Twentieth-сentury modern art: evolution and main trends

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Abstract

In the eighteenth century, Western civilization entered a historical epoch known as the Enlightenment, which established a new cultural and artistic paradigm of modernity. A German philosopher Jürgen Habermas remarked in this context: “The Enlightenment project formulated by the Enlightenment thinkers in the eighteenth century consisted in their desire to create an objective science, a universal morality and law, and an autonomous art based on their internal logic of development.” The following two centuries brought incredible diversity and depth to the Western art scene. They witnessed an unprecedented array of movements and creative originality. In addition, and in pursuit of the proclaimed ideal of total autonomy, twentieth-century artists revised the three most essential principles of art. The masters of modernism reinterpreted a traditional relationship between the means of representation and the object of art. They developed a new understanding of the role of the author in creating an artwork. And finally, they changed their view of the relationship between art and life. Those three features, in my opinion, comprise the substantive evolution of twentieth-century modern art.
二十世纪现代艺术:演变与主要趋势
在18世纪,西方文明进入了一个被称为启蒙运动的历史时期,它建立了一种新的现代性文化和艺术范式。德国哲学家j根·哈贝马斯(jrgen Habermas)在这种背景下评论道:“18世纪启蒙思想家制定的启蒙计划包括他们希望创造一种客观的科学,一种普遍的道德和法律,以及一种基于其内在发展逻辑的自主艺术。”接下来的两个世纪给西方艺术界带来了令人难以置信的多样性和深度。他们见证了一系列前所未有的运动和创意。此外,为了追求完全自主的理想,二十世纪的艺术家修改了艺术的三个最基本的原则。现代主义大师重新诠释了表现手段和艺术对象之间的传统关系。他们对作者在艺术创作中的作用有了新的认识。最后,他们改变了对艺术与生活关系的看法。在我看来,这三个特点构成了20世纪现代艺术的实质性演变。
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