艺术作品的语义维度:文化方法

Iryna Piatnytska-Pozdnyakova
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引用次数: 0

摘要

这项工作的目的是识别音乐文本的语义意义结构,这些结构生动地代表了原始的作曲风格,而不是从它们的独特性的角度,而是作为一个复杂的多层语义空间。方法。这就形成了一种不同的分析话语,这是一种文化方法的基础,这种方法运用更广泛的分析手段,用于理解作曲家的世界观,确定他的创作风格基础的重要性,并从整体上理解作曲家概念领域的复杂语义过程。科学的新颖性在于揭示音乐文本意义形成的前文本、文本和后文本三个层次的语义重要结构要素。结果。通过对哈尔科夫作曲家普图什金作品的分析,揭示了音乐文本的内容层次,分析了音乐言语的结构要素。现实意义。本文所载的资料可用于进一步研究和为乌克兰文化历史和理论的新课程的讲座和研讨会编写方法论材料。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Semantical dimension of an artwork: culturological approach
The aim of the work is to identify semantically meaningful structures of musical texts that vividly represent the original compositional style not from the standpoint of their uniqueness, but as a complex multilayered semantic space. Methodology. This allows reaching a different analytical discourse which is the basis of a cultural approach that operates broader analytical means and is used to comprehend the composer's worldview, identify the significance of his stylistic foundations of creativity and understand the complex semantic processes of the composer's concept sphere as a whole. Scientific novelty consists in revealing semantically significant structural elements of musical texts at the pre-text, textual and post-text levels of meaning formation. Results. By analyzing the works of the Kharkiv composer V. Ptushkin, the content levels of musical texts are revealed, and the structural elements of musical speech are analyzed. The practical significance. The information contained in this paper may be used for further research and developing methodological material for the new courses of lectures and seminars in history and theory of Ukrainian culture.
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