Joyce Studies Annual最新文献_第3页

Zack Bowen 扎克伯恩

Joyce Studies Annual Pub Date : 2012-02-24 DOI: 10.1353/joy.2011.0023

E. L. Epstein

{"title":"Zack Bowen","authors":"E. L. Epstein","doi":"10.1353/joy.2011.0023","DOIUrl":"https://doi.org/10.1353/joy.2011.0023","url":null,"abstract":"When we think of Zack Bowen, we think of a giant—Gargantua and Pantagruel come to mind, or the huge conspirator who went by the name of Sunday from Chesterton’s The Man Who Was Thursday. Consider Zack’s awesome vita: ten books; five recordings of material from Ulysses, and editor of two more; seventy-one articles; one major monograph and the co-editorship of A Companion to Joyce Studies; two review articles; three annotated bibliographies; and forty-six major reviews. As for administration and service to James Joyce, it almost seems as if the giant Zack was, for many years, bearing most of the Joyce industry upon his shoulders. He occupied five major editorial positions, as well as editing the Florida James Joyce Series for ten years, the Critical Issues in British Literature series for fourteen years, and the James Joyce Literary Supplement from 1994 onward. He was President of the James Joyce Society for nine years, a member of the Board of Trustees of the International James Joyce Foundation for twenty-two years, and its president for five years. He was also chairman of three major English departments. Phew! (to quote FW 10.24) Zack was a giant in other ways, physically at least, and also in spirit. He was a big man, with a great resounding voice. I can still hear his huge laughter sounding for minutes at a time at some comic aspect of life or literature. With his great sense of the comic, Zack was the ideal Joyce critic because Joyce felt himself to be a master of the comic in literature. However, Zack was the ideal Joyce critic in another way: he was a master of music, of professional quality. Two of his books were on Joyce and music, and his recording for Folkways Records of five chapters of Ulysses was filled with his lilting tenor voice. As he himself wrote:","PeriodicalId":330014,"journal":{"name":"Joyce Studies Annual","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-02-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127276958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Joyce Illustrates Finnegans Wake and HCE Goes Tomb-Hopping 乔伊斯描绘了芬尼根守灵和HCE跳墓

Joyce Studies Annual Pub Date : 2011-04-01 DOI: 10.1353/JOY.2011.0004

Faith Steinberg

{"title":"Joyce Illustrates Finnegans Wake and HCE Goes Tomb-Hopping","authors":"Faith Steinberg","doi":"10.1353/JOY.2011.0004","DOIUrl":"https://doi.org/10.1353/JOY.2011.0004","url":null,"abstract":"Chapter I.4 of Finnegans Wake was first published in the April-July 1927 issue of transition. Ten years later in a letter dated August 6, 1937, Joyce writes to his Dublin friend Constantine Curran, ‘‘I am trying to finish my wip [Work in Progress]. (I work about 16 hours a day, it seems to me) . . .’’ (LI 395). What Joyce was working on in 1937 and 1938 was the editing and proofreading of the galleys for Finnegans Wake, including I.4. As he proofread, he continued expanding and embellishing the text, inserting directly into the galleys new words and phrases, which he culled from the notebooks that he had been amassing since 1922. Joyce’s intention was to obfuscate his night book further by introducing references to various artworks, such as Rembrandt’s The Night Watch (Figure 1), with the phrase, ‘‘Wacht even!,’’1 (76.23). There are also references to Michelangelo’s Night statue (Figure 2) in the Medici Chapel in Florence. This latter work is suggested by the lyrics from the French song, ‘‘La femme à barbe,’’2 as well as by other phrases that Joyce added to the galleys in 1937–38. Using the images of these artworks, and the words associated with them, Joyce sends HCE on a path emulating that of the Egyptian god Osiris. To establish the context for these events, we should recall that at the end of chapter I.3 of Finnegans Wake, HCE has been barraged with insults (71.10–72.16); rumors of his illicit behavior and crimes fly indiscriminately. Under the weight of these assaults, HCE finally succumbs and ‘‘Sdops’’ (74.19), i.e., drops, stops. As John Bishop points out, when I.4 opens, HCE reveals a ‘‘stream of unconsciousness of a man sleepily dead to the world.’’3 He longs to be brought back to life, and Joyce portrays HCE seeking refuge in the Book of the Dead4 (BOD). This text was ‘‘believed to give the dead strength to resist the attacks of foes and to","PeriodicalId":330014,"journal":{"name":"Joyce Studies Annual","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124787822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

James Joyce’s “Araby” on Film 詹姆斯·乔伊斯的电影《阿拉比》

Joyce Studies Annual Pub Date : 2011-04-01 DOI: 10.1353/joy.2011.0002

J. Kestner

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引用次数: 0

Reading the Disabled Woman: Gerty MacDowell and the Stigmaphilic Space of “Nausicaa” 阅读残疾妇女:格蒂·麦克道尔与《娜乌西卡》的污名化空间

Joyce Studies Annual Pub Date : 2011-04-01 DOI: 10.1353/JOY.2011.0009

Angela Lea Nemecek

{"title":"Reading the Disabled Woman: Gerty MacDowell and the Stigmaphilic Space of “Nausicaa”","authors":"Angela Lea Nemecek","doi":"10.1353/JOY.2011.0009","DOIUrl":"https://doi.org/10.1353/JOY.2011.0009","url":null,"abstract":"As readers of James Joyce’s Ulysses, we first encounter Gerty MacDowell during ‘‘Wandering Rocks.’’ Joyce’s encyclopedic account of the activities of both major and minor characters on the afternoon of June 16, 1904 fleetingly presents a host of physical and cognitive differences. From the one-legged sailor patriotically singing on Eccles Street; to the blind stripling on his way to retrieve his tuning fork from the Ormond Bar; to the harried and eccentric figure of Cashel Boyle O’Connor Fitzmaurice Tisdall Farrell, who accidentally knocks the blind stripling down; to Gerty herself, carrying her father’s ‘‘lino letters’’ and walking too slowly to catch a glimpse of the vice regal cavalcade (U 10.1207), ‘‘Wandering Rocks’’ presents brief displays of difference matter-of-factly. Three episodes later, in ‘‘Nausicaa,’’ the state of physical difference with which Ulysses is heretofore peripatetically concerned finally becomes the object of more sustained engagement. Through Gerty’s brief relationship with Leopold Bloom, we begin to see that physical difference occupies a crucial position within the novel, helping to illuminate a space in which models of identity and social relations that rely on normative bodies can begin to be challenged and revised. While I am not suggesting that Joyce himself intended a radical critique of ableism, I believe that an examination of Gerty’s character reveals her crucial role in shoring up the novel’s implicit questioning of compulsory normativity. Far from being a conventional, sentimental heroine, Gerty MacDowell embodies a powerful resistance to eugenic ideologies of standardization that pervade the twentieth century, positing in their place an ethics of bodily particularity.","PeriodicalId":330014,"journal":{"name":"Joyce Studies Annual","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131094760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 8

Orpheus Descending: Images of Psychic Descent in “Hades” and “Circe” 俄耳甫斯降下:《冥府》和《喀耳刻》中精神降下的意象

Joyce Studies Annual Pub Date : 2011-04-01 DOI: 10.1353/JOY.2011.0006

B. Lamson

引用次数: 0

Joyce’s Ellmann: The Beginnings of James Joyce 《乔伊斯的埃尔曼:詹姆斯·乔伊斯的开始

Joyce Studies Annual Pub Date : 2011-04-01 DOI: 10.1353/JOY.2011.0001

Amanda Sigler

{"title":"Joyce’s Ellmann: The Beginnings of James Joyce","authors":"Amanda Sigler","doi":"10.1353/JOY.2011.0001","DOIUrl":"https://doi.org/10.1353/JOY.2011.0001","url":null,"abstract":"Richard Ellmann’s James Joyce biography began unwittingly, during a conversation with W. B. Yeats’s widow in the aftermath of World War II. At her house in Dublin, Ellmann inquired about the fabled Joyce-Yeats meeting of October 1902. ‘‘I began this biography of Joyce in perhaps the happiest way, without knowing that I was beginning it,’’ Ellmann relates in his notes.1 At the time, Ellmann was writing a life of Yeats and had only a marginal interest in Joyce, but this meeting with the poet’s widow, like Joyce’s earlier meeting with Yeats, would prove the starting point of one of modern literature’s most significant literary relationships. Ellmann’s meeting with Mrs. Yeats was itself a stroke of luck, the first of many ‘‘gold mines’’ he would strike in his research excursions. Ellmann possessed an ‘‘intuitive knack for being in the right place to benefit from fortuitous discoveries,’’2 and his meeting with Yeats’s widow proved especially fortuitous. Stationed in England during World War II, Ellmann took advantage of his proximity to Ireland to write the poet’s widow. The neutral Irish government had relaxed restrictions on American servicemen after the Allied victory, and Ellmann was hopeful of a possible visit to Mrs. Yeats. ‘‘Fortunately I knew nothing of her well-earned reputation for never replying to letters,’’ Ellmann later wrote in his 1979 preface to Yeats: The Man and the Masks.3 Despite her reputation, Mrs. Yeats replied to Ellmann’s letter, encouraging him to see her. With this good news, Ellmann approached the head of his O.S.S. section, Norman Holmes Pearson, and requested a week’s leave. ‘‘Take two,’’ he replied (Yeats: The Man and the Masks xi). Ellmann then made the journey to 46 Palmerston Road, Rathmines, and viewed Yeats’s former study for the first time. ‘‘I asked his widow if","PeriodicalId":330014,"journal":{"name":"Joyce Studies Annual","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123348854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

“Building Up a Nation Once Again”: Irish Masculinity, Violence, and the Cultural Politics of Sports in A Portrait of the Artist as a Young Man and Ulysses “重新建立一个国家”:青年艺术家和尤利西斯肖像中的爱尔兰男子气概、暴力和体育文化政治

Joyce Studies Annual Pub Date : 2011-04-01 DOI: 10.1353/JOY.2011.0005

Peter C. L. Nohrnberg

引用次数: 2

Joyce’s “The Dead” and the Midlife Crisis 乔伊斯的《死者》和中年危机

Joyce Studies Annual Pub Date : 2011-04-01 DOI: 10.1353/JOY.2011.0008

T. Rendall

{"title":"Joyce’s “The Dead” and the Midlife Crisis","authors":"T. Rendall","doi":"10.1353/JOY.2011.0008","DOIUrl":"https://doi.org/10.1353/JOY.2011.0008","url":null,"abstract":"The idea of a midlife transition was first developed in detail as a concept of modern psychological practice by Elliot Jacques in his 1965 article ‘‘Death and the Mid-life Crisis.’’1 As is clear from his title, for Jacques the most important cause of the crisis is a person’s realization that, following an upward course of life, the course after middle-age is one downward to death. Persons experiencing a midlife crisis are typically dissatisfied with what they have so far accomplished in life, experience boredom with their current careers and partners, and have a strong desire to make radical changes in these areas. The midlife crisis is a controversial concept in current research: some researchers believe it is mainly due to mental, emotional, and social causes, while others stress the importance of biological, hormonal changes. Still others reject the concept altogether, calling it a ‘‘public myth,’’2 or ‘‘an unreal creature of the imagination.’’3 Notwithstanding this controversy, the phenomenon of midlife crisis has become part of our common wisdom, and it has frequently appeared in Western literature: Dante’s being lost at midlife in a Dark Wood; Don Quixote’s middle-aged dissatisfaction—so great that he changes his identity completely;4 Faust’s discontentment with his former career as scholar and professor;5 Mann’s exhausted Aschenbach; Eliot’s Prufrock, who has ‘‘seen the moment of my greatness flicker.’’6 Writing in 1907, Joyce could not have been aware of the midlife crisis syndrome as detailed in modern psychology. But research has shown that major personality adjustments are common in middle age, and Joyce, as an acute observer of human nature (his own nature included) incorporated in his fiction features of the midlife crisis, or to use a less dramatic phrase preferred by clinicians, the ‘‘mid-life transition’’ (Kruger). We find many of the key characteristics of this experience, as defined by late twentieth century psychology, embodied by Gabriel and Gretta in ‘‘The Dead.’’7","PeriodicalId":330014,"journal":{"name":"Joyce Studies Annual","volume":"39 1007 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116662058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Szombathely, Vienna, Budapest”: Epic Geography and the Austro-Hungarian Dimension of James Joyce’s Ulysses “Szombathely, Vienna, Budapest”:史诗地理与詹姆斯·乔伊斯《尤利西斯》的奥匈维度

Joyce Studies Annual Pub Date : 2011-04-01 DOI: 10.1353/JOY.2011.0011

Dieter Fuchs

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引用次数: 0

A Table for One: Hunger and Unhomeliness in Joyce’s Public Eateries 一个人的桌子:乔伊斯公共餐馆里的饥饿和不寻常

Joyce Studies Annual Pub Date : 2011-04-01 DOI: 10.1353/JOY.2011.0003

Lauren Rich

引用次数: 2