奏康塔塔中大提琴的功能作用

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-22-2022-2.63-71

Tetyana Grechanivska

引用次数: 0

Traditions and current state of the "police" series: the Italian experience “警察”系列的传统与现状:意大利的经验

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-21-2022-1.42-50

T. Kokhan

{"title":"Traditions and current state of the \"police\" series: the Italian experience","authors":"T. Kokhan","doi":"10.37627/2311-9489-21-2022-1.42-50","DOIUrl":"https://doi.org/10.37627/2311-9489-21-2022-1.42-50","url":null,"abstract":"The article reconstructs the Italian experience of creating \"police\" series, which from the 80s of the XX and the first two decades of the XXI century coexisted in the cinema of this country in parallel with feature films of the \"criminal\" genre, which were sometimes assessed as not only national but also European culture in general. The article focuses on the professionalism of the vast majority of \"police\" series and films made in Italy over the past forty years, and emphasizes that some series openly competed with films, especially in terms of skill and popularity of directors and actors involved in their creation.\u0000It is emphasized that the genre of \"police\" series is constantly represented in current film production, so a comparative analysis of traditions and modern experience in the production of films of this genre and understanding of their aesthetic and artistic orientation seems quite relevant. Particular attention is paid to the problem of the protagonist of the series, which for a long time - from series to series - carries an important emotional and psychological burden. Based on empirical material, the article reflects both the process of formation of the \"police\" series, and the gradual \"building\" of artistic means of expression in its implementation.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129391059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The phenomenon of SoNoR ensemble in the context of the cultural paradigm shift at the turn of the 21st century 21世纪之交文化范式转变背景下的SoNoR合奏现象

The Culturology Ideas Pub Date : 1900-01-01 DOI: 10.37627/2311-9489-19-2021-1.144-154

Samir Mirzayev

{"title":"The phenomenon of SoNoR ensemble in the context of the cultural paradigm shift at the turn of the 21st century","authors":"Samir Mirzayev","doi":"10.37627/2311-9489-19-2021-1.144-154","DOIUrl":"https://doi.org/10.37627/2311-9489-19-2021-1.144-154","url":null,"abstract":"Towards the end of the millennium, a once-vast empire had collapsed, causing a multitude of disruptions. This was an empire that had won World War II and become one of the world's superpowers for many decades; the empire that had created a completely new ideology and culture that had spread throughout many of its constituent nations as well as a number of neighboring countries. Music had been an important part of this culture. The demise of such a vast empire resulted, on one hand, in many of its component nations gaining liberty, but on the other, in various military, economic, and legal problems, among which should be mentioned a cultural and ideological vacuum. At the end of the last century, Azerbaijan, as well as other post-Soviet countries, was going through a period of crisis and culture shock, during which all governmental culture programs had been shut down. SoNoR, a contemporary music ensemble, appeared as an alternative to those programs during the darkest period of chaos. It was founded solely by a group of enthusiasts, and filled a cultural niche, becoming an image of contemporary music in the country for many years. SoNoR arranged concerts, festivals, workshops, and premieres both nationally and internationally. The band also established cultural exchanges with various countries. This article concerns the phenomenon of this group in the context of the turn of the century, as well as an attempt to analyze the main reasons for its ups and downs and eventual breakup.","PeriodicalId":338481,"journal":{"name":"The Culturology Ideas","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125657334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0